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"Content farms" promoting China's victory over the epidemic "backfires", authorities "fight falsehoods" to prevent Little Pinks from "being misled" and returning to China

(19 Mar) Recently, a string of articles on the "World Pandemic" appeared on the internet. The text in each article was the same except for the country's name. These "content farms" produced reports like "every country is losing control of the epidemic except China. Chinese people overseas should quickly return home and await further information." Our reporter learned from multiple sources that the creators behind these articles were - like Guo Hong - independent news site proprietors from Fuqing, Fujian. On Thursday (Mar 19), a group of people were accused and under investigation for "fabricating information to mislead many Chinese people to return home, endangering epidemic control efforts". Some analysts speculated, to prevent a "backfire", authorities promptly warned that reports on China's victory over the virus were triggering a wave of Chinese expats to return home, leading to a second outbreak. The authorities were making an example of the accused group to "fight falsehoods". (Reported by Huang Shanshan & Wen Haixin)

Fuqing's independent media proprietor Guo Hong admitted that after fabricating the "World Pandemic" web articles, many Little Pinks* from overseas took it at face value and made plans to return to China.

//A sudden influx of Little Pinks would likely cause the situation to deteriorate again.

//many overseas Chinese were brainwashed by the CCP over many years. Even after emigrating, they continued to rely on official government information and independent media from China.

//these self-serving wumao+ foreign propaganda contractors were duly abandoned.

//The CCP's implementation of compulsory quarantine fees for arrivals broke the hearts of the previously patriotic Chinese from overseas.

Full translation
https://telegra.ph/Content-farms-promoting-Chinas-victory-over-the-epidemic-backfires-authorities-fight-falsehoods-to-prevent-Little-Pinks-from-bei-03-29

Source: RFA
https://www.rfa.org/cantonese/news/lie-03192020083325.html

Further reading:
CCP’s Propaganda Tactics
https://t.me/guardiansofhongkong/19038

#GuoHong #ChinesePropaganda #OverseasChinese #LittlePinks
MUST READ: VERY IMPORTANT!!
China’s propaganda machine permeates the world, how “little pinks” and “red communist apps” are weaponized


//The propaganda machine’s “alternative facts” shape global opinion

//Hong Kong: the government and the public unite to “rewrite history”

//Official statements doled out from the “Chinese Central Kitchen”

//Flamewars, destroying information sources in 24 hours… wolf warrior diplomacy amidst the pandemic

//Zhenhua Data and other public opinion businesses continue expanding

//Who earns the money that the CCP throws into outsourcing “public opinion manipulation ventures”?

//Scholars discover that cross-strait intermediaries are key

//Content farms frequently build “bridges”

//“Little pinks” become the latest headache for the West

//Communist Red apps and social media platforms, the information war’s final campaign

Full translation by: Hong Kong Echo

Source: The Reporter

#China #PropagandaMachine #ContentFarms #LittlePinks #InternetTroll #RedCommunists #RewriteHistory
#PopMusic #Censorship
Top Ranking Song Mocking Chinese nationalists Banned in China and Delisted from HK-based streaming app


Malaysian rapper #Namewee and Taiwan-based Australian singer #KimberlyChen Fang-yu rolled out a Mandopop song titled "#Fragile" (玻璃心, or literally meaning "#GlassHeart"), on Youtube in mid-October 2021.

The term "glass heart" is commonly used to describe nationalist Chinese netizens who become easily upset when a social media post attacks the Chinese Comminist Party (#CCP).

While the song can be interpreted as a love song, the music video satirizes the CCP and nationalist Chinese netizens
(aka "#LittlePinks") through the extensive use of the color pink, simplified Chinese subtitles, and a giant and clumsy panda.

References are made to China's claims to Taiwan, bat soup representing COVID19, the Great Firewall, and #XiJingping's latest political campaign Common Prosperity.

The song hit the internet with an overwhelming popularity, receiving over 10 million Youtube views in just first few days.

The pro-China netizens criticized the lyrics for "inflicting insults on China", leading to both the ban of the singers in China and the removal of their #Weibo accounts.

In response, Namewee wrote on his Facebook page pointing out that the song has reflected a general trend as more people are realizing CCP's oppression and encroachment. The artist said, "[this song is] not so amazing, it's just a mirror."

Commenting on the freedom of expression in artistic creation, Namewee said, "If I have to give up creative freedom and my ideals, this goes against any artististic pursuit.  I would rather stop creating."

Namewee added in his comment that with the growing number of supporters, he would consider leveraging their influence to resist and protest against authoritarianism.

He said, "I believe if one remains silent in the face of iron fist, it would foster and reinforce them [authoritarianism]. Until one day, the iron fist hits your head as it spares no one."

On October 27, 2011, the Hong Kong-based music app, #MOOV, was found delisted the song from its app. Netizens slammed the music app, calling it "#FragileMOOV".

Source: Stand News #Oct25; as1 entertainment #Oct27

https://thestandnews.page.link/v8e74czAgLL9oV6Z8/

#PopCulture #PopSong #MandoPop #MOOV #Delist #Creativity #Art #Culture #MusicVideo #Ban