GDT GOTHIC, THE GIRL WITH THE DRAGON TATTOO, KELLERHOUSE DESIGN INC.
by LUX TYPOGRAPHIC + DESIGN
#custom #typeface
by LUX TYPOGRAPHIC + DESIGN
#custom #typeface
❤9
Abridge by Pentagram
Brand identity for the AI-powered clinical healthcare conversation platform.
Всё — шрифт, в первую очередь, — меняется, перестраивается и подстраивается. Примеров по ссылке больше, чем надо.
Реф по шрифту надо будет поискать.
#custom #typeface #identity #pentagram
Brand identity for the AI-powered clinical healthcare conversation platform.
Всё — шрифт, в первую очередь, — меняется, перестраивается и подстраивается. Примеров по ссылке больше, чем надо.
Реф по шрифту надо будет поискать.
#custom #typeface #identity #pentagram
❤4👍2
LALIGA — Custom font family & wordmark by Arillatype.Studio® (Agency: Grávita & PICNIC)
LALIGA Headline (9 styles + variable font with weight and width axes) for use in large sizes, LALIGA Text (6 styles) for body copy, and LALIGA Players (1 style) specially crafted for player jerseys.
#custom #typeface
LALIGA Headline (9 styles + variable font with weight and width axes) for use in large sizes, LALIGA Text (6 styles) for body copy, and LALIGA Players (1 style) specially crafted for player jerseys.
#custom #typeface
❤3🔥2
The Spurs font. Reimagined.
Nomad Studio
Cut to cut through, chant louder, and hit home (& away) harder. Working with F37 Foundry to supercharge the existing Spurs display face. Turning a single display font into a dynamic, variable, super family of fonts that are unmistakably Spurs.
😎——>>> wwwwww
#custom #typeface #identity
Nomad Studio
Cut to cut through, chant louder, and hit home (& away) harder. Working with F37 Foundry to supercharge the existing Spurs display face. Turning a single display font into a dynamic, variable, super family of fonts that are unmistakably Spurs.
😎——>>> wwwwww
#custom #typeface #identity
❤6
Немного безобразного в ленту.
Workbyworks Studio 🧨 Шрифт на заказ для Steffan Davies (Steffan Studio).
Танцуют все 💃🕺.
#custom #ugly #typeface #identity
Workbyworks Studio 🧨 Шрифт на заказ для Steffan Davies (Steffan Studio).
Танцуют все 💃🕺.
#custom #ugly #typeface #identity
🔥8
Te Awhi (Client)
—
Display Typeface
Throughout the brand, the typeface is paired with calming photos of flax and a colour and paper stock palette of warmer creams and earthy greys and rolled out across all print pieces, the website, staff uniforms and physical signage.
Довольно линейно и отрезочно.
🎉————>>> wwwww
#custom #typeface
—
Display Typeface
Throughout the brand, the typeface is paired with calming photos of flax and a colour and paper stock palette of warmer creams and earthy greys and rolled out across all print pieces, the website, staff uniforms and physical signage.
Довольно линейно и отрезочно.
🎉————>>> wwwww
#custom #typeface
👍2❤1
Довольно линейно и отрезочно — 2.0
«… просто совпало»
Micro–The inline display typeface effectively plays with stencil cut utility and industriousness.
📐———>>> www
#custom #identity #trick
«… просто совпало»
Micro–The inline display typeface effectively plays with stencil cut utility and industriousness.
📐———>>> www
#custom #identity #trick
😁3❤1
Rolling Stone Magazine
Хорошие шрифты.
Christian Schwartz remembers how elated he was to see one of his typefaces used on the cover of Rolling Stone for the first time. It was in 1998, during the illustrious Fred Woodward–Gail Anderson era; Robusto and Bold cuts of Fritz, an homage to Oz Cooper, were used to set coverlines over a full-bleed image of Katie Holmes. So when Richard Turley of Food and Mark Leeds of c-ll-ct-v-ly called on Commercial Type earlier this year to rethink the magazine’s type palette for the redesign they were working on, Christian didn’t hesitate to say yes.
#typography #custom #typeface #editorial
Хорошие шрифты.
Christian Schwartz remembers how elated he was to see one of his typefaces used on the cover of Rolling Stone for the first time. It was in 1998, during the illustrious Fred Woodward–Gail Anderson era; Robusto and Bold cuts of Fritz, an homage to Oz Cooper, were used to set coverlines over a full-bleed image of Katie Holmes. So when Richard Turley of Food and Mark Leeds of c-ll-ct-v-ly called on Commercial Type earlier this year to rethink the magazine’s type palette for the redesign they were working on, Christian didn’t hesitate to say yes.
#typography #custom #typeface #editorial
❤4