ใ…ค๐€๐œ๐ญ. ๐ˆ๐ˆ/๐ˆ โ”€โ”€ โ“˜) ๐–๐ก๐ข๐ฌ๐ฉ๐ž๐ซ๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐Œ๐ข๐๐ง๐ข๐ ๐ก๐ญ ๐’๐ญ๐ซ๐ข๐ง๐ ๐ฌ โ•‹
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Channel name was changed to ยซใ…ค๐€๐œ๐ญ. ๐ˆ๐ˆ/๐ˆใ…ค โ”€โ”€โ”€ใ…คโ“˜) ๐–๐ก๐ข๐ฌ๐ฉ๐ž๐ซ๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐Œ๐ข๐๐ง๐ข๐ ๐ก๐ญ ๐’๐ญ๐ซ๐ข๐ง๐ ๐ฌ โ•‹ยป
ใ…คใ…คใ…คโฒthe brown guitar he was holdingโณ
ใ…คใ…ค Plucking guitar strings. | .. ็œŸๅฏ็ˆฑ (XII)

ใ…คใ…คใ…คใ…คใ…คโ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€

ใ…ค(โ€˜Evening, at 7pm.)     ่‹ฑไฟŠ็š„   ๐–ฃ‡   Outside the weather is cloudy, strong winds are hitting the city tonight, as well as quite heavy rain. And now, you can only entertain yourself so you don't die of boredom. (&โ€ฆ) by playing a musical instrument, that handsome boy
ใ…คใ…คใ…คใ…คใ…คentertains himself.  โœช

ใ…คใ…คใ…คโ™ž  ่พ›ๅก”ใ€‚| .. CHARISMAUS GUITARIST.
ใ…ค โžณ he promised to meet up
ใ…ค with his friends tonight,
ใ…ค he should be at the place
ใ…ค where he usually meets up
ใ…ค with his friends. โซ  ็ฎ€ๅ•็š„ โ™Ÿ

็›–่‹ฅๆ‹‰ๅ…‹.   โœฎ   โ›โ›However, because the weather did not permit it, he preferred to sit on the his bed. Playing with his laptop and guitar, he creates melodious rhythms that come out of his minds. | .. โš“๏ธ
โค1๐Ÿ”ฅ1๐Ÿพ1๐Ÿ†’1
ใ…คใ…คใ…คใ…ค
ใ…คใ…ค
ใ…คใ…ค ๐– Ž๐– Žโ”€โ”€II. th' effervescent ambience
ใ…คใ…คwas replete with the scintillating
ใ…คใ…คfume of vehicular emissions caught
ใ…คใ…คwith the corporeal accents of the
ใ…คใ…คfaraway gastronomic condiments.

ใ…คใ…ค๐–ขง TAPESTRIED.. ๐–กบ to other alleys
ใ…คใ…คwould come ๐–ขœ [the late staccato]
ใ…คใ…คใ…คใ…คcanine &. vocalization โŒจ

โ€œ...โ€ a fleeting ๏ฅ’๏ฅˆ 90 โ”€โ”€I.
cacophony amongst the
sotto voce murmurings and
far distances alarms.

ใ…ค๐“Žฃ EQUAL โ€ขโ€ข in-it's most &.
quiescent .55. state, the metropolis
was an opus of (implicit industry.)

ใ…ค๐–ฆธ [ๆˆ‘ไนŸๆ˜ฏไธ€ๅ€‹] exotic .. musical
ใ…คphrase in this vast orchestration
ใ…คhave found my own existence
ใ…คrunning the edge of the world of
ใ…คspectatorship and engagement.
ใ…คใ…คใ…ค
โค2๐Ÿ”ฅ1๐Ÿ†1
ใ…คใ…ค
ใ…คใ…คใ…คใ…คโ“˜. XII ANAK
ใ…คใ…คใ…คใ…คใ…คใ…คใ…คTONGKRONGAN.

ใ…คโธป buat orang kaya gua, emang surga dunia kalo udah malem hari, waktunya gua nongkrong bareng temenโ”€temen gua, ditemenin kopi item segelas kagak lupa nyebat. tapi emang gua sebenernya suka malem hari, tenang. di tambah bisa nyantai alias nongkrong [ โ˜•๏ธ ] banyak masalah yang perlu kita hadapin tapi ya gak usah di ambil pusing, nikmatin proses nya dan saling cerita satu sama lain.

( โŽ‹ ) gua bawa gitar, dan temen gua yang nyanyi, udah biasa begitu di warung kopi langganan. jadi yang jual pun udah gak heran. kalau begini yang dibahas bukan cewe lagi, tapi musik. anak-anak sini emang punya bakatnya tersendiri, kaya gua bisa ngegitar dan bass ๐Ÿ”›๐Ÿ”

Jl. Margonda, Depok

; gua disini dari jam sembilan malem tepat, gua baru pulang jam 02.00 pagi, emang kagak baik begadang mulu tapi itu cara gua nenangin diri ๐ƒˆ
๐Ÿ†’2โค1๐Ÿ”ฅ1
โ€˜PLUCKING GUITAR STRINGS.. โ€™ (โ“˜. 120/20!โ€™)  ๐ŸŽธ

ใ…คใ…คใ…คใ…คโ”ƒ Croon with many mortals is
ใ…คใ…คใ…คใ…คโ”ƒ amusement, amusing that Iโ€™ve
ใ…คใ…คใ…คใ…คโ”ƒ always craved:  โ€œ.. ่‹ฑไฟŠ็š„ใ€‚ ๐Ÿ’€


ใ…คใ…คใ…ค๐Ÿ•ธ๏ธ  ..    ROCKSTAR  โ€œ   XII.  ๅพˆ้…ทใ€‚           โ€ขโ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ€ข            ๐Ÿ•ธ๏ธ

ใ…คใ…ค(โ€˜Vol, 23.02!โ€™) IYawp, indicating
ใ…คใ…คexceedingly
passionate enthusiasm |
ใ…คใ…คChant a tune with such passion, even
ใ…คใ…คthough night was come by late..  ๐–ฃ‡

  &. [ โ€˜CHARISMAUS GUITARIST.] ๅ”ฑๆญŒ ๐Ÿ•ท๏ธ          
IIdifferent dulcet instruments were heard
conduct the intone, in time with yelp coming from chops of souls adjacent. what a wonderful night.

ใ…คใ…คใ…คใ…ค(โ€˜โ…‹.. ? ) Thโ€™ later it gets tonight, more
ใ…คใ…คใ…คใ…คmy spirit burns. chant loudly,
ใ…คใ…คใ…คใ…คindicating how excited I-(they)
ใ…คใ…คใ…คใ…คare right now | .. ็พŽๅฅฝ็š„ๅคœๆ™šใ€‚โ€ 
๐„ž
๐Ÿ”ฅ2โคโ€๐Ÿ”ฅ1โค1