🍿 Into the Sky: the alien abduction romcom nobody knew they needed

📆 Estreno: September 17, 2026
🎭 Género: #SciFi · #Comedy
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A guy just wants his wife back. The aliens won't let him. That's the whole pitch, and honestly it sells itself. The premise is absurdist gold, but what makes it land is the casting: Sam Richardson is exactly the kind of actor who makes cosmic humiliation feel warm rather than mean.

If you slept on his Werewolves Within, fix that first. This feels like the same DNA: genre scaffolding, genuine heart, jokes that respect your intelligence. Premiering at Fantastic Fest, which tends to have good radar for this stuff.

🍿 Ali G is back. 24 years later. Make it make sense.

📆 Estreno: October 23, 2026
🎭 Género: #Comedy #Documentary
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Sacha Baron Cohen wrote, directed and stars in this sequel to 'Ali G Indahouse', his feature directorial debut via Amazon MGM. The whole thing was shot in secret, which is honestly the most Ali G thing possible.

The real question is whether the joke still lands. Prank comedy lives on the target not knowing who you are. Half the world knows Ali G now. The other half has never heard of him and couldn't care less about a parody of early-2000s UK roadman culture.

That tension, a character frozen in time facing a world that moved on, could actually be interesting if Cohen leans into it. He probably won't. But the possibility is there.

🎬 Tim Curry is gone. There was nobody quite like him.

Tim Curry died August 26 at 80. Frank-N-Furter in 'The Rocky Horror Picture Show', Wadsworth in 'Clue', the Lord of Darkness in 'Legend'. Each role a complete performance, zero filler.

Post-stroke, the body slowed. The wit never did. That combination of theatrical precision and gleeful chaos is something film school can't teach and Netflix can't manufacture. RIP. 🎩

Chris Hansen bought ads before every screening of his own biopic. That move alone feels like an episode of his show.

📆 Estreno: September 25, 2026
🎭 Género: #Thriller #Drama #Crime
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Robert Pattinson plays Hansen at the peak of the 2006 To Catch a Predator frenzy. Director Lance Oppenheim has a gift for dissecting the theater of American obsession, and this subject fits him perfectly.

Hansen refused to watch the film without a no-lawsuit clause, then bought preshow airtime to frame the story on his own terms. A24 couldn't have scripted better marketing.

🍿 Ali G is back. Whether that's good news depends entirely on which Ali G you loved.

📆 Estreno: October 23, 2026
🎭 Género: #Comedy #Mockumentary
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Sacha Baron Cohen returns as Ali G, now 20 years older and thrown into TikTok culture. The self-aware conceit is genuinely funny. And yes, he directed it himself.

The real question is which version shows up. The early Ali G, who exposed establishment cluelessness brilliantly in 'Ali G Indahouse', or the later one who just leaned into the joke until the joke stopped landing. Picturehouse passing is noise. October 23 is the only verdict that counts.

🎃 Other Mommy: the trailer shot that cleared popcorn buckets nationwide

📆 Estreno: October 9, 2026
🎭 Género: #Horror #Thriller
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Jessica Chastain doing double duty as mom and monster is inspired casting. Rob Savage (Host) knows how to make one image do all the work. Her crouched beneath the kitchen table already broke multiplex audiences cold.

Josh Malerman's novel has a blue, hairy demon; the film trades it for a doppelganger. A familiar face worn wrong beats any CGI beast. My only question: can it hold that dread past the first act. 🕳️

🍿 Wile E. Coyote almost got deleted. He survived. And the movie is actually good.

📆 Estreno: August 28, 2026
🎭 Género: #Comedy · #Animation · #LiveAction
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Director Dave Green and Will Forte spent years watching Warners try to bury this thing for a tax write-off. It finally hits theaters, and people are laughing all the way through. Minor miracle.

On paper it sounds like a joke. Wile E. takes ACME to court. In practice the heart underneath is real, and you might walk out genuinely moved by a cartoon coyote. The live-action/animation blend earns its nod to Who Framed Roger Rabbit.

The movie that nearly didn't exist turns out to be exactly what you needed.

🍿 Pokémon: Wild Card is real, and the poster already hits different

📆 Estreno: 2027
🎭 Género: #Animation #Adventure
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Seven years since Detective Pikachu and the franchise skips live-action entirely. Director Katsuhiko Kitada and CloverWorks (of Spy x Family) are centering a TCG player and Mimikyu. That alone is a more interesting premise than any nostalgia-bait reboot.

The poster leans hard cyberpunk: dark palette, sharp angles. For a franchise that lived in pastel comfort for decades, this is a real tonal bet. Cautiously sold.

🧠 Idiocracy turns 20. It was right about everything except the timeline.

Mike Judge gave President Camacho 500 years to emerge. We're speedrunning it in real time. The film's sharpest joke isn't the Brawndo ads or the toilet humor, it's that Camacho actually listened to an expert when it counted.

That's the detail that stings most in 2026. Idiocracy didn't predict collapse or dictatorship. It predicted a world that stays just functional enough to keep humiliating itself, and somehow that's the scarier outcome.

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🍿 The Angry Birds Movie 3 rips off the Dune poster and somehow earns it

📆 Estreno: December 23, 2026
🎭 Género: #Animation · #Comedy · #Family
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"Lisan al Birdee." That poster is funnier than most blockbuster marketing this year. Director John Rice and Jason Sudeikis are leaning hard into self-awareness, and it works.

The first The Angry Birds Movie had no business being as funny as it was. Solid jokes, real craft underneath the IP slop. Three films in, the franchise is still betting on meme culture as its engine, and honestly, that bet looks smarter every time.

🍿 Supergirl hits HBO Max September 10. The discourse is already warming up.

📆 Estreno: September 10, 2026 (HBO Max)
🎭 Género: #Superhero · #SciFi · #DCU
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Milly Alcock is genuinely good casting. A jaded, punk-edged Kara with real bite, nothing like the blue-eyed scout of old. What drags the film down is everything around her: the script, the palette, that oppressive murky brown and yellow grade that makes every frame look like it was shot inside a diesel engine.

Director Craig Gillespie reportedly skipped Tom King and Bilquis Evely's source comic entirely before taking the job. It shows. The book's visual poetry is striking; the film's is not. Deliberately ignoring your source material isn't a bold creative choice, it's just hubris with receipts.

🍿 Pattinson plays Chris Hansen. Hansen is not pleased. This is already fascinating.

📆 Estreno: September 25, 2026
🎭 Género: #Thriller #CrimeDrama
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Director Lance Oppenheim, who apparently first encountered "To Catch a Predator" through South Park parodies, has turned that secondhand mythology into an A24 thriller. That detail matters, because Primetime feels less like a biopic and more like an obsession with why Hansen became an icon in the first place.

Pattinson nailed it when he said there's "something he's doing" behind that show's staying power, something you can't name even after watching thousands of hours. The camera loves certain people for reasons that defy logic. Hansen is one of them.

Hansen walking out of the A24 screening over an NDA is, weirdly, very on-brand.

🎬 Zach Cregger has thoughts on Hollywood's viral horror gold rush. Good ones.

Cregger is out here saying what few working directors will say out loud: chasing a hot IP without loving the story is a fast track to a bad movie. He knows because he lived it, with the 2009 comedy Miss March. Coming from the guy who turned Barbarian into one of the sharpest horror films of the decade, that carries weight.

He's also not writing the Weapons spin-off Gladys himself. Zach Shields has that one. Smart move: you don't have to direct everything in your orbit just because your name is on it. Restraint is underrated in this industry.