Reacting in the moment, reading the room, changing directionโฆ thatโs where DJing becomes real. Its a never-ending art and you can get insanely creative with it if you spend time practicing, digging, and finding new music. Also, itโs really important to know your music and your tracks so you can pick accordingly to the energy of the night and the heat of the moment, and itโs also really important to have broader musical knowledge beyond techno and explore more electronic and not only genres.
In general, i believe preparation gives you freedom. The more organized you are, the less you think when you playโฆ and the more space & time you have to create something new and beautiful for the night.
Finally and most importantly (repeating my self again) be yourself, always. Donโt follow trends, donโt copy othersโ play styles and donโt be afraid to take risks. DJing is a beautiful never-ending art with no limitations. Treat it as such.๐ค
In general, i believe preparation gives you freedom. The more organized you are, the less you think when you playโฆ and the more space & time you have to create something new and beautiful for the night.
Finally and most importantly (repeating my self again) be yourself, always. Donโt follow trends, donโt copy othersโ play styles and donโt be afraid to take risks. DJing is a beautiful never-ending art with no limitations. Treat it as such.
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โค17๐1
hey fam, giving away x2 GL for Sound Department tomorrow in Italy! DM me your name/email on IG. First come first served, enjoy ur weekend ๐ค๐ค
โค2
Hardware Series - Chapter III
Okayyโฆ now that weโve talked about what hardware is and went through a bunch of machinesโฆ
letโs get into the part that confuses people the most:
๐ก๐จ๐ฐ ๐ญ๐จ ๐๐๐ญ๐ฎ๐๐ฅ๐ฅ๐ฒ ๐๐ฎ๐ข๐ฅ๐ ๐ฒ๐จ๐ฎ๐ซ ๐จ๐ฐ๐ง ๐ฌ๐๐ญ๐ฎ๐ฉ!
This is where most people get lost, overspend (!!!), or end up with 10 machines doing nothing.
Again, there is no perfect setup, but only a setup that works for you.
๊ ฎ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐๊ ฎ
Before buying anything, ask yourself: why do you even want hardware?
Do you want to:
โข perform live in clubs?
โข produce in the studio?
โข jam and experiment?
โข build a hybrid setup with your DAW?
This sounds simple, but most people skip it and start buying random gear. If ur goal is live performance, your setup will look very different compared to a studio-focused setup. If your goal is production, u dont need a complex live rig (at the beginning).
Clarity here saves you money, time and a looot of frustration.
๊ ฎ ๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐ ๐.๐.๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๊ ฎ
I think that every setup needs a center. One machine that acts as your main brain. A machine that you can master and build your setup around.
This could be:
โข a drum machine
โข a sampler
โข a groovebox
โข or even your DAW (laptop)
Everything else should support that. One of the biggest mistakes is trying to build a setup where everything does everything. It doesnโt work. Pick one main machine and build around it. Try to learn it as much as possible, experiment, go crazy, use it in unconventional ways.
Personally, iโve learned (and still learning ๐ ) that itโs way more powerful to know 1โ2 machines deeply than owning many and knowing 10% of each. Thatโs where your sound actually starts forming.
๊ ฎ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ (๐๐ ๐ ๐๐๐๐) ๊ ฎ
You donโt need a crazy setup to make powerful and impactful music. Some of the best tracks ever made came from very minimal setups.
Examples:
Minimal setup
โข 1 drum machine
โข 1 synth
Thatโs enough to create full ideas.
Hybrid setup
โข laptop (Ableton)
โข 1โ2 machines
Very flexible, very common, and very effective.
Live setup
โข 2โ4 machines max
More than that becomes hard to control, especially in a club environment. You want to have control of your performance, and not be tooo chaotic.
๊ ฎ ๐๐๐๐๐ ๐๐๐ > ๐๐๐๐ ๊ ฎ
This is the most important part. I think its not about what machines you use, but HOW you actually use them and having a personal workflow is SUPER important.
For example, my production workflow is usually:
โข build drums on hardware (sound design & mixing)
โข create synths, textures & fx on hardware (sound design & mixing on top of drums)
โข jam a little bit to create the idea in my mind
โข record 8-bar or longer loops into Ableton
โข arrange inside the DAW
โข light processing after (mostly EQing, sidechains and subtle volume & filter automations)
Itโs quite simple, but it works for me. You need a workflow that you actually enjoy and repeat consistently. Of course, itโs always important not to get stuck in the same process for too long, even if it works and you get amazing results. Its nice from time to time to get out of your comfort zone and try different things.
๊ ฎ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๊ ฎ
Not all setups are made for both. Some machines are amazing for production but not ideal for live performance, and others are built for performance and feel limited in the studio.
If your goal is ๐๐๐๐:
โข think about control & actual live performance
โข think about transitions and flow
โข think about how fast you can react while performing
If your goal is ๐ฌ๐ญ๐ฎ๐๐ข๐จ & ๐ฉ๐ซ๐จ๐๐ฎ๐๐ญ๐ข๐จ๐ง:
โข think about sound design
โข flexibility & modulation
โข sequencing possibilities
๊ ฎ ๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐ ๊ ฎ
If youโre into techno or industrial techno, a very solid starting point is:
โ start with a drum machine
โ then add a synthesizer
The drum machine will handle your rhythm and groove, and the synth will give you melodies, textures and character.
Okayyโฆ now that weโve talked about what hardware is and went through a bunch of machinesโฆ
letโs get into the part that confuses people the most:
๐ก๐จ๐ฐ ๐ญ๐จ ๐๐๐ญ๐ฎ๐๐ฅ๐ฅ๐ฒ ๐๐ฎ๐ข๐ฅ๐ ๐ฒ๐จ๐ฎ๐ซ ๐จ๐ฐ๐ง ๐ฌ๐๐ญ๐ฎ๐ฉ!
This is where most people get lost, overspend (!!!), or end up with 10 machines doing nothing.
Again, there is no perfect setup, but only a setup that works for you.
๊ ฎ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐๊ ฎ
Before buying anything, ask yourself: why do you even want hardware?
Do you want to:
โข perform live in clubs?
โข produce in the studio?
โข jam and experiment?
โข build a hybrid setup with your DAW?
This sounds simple, but most people skip it and start buying random gear. If ur goal is live performance, your setup will look very different compared to a studio-focused setup. If your goal is production, u dont need a complex live rig (at the beginning).
Clarity here saves you money, time and a looot of frustration.
๊ ฎ ๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐ ๐.๐.๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๊ ฎ
I think that every setup needs a center. One machine that acts as your main brain. A machine that you can master and build your setup around.
This could be:
โข a drum machine
โข a sampler
โข a groovebox
โข or even your DAW (laptop)
Everything else should support that. One of the biggest mistakes is trying to build a setup where everything does everything. It doesnโt work. Pick one main machine and build around it. Try to learn it as much as possible, experiment, go crazy, use it in unconventional ways.
Personally, iโve learned (and still learning ๐ ) that itโs way more powerful to know 1โ2 machines deeply than owning many and knowing 10% of each. Thatโs where your sound actually starts forming.
๊ ฎ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ (๐๐ ๐ ๐๐๐๐) ๊ ฎ
You donโt need a crazy setup to make powerful and impactful music. Some of the best tracks ever made came from very minimal setups.
Examples:
Minimal setup
โข 1 drum machine
โข 1 synth
Thatโs enough to create full ideas.
Hybrid setup
โข laptop (Ableton)
โข 1โ2 machines
Very flexible, very common, and very effective.
Live setup
โข 2โ4 machines max
More than that becomes hard to control, especially in a club environment. You want to have control of your performance, and not be tooo chaotic.
๊ ฎ ๐๐๐๐๐ ๐๐๐ > ๐๐๐๐ ๊ ฎ
This is the most important part. I think its not about what machines you use, but HOW you actually use them and having a personal workflow is SUPER important.
For example, my production workflow is usually:
โข build drums on hardware (sound design & mixing)
โข create synths, textures & fx on hardware (sound design & mixing on top of drums)
โข jam a little bit to create the idea in my mind
โข record 8-bar or longer loops into Ableton
โข arrange inside the DAW
โข light processing after (mostly EQing, sidechains and subtle volume & filter automations)
Itโs quite simple, but it works for me. You need a workflow that you actually enjoy and repeat consistently. Of course, itโs always important not to get stuck in the same process for too long, even if it works and you get amazing results. Its nice from time to time to get out of your comfort zone and try different things.
๊ ฎ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๊ ฎ
Not all setups are made for both. Some machines are amazing for production but not ideal for live performance, and others are built for performance and feel limited in the studio.
If your goal is ๐๐๐๐:
โข think about control & actual live performance
โข think about transitions and flow
โข think about how fast you can react while performing
If your goal is ๐ฌ๐ญ๐ฎ๐๐ข๐จ & ๐ฉ๐ซ๐จ๐๐ฎ๐๐ญ๐ข๐จ๐ง:
โข think about sound design
โข flexibility & modulation
โข sequencing possibilities
๊ ฎ ๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐ ๊ ฎ
If youโre into techno or industrial techno, a very solid starting point is:
โ start with a drum machine
โ then add a synthesizer
The drum machine will handle your rhythm and groove, and the synth will give you melodies, textures and character.
โค10
That combination alone is more than enough to build strong tracks and even create a whole live performance.
โค3
๊
ฎ ๐๐๐๐ ๐ โ ๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๊
ฎ
This can be the core of your setup. Your groove, your signature & your foundation.
Some solid options depending on budget and level:
Beginner / Entry:
โข Roland TR-6S
โข Arturia DrumBrute
Intermediate:
โข Roland TR-8S
โข Elektron Digitakt
More advanced (if you want to commit):
โข Elektron Analog Rytm
โข Roland TR-1000
Why start here?
Because in techno, drums are everything. If your drums work, 70% of your track already works. Spend time here and learn it properly. You can do insane stuff with basic drum machines if you try to master them that someone with medium knowledge on an advanced one can't even reach. (READ THE MANUAAAAAAAAAAL)
๊ ฎ ๐๐๐๐ ๐ โ ๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐๐ ๊ ฎ
Once your drums are solid, you need something for:
โข basslines
โข textures
โข atmospheres
โข leads
Some good starting options:
Beginner:
โข Korg Minilogue
โข Arturia Microfreak
โข Roland SH-101
Intermediate:
โข Elektron Digitone
โข Novation Peak
Advanced:
โข Elektron Analog Four
โข ASM Hydrasynth
โข Erica SYNTRX
This is where your identity starts to form, although the options are almost limitless. You really need to make a good resaerch online, to see if you actually like the sound and the workflow of each before buying it. Don't ever go with hype or trends, always listen to your intuition and trust your taste. (RTFM!!!!!!)
Your synth choices + how you use them = your signature sound.
๊ ฎ ๐๐๐๐ ๐ โ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ (๐๐๐๐๐๐ ๐๐๐๐๐) ๊ ฎ
Keep it very simple at first:
โข drum machine โ main groove
โข synth โ textures / melodies
โข audio โ into soundcard or mixer
โข MIDI โ between your machines
You don't have to do complex connections or routing at first, use each machine for it's own purpose and treat them as separate, and eventually all of your machines will act as one.
If youโre using Ableton:
โ use it to record your loops
โ arrange your track later
๊ ฎ ๐๐๐๐ ๐ โ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ (๐๐๐๐๐ ๐๐) ๊ ฎ
Once you understand your setup, you can expand:
โข sampler (blackbox / Octatrack) โ for more control
โข extra synthesizers or drum machines
โข FX pedals (reverb / delay / distortion) โ for more character
โข sequencers โ if you have multiple machines (check II part for recommendations)
But this comes later.
๊ ฎ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐ โ ๐๐๐ / ๐๐๐๐๐๐ ๐๐๐๐๐ ๊ ฎ
If you prefer something more structured and โin the boxโ here are some options:
โ Ableton + Push
โ Ableton + APC 40 Mk2
โ Akai Force
โ Maschine+
Then maybe add:
โข 1 synth
โข or 1 drum machine
This setup is easier to manage, faster to produce with and in my opinion less overwhelming. Still very powerful though.
๊ ฎ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๊ ฎ
At the end of the day, your setup wont make you a better artist. It just amplifies whatever is already there. You can have the most advanced machines in the world and still sound empty, or u can have the simplest setup and create something powerful that can touch people.
What really matters is how much time you spend with your tools, how well you understand them, and how honestly you use them to express yourself.
Thereโs no rush to build the "perfect" setup, because it doest exist. Your setup will evolve as you evolve. What feels right today might feel limiting in a year, and thats part of the processs.
So focus less on what you โshouldโ have, and more on what makes you want to sit down and create. Build something that feels natural in your hands, something that makes sense in your head, and something that translates what you feel into your sounds and tracks.
Thats where your identity comes from. ๊ ฎ
This can be the core of your setup. Your groove, your signature & your foundation.
Some solid options depending on budget and level:
Beginner / Entry:
โข Roland TR-6S
โข Arturia DrumBrute
Intermediate:
โข Roland TR-8S
โข Elektron Digitakt
More advanced (if you want to commit):
โข Elektron Analog Rytm
โข Roland TR-1000
Why start here?
Because in techno, drums are everything. If your drums work, 70% of your track already works. Spend time here and learn it properly. You can do insane stuff with basic drum machines if you try to master them that someone with medium knowledge on an advanced one can't even reach. (READ THE MANUAAAAAAAAAAL)
๊ ฎ ๐๐๐๐ ๐ โ ๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐๐ ๊ ฎ
Once your drums are solid, you need something for:
โข basslines
โข textures
โข atmospheres
โข leads
Some good starting options:
Beginner:
โข Korg Minilogue
โข Arturia Microfreak
โข Roland SH-101
Intermediate:
โข Elektron Digitone
โข Novation Peak
Advanced:
โข Elektron Analog Four
โข ASM Hydrasynth
โข Erica SYNTRX
This is where your identity starts to form, although the options are almost limitless. You really need to make a good resaerch online, to see if you actually like the sound and the workflow of each before buying it. Don't ever go with hype or trends, always listen to your intuition and trust your taste. (RTFM!!!!!!)
Your synth choices + how you use them = your signature sound.
๊ ฎ ๐๐๐๐ ๐ โ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ (๐๐๐๐๐๐ ๐๐๐๐๐) ๊ ฎ
Keep it very simple at first:
โข drum machine โ main groove
โข synth โ textures / melodies
โข audio โ into soundcard or mixer
โข MIDI โ between your machines
You don't have to do complex connections or routing at first, use each machine for it's own purpose and treat them as separate, and eventually all of your machines will act as one.
If youโre using Ableton:
โ use it to record your loops
โ arrange your track later
๊ ฎ ๐๐๐๐ ๐ โ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ (๐๐๐๐๐ ๐๐) ๊ ฎ
Once you understand your setup, you can expand:
โข sampler (blackbox / Octatrack) โ for more control
โข extra synthesizers or drum machines
โข FX pedals (reverb / delay / distortion) โ for more character
โข sequencers โ if you have multiple machines (check II part for recommendations)
But this comes later.
๊ ฎ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐ โ ๐๐๐ / ๐๐๐๐๐๐ ๐๐๐๐๐ ๊ ฎ
If you prefer something more structured and โin the boxโ here are some options:
โ Ableton + Push
โ Ableton + APC 40 Mk2
โ Akai Force
โ Maschine+
Then maybe add:
โข 1 synth
โข or 1 drum machine
This setup is easier to manage, faster to produce with and in my opinion less overwhelming. Still very powerful though.
๊ ฎ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๊ ฎ
At the end of the day, your setup wont make you a better artist. It just amplifies whatever is already there. You can have the most advanced machines in the world and still sound empty, or u can have the simplest setup and create something powerful that can touch people.
What really matters is how much time you spend with your tools, how well you understand them, and how honestly you use them to express yourself.
Thereโs no rush to build the "perfect" setup, because it doest exist. Your setup will evolve as you evolve. What feels right today might feel limiting in a year, and thats part of the processs.
So focus less on what you โshouldโ have, and more on what makes you want to sit down and create. Build something that feels natural in your hands, something that makes sense in your head, and something that translates what you feel into your sounds and tracks.
Thats where your identity comes from. ๊ ฎ
โค19๐ฅ3
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๐๐๐๐๐๐๐ ๐&๐
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Hey fam, ive been a bit quiet here lately. The past month was busy with travels, and projects, but now things are settling down and im also consciously focusing on fewer things with much more intention.
ill try to be much more active throughout the summer as i prepare a new live performance aaand ill do my best to document the entire journey with you, sharing the process, challenges, experiments, and everything in between.
in the meantime, you can enjoy this recording from Euphoria (in Kosovo) a few months back. its now on Youtube!! hope you enjoy the ride
Much love ๐ค๐ค
ill try to be much more active throughout the summer as i prepare a new live performance aaand ill do my best to document the entire journey with you, sharing the process, challenges, experiments, and everything in between.
in the meantime, you can enjoy this recording from Euphoria (in Kosovo) a few months back. its now on Youtube!! hope you enjoy the ride
Much love ๐ค๐ค
โค9
Hey guysss, giving away x2 GL for Berlin this Saturday dm me on IG first come first servedddd ๐๐๐ง
โค1
Morning fam, i wanted to share something with u thatโs not directly related to music, but to art and creativity in general.
Lately ive been revisiting "The Creative Act" probably my favourite book since the year it was released. It helped me tremendously understand not only my music, but the creative process behind it, how ideas appear, where inspiration comes from, the mindset of creating something meaningful, and how important it is to stay true to your own path which for me at least is super important..
i'd honestly recommend it to anyone involved in any form of art, but especially musicians and producers. Rick Rubin is one of the greatest producers of all time, and the wisdom shared in these pages goes faaaaaar beyond music.
just leaving it here for all of you. im sure many of you will find something valuable inside it. ๐ค๐ค
Lately ive been revisiting "The Creative Act" probably my favourite book since the year it was released. It helped me tremendously understand not only my music, but the creative process behind it, how ideas appear, where inspiration comes from, the mindset of creating something meaningful, and how important it is to stay true to your own path which for me at least is super important..
i'd honestly recommend it to anyone involved in any form of art, but especially musicians and producers. Rick Rubin is one of the greatest producers of all time, and the wisdom shared in these pages goes faaaaaar beyond music.
just leaving it here for all of you. im sure many of you will find something valuable inside it. ๐ค๐ค
โค10
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Sharing a short jam i made recently, as iโmworking on a new project.. more info in a few weeks, enjoy ๐ค ๐
โค13โคโ๐ฅ1
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๐๐๐๐๐๐๐ ๐&๐
Youโve been invited to join this group on Telegram.
โค2โคโ๐ฅ1