https://prurient.bandcamp.com/track/electronic-storms-1-rumors это мы слушаем

Demdike Stare’s DDS label kicks off a new series of limited edition 12”s with the return of Shinichi Atobe, offering a slow evolution of his inimitable deep house, finely balanced with a new found sub-heavy bias while unlocking extra space in the upper registers.

Atobe’s third 12” since debuting on Chain Reaction in 2001 marks a subtle but crucial development of his style, leaning towards classically deep, dub house templates. On both sides he adds supple flesh and hypnotic emotive pathos to his stripped formula, resulting in some of the most immediate and enduring work in his canon thus far. It coincidentally also marks a decade since he first graced DDS with his debut album ‘Butterfly Effect’, followed by a tranche of cultishly acclaimed albums in the years since.

On the A-side pearl ‘Ongaku 1’ he steps out with a shimmering take on the effortless gait of M-Series blueprints, as derived from the deepest NYC house, delicately ornamented with cascading levels of detail. Precision-tooled kicks precipitate Prescription-via-Maurizio feathered dub chords, interlaced with a frisson of darker strings and synth melodies for the full goosebump. ‘Dub 6(six)’ on the flip whisks up a psychedelic lattice of arps and synth voices with ruder bass ballast, taking its sweet time before the kicks come to swing the ‘floor deep and wide.

Straight bullets, no messing.
https://boomkat.com/products/ongaku-1-dub6

You cannot separate pleasure from pain. Grotesque drums hiss and boom inside drill’s stricture, voices utter shattered phrases to each other in a darkening chain of whispers, synthetic violins mourn their last and rush towards singularity. Drawing upon the ‘self indulgent, purple prose’ of Angela Carter, the staggering works of composers Villa Lobos and Xennakis, the fissure between pagan mysticism of England past and its feckless, soul consuming present; ‘England as a Succubus’ is a lustful spirit that writhes and vibrates against a backdrop of lurid sonic pressure.

Raised amongst the trees of the North Dorset countryside and presently residing in Manchester, Ship Sket grapples with a frenetic and maximalist style that subverts and perverts expectations of UK bass music with equal measure.

His new EP 'England as a Succubus' will be out on 7th June 2024 on Illegal Data.
https://illegaldata.bandcamp.com/album/england-as-a-succubus

impressive skeng - Sir Hiss with Rassan for SWU FM - Live from Bristol 103.7FM & DAB
https://soundcloud.com/swufm/sir-hiss-with-rassan-17-april-2024

A brilliant blend by Dieselboy of pre-1995 jungle classics.
1993-94 niceness...
https://www.youtube.com/watch?v=Dq-uXa71Wjo

это уже 3 года назад, ебануться

Pressure-filled, heady jungle and breaks are the order of the day in our latest Crack mix, courtesy of London’s Lukid (real name Luke Blair). Across 60 minutes, he strips back his usually wide-ranging style into a focused, precise session of tight percussion and rolling basslines.
“My NTS mixes are all over the place so I thought it’d be fun to do something more focussed,” he says. “And as I have a new Refreshers track coming out it made sense for the focus to be on jungle and the like. Enjoy.”
https://crackmagazine.net/article/mixprofile/lukid/

SICK https://www.youtube.com/watch?v=u548HVU5174

я весь день

так обрадовался миксу люкида что снёс этот репост

«Free mix CD with October 1998 issue of Knowledge magazine.»

00:00 Blue & Donovan Smith - Images
03:20 Total Science - Network
06:36 Diabolo - Don't Fret
09:36 Flynn & Flora - Seek & Destroy
12:08 Decoder & Substance - Secret World
15:24 Klute - Tribunal
19:50 King Kooba - Sly
21:47 James Hardway - Sleep Tonight (Klute Remix)
24:06 Click 'n Cycle - Fist Funk
26:48 Secret Methods - Mortex
29:42 The Smokester - Westworld
33:03 Sonartribe - Night Acoustic (Matrix Remix)
36:04 Muki - Ki Juice
38:50 Ray Keith - The Reckoning (Remix)
42:47 Dazee - Saxamaphone
45:40 The Chemical Pilot - Move A Little Closer (Shy FX Mix)
48:39 Stakka & Skynet - Amorphia
50:33 Future Loop Foundation - Conditions For Living
54:14 Acetate - Jam Sync
56:31 Audio State - Russian Roulette
61:05 Absolute Zero & Subphonics - The Code

from @hardcorecontinuum

︻╦╤─ ENTRANCE ︻╦╤─
FC/DC 300 rub (+ free welcome drink).
Всем своим асапчикам красавчикам из френдлиста 200rub.
Мадмазел до 24.00 вход бесплатный.
https://ra.co/events/407271

Превью треков на ск:

Clips are up on Soundcloud, stitched up in audition, sounding good
https://soundcloud.com/attentionmanagement/rekkkutoboy

У чикагского старины Faithful, скользящего между звуковыми коллажами и рубленым посттехно, и автора этого хита, оказывается, полтора года назад вышел релиз большой. Понравился только Necessary Self Deception, но оформлено красиво жесть.
https://anomia-prod.bandcamp.com/album/affixt-enactivist

Music understood as a radical form of qualitative theory which reaches beyond the confines of human language, including mathematics: music too displays a logical independence, an unprovability despite its truth. Music makes possible new admissions/transmissions of the insufficiency of self, personhood, observation, science, and philosophy; as an ideal generic science, music communes with the concept of the generic itself which:

“operates by extracting a minimum invariant from the various scientific disciplines…these invariants have to be superposed, to be introduced as theoretical givens into the mode of superposition: the materials of science or philosophy are thus to be supplied to a material, conceptual formalism, i.e. they are themselves to be put into the mode of superposition as vectors, that is, into the context of generic science, which operates with the (vectorial) notion of wave rather than with notions such as corpuscle and point”
(че имел в виду я не понял, ещё у него красивый сайт https://3ternal-2ilence-1.net/)