PEN America Calls for Flagging US Films Piggybacked by Chinese Propagandists
Almost every six months, Americans are reminded once again of how communist China influences their popular culture. In Top Gun: Maverick, for example, the flag of the Republic of China on Tom Cruise’s jacket is made to disappear. But James Tager, author of a recent report on China’s cultural power published by the New York-based literary society PEN America, notes that Americans are apt to put behind China’s impact on the US cinema as irritated as they were at first.
In his report Made in Hollywood, Censored by Beijing, Tager points out that Beijing’s censorship works differently from that in the US, where sensitive material is simply cut out at the start of the editing process after the shooting is completed. With Chinese-style censorship, changes are, frustratingly, often not made clear at the outset and take place in the middle of the shooting. For the most part, though, it does not go as far as it did in MGM’s 2012 film Red Dawn, where digital technology had to be employed to change the Chinese villain into a North Korean in post-production.
But Tager adds that over time, writers and producers will start to engage in self-censorship. Seeing its futility, they will refrain from generating ideas, stories, or characters that break the rules. It is not easy to produce and distribute a film in Hollywood without taking into account the foreign market. Given also the plight the Wuhan virus pandemic has left the US in, the Chinese audience is increasingly important to American studios.
With a quota in place for foreign films distributed in China, competition among them is fierce. The last thing a studio wants is a potential mistake that leads to its production’s being kept out of release in China. It is unthinkable nowadays that a major studio would make a film like the 1997 thriller Red Corner, where a businessman, played by Richard Gere, is framed for murder by the Chinese Communist Party—let alone a film about pro-democracy protesters in Hong Kong or China’s anti-Uyghur concentration camps. No studio would dare to take such a risk in face of the 1.4 billion Chinese consumers. It would be commercial suicide.
And not only does this shift prevents Chinese consumers from getting in touch with innovative ideas, but it also allows for a dictatorship to piggyback its propaganda onto American films. Take as an example the 2012 film Looper. Abe, the future leader of the killers played by Jeff Daniels, says to a younger killer, “I’m from the future; you should go to China.” The average viewer will not realize that this is propaganda, much less that it is a major victory for the Chinese government in its effort to increase its authority and elevate China’s status.
In view of this, Tager suggests putting a permanent label at the beginning of all films funded and, in turn, censored by China. It will serve as a warning that counteracts the brainwashing effect the film has on the audience—the same way the Motion Picture Association’s (MPA) rating, shown before every film, warns the audience of the film’s adult content and smoking scenes.
Source: Apple Daily #Aug29
#US #China #PENAmerica #Film #Culture #Propaganda #Diplomacy
https://bit.ly/3iN5w68
Almost every six months, Americans are reminded once again of how communist China influences their popular culture. In Top Gun: Maverick, for example, the flag of the Republic of China on Tom Cruise’s jacket is made to disappear. But James Tager, author of a recent report on China’s cultural power published by the New York-based literary society PEN America, notes that Americans are apt to put behind China’s impact on the US cinema as irritated as they were at first.
In his report Made in Hollywood, Censored by Beijing, Tager points out that Beijing’s censorship works differently from that in the US, where sensitive material is simply cut out at the start of the editing process after the shooting is completed. With Chinese-style censorship, changes are, frustratingly, often not made clear at the outset and take place in the middle of the shooting. For the most part, though, it does not go as far as it did in MGM’s 2012 film Red Dawn, where digital technology had to be employed to change the Chinese villain into a North Korean in post-production.
But Tager adds that over time, writers and producers will start to engage in self-censorship. Seeing its futility, they will refrain from generating ideas, stories, or characters that break the rules. It is not easy to produce and distribute a film in Hollywood without taking into account the foreign market. Given also the plight the Wuhan virus pandemic has left the US in, the Chinese audience is increasingly important to American studios.
With a quota in place for foreign films distributed in China, competition among them is fierce. The last thing a studio wants is a potential mistake that leads to its production’s being kept out of release in China. It is unthinkable nowadays that a major studio would make a film like the 1997 thriller Red Corner, where a businessman, played by Richard Gere, is framed for murder by the Chinese Communist Party—let alone a film about pro-democracy protesters in Hong Kong or China’s anti-Uyghur concentration camps. No studio would dare to take such a risk in face of the 1.4 billion Chinese consumers. It would be commercial suicide.
And not only does this shift prevents Chinese consumers from getting in touch with innovative ideas, but it also allows for a dictatorship to piggyback its propaganda onto American films. Take as an example the 2012 film Looper. Abe, the future leader of the killers played by Jeff Daniels, says to a younger killer, “I’m from the future; you should go to China.” The average viewer will not realize that this is propaganda, much less that it is a major victory for the Chinese government in its effort to increase its authority and elevate China’s status.
In view of this, Tager suggests putting a permanent label at the beginning of all films funded and, in turn, censored by China. It will serve as a warning that counteracts the brainwashing effect the film has on the audience—the same way the Motion Picture Association’s (MPA) rating, shown before every film, warns the audience of the film’s adult content and smoking scenes.
Source: Apple Daily #Aug29
#US #China #PENAmerica #Film #Culture #Propaganda #Diplomacy
https://bit.ly/3iN5w68
#Culture #Conscience
Hong Kong Filmmaker #KiwiChow: Prepared to face sanctions & imprisonment
Screened on the penultimate day of the 74th #Cannes Film Festival in mid-July 2021 is the Hong Kong protest documentary, #RevolutionOfOurTimes, which captured the pro-democracy movement in Hong Kong in 2019, following the Government’s attempt to promulgate the extradition law.
Knowing that he could potentially be exposed to sanction under the territory’s National Security Law, director Kiwi Chow is the only name credited on the documentary, as his financiers and technical collaborators have all chosen to remain anonymous.
Chow was director of many popular Hong Kong films such like “Ten Year” (the short "Self- Immolator”) and “Beyond the Dream”. He acknowledged that only "Revolution of our Times" has given him the biggest strain.
Before the film's premiere, he was asked to remain anonymous. He also received threatening phone calls telling him to leave Hong Kong immediately. But Kiwi Chow chose to stay and carry on his life in Hong Kong as usual.
Chow is even willing to be interviewed by media to talk about freedom, talk about film and his belief.
Chow anticipated that the documentary will not be allowed to be shown in Hong Kong. He even prepared to face imprisonment. Chow said, “ I am innocent under the long standing framework of Basic Law, not to mention that the documentary was filmed and completed before the National Security Law was implemented.”
Chow said, if he is ever being arrested. He is certainly a political prisoner. “I think political prisoner is a self-invited humiliation to a regime.”
#PoliticalSuppression #Unafraid #Film #HongKongCinema
Source: Stand News; #Aug7
https://www.thestandnews.com/media/video/images/%E5%8B%87%E6%B0%A3%E4%B8%8D%E6%BB%85-%E5%91%A8%E5%86%A0%E5%A8%81
Hong Kong Filmmaker #KiwiChow: Prepared to face sanctions & imprisonment
Screened on the penultimate day of the 74th #Cannes Film Festival in mid-July 2021 is the Hong Kong protest documentary, #RevolutionOfOurTimes, which captured the pro-democracy movement in Hong Kong in 2019, following the Government’s attempt to promulgate the extradition law.
Knowing that he could potentially be exposed to sanction under the territory’s National Security Law, director Kiwi Chow is the only name credited on the documentary, as his financiers and technical collaborators have all chosen to remain anonymous.
Chow was director of many popular Hong Kong films such like “Ten Year” (the short "Self- Immolator”) and “Beyond the Dream”. He acknowledged that only "Revolution of our Times" has given him the biggest strain.
Before the film's premiere, he was asked to remain anonymous. He also received threatening phone calls telling him to leave Hong Kong immediately. But Kiwi Chow chose to stay and carry on his life in Hong Kong as usual.
Chow is even willing to be interviewed by media to talk about freedom, talk about film and his belief.
Chow anticipated that the documentary will not be allowed to be shown in Hong Kong. He even prepared to face imprisonment. Chow said, “ I am innocent under the long standing framework of Basic Law, not to mention that the documentary was filmed and completed before the National Security Law was implemented.”
Chow said, if he is ever being arrested. He is certainly a political prisoner. “I think political prisoner is a self-invited humiliation to a regime.”
#PoliticalSuppression #Unafraid #Film #HongKongCinema
Source: Stand News; #Aug7
https://www.thestandnews.com/media/video/images/%E5%8B%87%E6%B0%A3%E4%B8%8D%E6%BB%85-%E5%91%A8%E5%86%A0%E5%A8%81
#FirstHand #PoliceState
HK Police sends undercover officer and interrupts private screening of #KiwiChow's movie
A private screening of a Hong Kong romance movie "Beyond the Dream" was held on August 27, 2021 by a pro-democracy district councilor, Derek Chu Kong-wai, in his councilor's office in Mong Kok, Hong Kong.
The film's director, #KiwiChow, was invited to the screening to share his thoughts on its making.
The screening, however, was interrupted by a large group of police officers and officers from the Food and Environmental Hygiene Department.
The officers, initially, stationed outside Chu’s office while some entered his office to take photograph and record the scene. Soon after Kiwi Chow began sharing his thoughts on the making of the movie, police officers forced their way into the office space, accusing the attendees for breaching the 599G gathering restriction. Fine tickets were immediately issued to the 40 some citizens in attendance.
Police also set up a cordon line and told reporters to leave the office, calling it a crime scene.
Kiwi Chow and Chu Kong-wai spoke to media that the screening was a private event among friends. They felt that the actions of the police were absurd and unacceptable. Both questioned the police's rationale for sending an “undercover officer” to the private screening, as well as their definition of "public places".
However, Chow said that he still enjoyed the experience of the evening, because he was only sharing about the movie, and he hadn't talked about "Beyond the Dream" for quite some time. He also enjoyed the dialogue with the audience, and regretted that certain people had interfered.
"I really enjoy sharing about the movie, and I treasure the time of the dialogue. I have no fear; sharing the movie is a joy to me."
Editor's note:
Kiwi Chow is also the director of the documentary "#RevolutionOfOurTimes", which made international headlines with its surprise showing at the 2021 Cannes Film festival. "Beyond the Dream", a romance movie, received widespread support by Hong Kong moviegoers, and was among the top 10 most profitable movies in the city in 2020. It went on to win Best Adapted Screenplay at Taiwan's Golden Horse Award, and was also nominated for multiple other awards in Hong Kong and Taiwan.
#Aug27 #HongKongCinema #Film #PoliticalSuppression
Source: First Hand, Citizen News
HK Police sends undercover officer and interrupts private screening of #KiwiChow's movie
A private screening of a Hong Kong romance movie "Beyond the Dream" was held on August 27, 2021 by a pro-democracy district councilor, Derek Chu Kong-wai, in his councilor's office in Mong Kok, Hong Kong.
The film's director, #KiwiChow, was invited to the screening to share his thoughts on its making.
The screening, however, was interrupted by a large group of police officers and officers from the Food and Environmental Hygiene Department.
The officers, initially, stationed outside Chu’s office while some entered his office to take photograph and record the scene. Soon after Kiwi Chow began sharing his thoughts on the making of the movie, police officers forced their way into the office space, accusing the attendees for breaching the 599G gathering restriction. Fine tickets were immediately issued to the 40 some citizens in attendance.
Police also set up a cordon line and told reporters to leave the office, calling it a crime scene.
Kiwi Chow and Chu Kong-wai spoke to media that the screening was a private event among friends. They felt that the actions of the police were absurd and unacceptable. Both questioned the police's rationale for sending an “undercover officer” to the private screening, as well as their definition of "public places".
However, Chow said that he still enjoyed the experience of the evening, because he was only sharing about the movie, and he hadn't talked about "Beyond the Dream" for quite some time. He also enjoyed the dialogue with the audience, and regretted that certain people had interfered.
"I really enjoy sharing about the movie, and I treasure the time of the dialogue. I have no fear; sharing the movie is a joy to me."
Editor's note:
Kiwi Chow is also the director of the documentary "#RevolutionOfOurTimes", which made international headlines with its surprise showing at the 2021 Cannes Film festival. "Beyond the Dream", a romance movie, received widespread support by Hong Kong moviegoers, and was among the top 10 most profitable movies in the city in 2020. It went on to win Best Adapted Screenplay at Taiwan's Golden Horse Award, and was also nominated for multiple other awards in Hong Kong and Taiwan.
#Aug27 #HongKongCinema #Film #PoliticalSuppression
Source: First Hand, Citizen News
#Film #Censorship
No hope for pro-democracy films to be shown in Hong Kong: disappointing filmmaker claims
Source: Stand News #Aug27
Read more
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No hope for pro-democracy films to be shown in Hong Kong: disappointing filmmaker claims
Source: Stand News #Aug27
Read more
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#Film #Censorship
No hope for pro-democracy films to be shown in Hong Kong: disappointing filmmaker claims
The Hong Kong government promulgated in June 2021 an amendment to the inspector's guideline of Film censorship regulations.
On the same day, the Office for Film, Newspaper and Article Administration (#OFNAA) declined approval for a short film, titled “Far From Home” which took anti-ELAB movement as background. The short film was intended to join the 15th Fresh Wave International Short Firm contest.
The film’s director Mok Kwan-ling told stand News on August 25, 2021 that in OFNAA’s response to her on August 17, the office requested as many as 14 counts of amendments. She described such request as excessive to the extent of going in contrary to the original intention of the film.
Without viable alternative,Mok decided to withdraw her film, saying that “it is not hopeful for it to be screened in Hong Kong”.
Source: Stand News; #Aug25
https://thestandnews.page.link/HoSrgvdNJQsz6FdJ6
#FailedState #Art #Screening #PolicalSuppression #FarFromHome #MokKwanLing
No hope for pro-democracy films to be shown in Hong Kong: disappointing filmmaker claims
The Hong Kong government promulgated in June 2021 an amendment to the inspector's guideline of Film censorship regulations.
On the same day, the Office for Film, Newspaper and Article Administration (#OFNAA) declined approval for a short film, titled “Far From Home” which took anti-ELAB movement as background. The short film was intended to join the 15th Fresh Wave International Short Firm contest.
The film’s director Mok Kwan-ling told stand News on August 25, 2021 that in OFNAA’s response to her on August 17, the office requested as many as 14 counts of amendments. She described such request as excessive to the extent of going in contrary to the original intention of the film.
Without viable alternative,Mok decided to withdraw her film, saying that “it is not hopeful for it to be screened in Hong Kong”.
Source: Stand News; #Aug25
https://thestandnews.page.link/HoSrgvdNJQsz6FdJ6
#FailedState #Art #Screening #PolicalSuppression #FarFromHome #MokKwanLing
HK Documentary about #PolyUSiege Wins Grand Prize at International Documentary Festival in Japan
The documentary "Inside the Red Brick Wall", chronicling the 13-day police siege of #PolyU during the #AntiELAB movement, has won the grand prize at Japan's #Yamagata International Documentary Film Festival. This honor has never been won by a Hong Kong film in its three-decade history, until now.
The film was selected as the best Hong Kong film of 2020 by the Hong Kong Film Critics Society. However, it had been shunned by local cinemas after pro-government media labeled it anti-police and anti-government. Its premiere was cancelled only hours before its showing by the hosting cinema.
The panel of judges noted that the documentary showed citizens and students being trapped by the police inside Polytechnic University; it documented the reality of youngsters, including minors, as they faced these dire circumstances, whether or not they had food. Live footage also showed photographers being fired upon within the campus
[editor's note: according to statistics from Hong Kong Journalists Association, 3 journalists had been shot with pepper balls at close range].
The film itself carries historical significance.
The film's directors, listed as "Hong Kong Documentary Filmmakers", thanked the organizers through a pre-recorded video. They said that under Hong Kong's current oppressive environment, they must regroup and be formless like water, but believed that "we'll walk together again".
"To all who believe in freedom", they added, "The only response to oppression is resistance. We will keep moving, and keep on filming."
Source: Citizen News #Oct13
https://bit.ly/3awuc0v
#Film #Documentary #Resistance #ProtestArt #FilmFestival
The documentary "Inside the Red Brick Wall", chronicling the 13-day police siege of #PolyU during the #AntiELAB movement, has won the grand prize at Japan's #Yamagata International Documentary Film Festival. This honor has never been won by a Hong Kong film in its three-decade history, until now.
The film was selected as the best Hong Kong film of 2020 by the Hong Kong Film Critics Society. However, it had been shunned by local cinemas after pro-government media labeled it anti-police and anti-government. Its premiere was cancelled only hours before its showing by the hosting cinema.
The panel of judges noted that the documentary showed citizens and students being trapped by the police inside Polytechnic University; it documented the reality of youngsters, including minors, as they faced these dire circumstances, whether or not they had food. Live footage also showed photographers being fired upon within the campus
[editor's note: according to statistics from Hong Kong Journalists Association, 3 journalists had been shot with pepper balls at close range].
The film itself carries historical significance.
The film's directors, listed as "Hong Kong Documentary Filmmakers", thanked the organizers through a pre-recorded video. They said that under Hong Kong's current oppressive environment, they must regroup and be formless like water, but believed that "we'll walk together again".
"To all who believe in freedom", they added, "The only response to oppression is resistance. We will keep moving, and keep on filming."
Source: Citizen News #Oct13
https://bit.ly/3awuc0v
#Film #Documentary #Resistance #ProtestArt #FilmFestival
眾新聞
《理大圍城》奪日本山形國際紀錄片大獎 團隊：會繼續拍片
曾被戲院臨時腰斬放映的反送中運動紀錄片《理大圍城》再獲國際殊榮，在日本「山形國際紀錄片電影節」榮獲「羅伯及法蘭西斯佛萊厄提獎」國際大獎，此獎項為該電影節最高殊榮，過去三十多年從無香港電影奪得。
#Censorship
Film Censorship Amendment Ordinance passed in Hong Kong in merely 45 mins
#LegCo #FilmCensorship #NationalSecurity #Film #Movie #Video
Source: Stand News; #Oct27
Read more
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Film Censorship Amendment Ordinance passed in Hong Kong in merely 45 mins
#LegCo #FilmCensorship #NationalSecurity #Film #Movie #Video
Source: Stand News; #Oct27
Read more
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#Censorship
Film Censorship Amendment Ordinance passed in Hong Kong in merely 45 mins
On the last meeting of the extended Sixth Legislative Council in Hong Kong, lawmakers discussed the 2021 Film Censorship Ordinance Amendment Bill. 5 legislators spoke regarding the bill, so it only took 45 minutes to pass the third reading.
The content of the amendment mainly includes requiring the censor to consider whether the film would be contrary to the interests of national security.
The checking process is extended to 28 days, in order to have a thorough consideration and acquire all necessary information.
If the Chief Secretary for Administration believes that a film is contrary to the interests of national security, the Film Censorship Authority can revoke approval certificates or exemption certificates.
Inspectors can enter and search any place without a court warrant, as well as require the holder of exemption certificates or approval certificates to provide more information about the film, including the date, time and venue. This is to prevent individuals from illegally publishing films via social media or instant messaging applications.
The maximum penalty for showing films not yet approved by the Censorship Authority is raised to 3 years imprisonment and HKD1 million fine.
See also:
Film Censorship Ordinance Amended in HK, as Pro-China Lawmaker Claims a Hong Kong Film is Toxic to Teenagers
https://t.me/guardiansofhongkong/31374
#LegCo #FilmCensorship #NationalSecurity #Film #Movie #Video
Source: Stand News #Oct27 https://thestandnews.page.link/ytxgpfdR7JzGDWQy9
Film Censorship Amendment Ordinance passed in Hong Kong in merely 45 mins
On the last meeting of the extended Sixth Legislative Council in Hong Kong, lawmakers discussed the 2021 Film Censorship Ordinance Amendment Bill. 5 legislators spoke regarding the bill, so it only took 45 minutes to pass the third reading.
The content of the amendment mainly includes requiring the censor to consider whether the film would be contrary to the interests of national security.
The checking process is extended to 28 days, in order to have a thorough consideration and acquire all necessary information.
If the Chief Secretary for Administration believes that a film is contrary to the interests of national security, the Film Censorship Authority can revoke approval certificates or exemption certificates.
Inspectors can enter and search any place without a court warrant, as well as require the holder of exemption certificates or approval certificates to provide more information about the film, including the date, time and venue. This is to prevent individuals from illegally publishing films via social media or instant messaging applications.
The maximum penalty for showing films not yet approved by the Censorship Authority is raised to 3 years imprisonment and HKD1 million fine.
See also:
Film Censorship Ordinance Amended in HK, as Pro-China Lawmaker Claims a Hong Kong Film is Toxic to Teenagers
https://t.me/guardiansofhongkong/31374
#LegCo #FilmCensorship #NationalSecurity #Film #Movie #Video
Source: Stand News #Oct27 https://thestandnews.page.link/ytxgpfdR7JzGDWQy9
Telegram
📡Guardians of Hong Kong
#WhiteTerror #Censorship
Film Censorship Ordinance Amended in HK, as Pro-China Lawmaker Claims a Hong Kong Film is Toxic to Teenagers
Source: WhatsNews Media #Oct29
Read more
⬇️⬇️⬇️
Film Censorship Ordinance Amended in HK, as Pro-China Lawmaker Claims a Hong Kong Film is Toxic to Teenagers
Source: WhatsNews Media #Oct29
Read more
⬇️⬇️⬇️
Hong Kong's "Revolution of Our Times" Wins Best Documentary in Taiwan Film Awards;
Director: "This Film Belongs to Every Hongkonger Who Cried for Hong Kong"
"Revolution of Our Times" has won the Best Documentary at the 58th Golden Horse Film Festival and Awards in Taiwan.
Delivering his acceptance speech by video, director #KiwiChow thanked every person who was filmed and interviewed in this documentary.
One of them, Chow said, was a 16-year-old secondary school student. He was one of the Valiants and was trapped in the Polytechnic University along with Chow for several days during the #PolyU Siege. When he returned to class later. his identity was already made known, and he was trembling in fear when he stepped into his own classroom again. To his surprise, his classmates and teacher all hugged him. The whole room was in tears.
"I really wanted to include this scene in the film, but I couldn't. Still, I want Revolution of Our Times to be like this embrace. During the production, I cried many times. I felt like I relied on this film to comfort myself, to let out my anger and hate, to face my fears and trauma."
In closing, Chow remarked, "To those who remain in Hong Kong, including myself, those who are exiled overseas, and those in prison: My friends, although you may not have a chance to watch the film, I pray to my Heavenly Father that the mere existence of this film could be a comfort and an embrace. Thank you."
Source: Stand News #Nov27
https://thestandnews.page.link/EZfNdGW8CgCLuVVw6
#RevolutionOfOurTimes #GoldenHorse #FIlm #Award
Director: "This Film Belongs to Every Hongkonger Who Cried for Hong Kong"
"Revolution of Our Times" has won the Best Documentary at the 58th Golden Horse Film Festival and Awards in Taiwan.
Delivering his acceptance speech by video, director #KiwiChow thanked every person who was filmed and interviewed in this documentary.
One of them, Chow said, was a 16-year-old secondary school student. He was one of the Valiants and was trapped in the Polytechnic University along with Chow for several days during the #PolyU Siege. When he returned to class later. his identity was already made known, and he was trembling in fear when he stepped into his own classroom again. To his surprise, his classmates and teacher all hugged him. The whole room was in tears.
"I really wanted to include this scene in the film, but I couldn't. Still, I want Revolution of Our Times to be like this embrace. During the production, I cried many times. I felt like I relied on this film to comfort myself, to let out my anger and hate, to face my fears and trauma."
In closing, Chow remarked, "To those who remain in Hong Kong, including myself, those who are exiled overseas, and those in prison: My friends, although you may not have a chance to watch the film, I pray to my Heavenly Father that the mere existence of this film could be a comfort and an embrace. Thank you."
Source: Stand News #Nov27
https://thestandnews.page.link/EZfNdGW8CgCLuVVw6
#RevolutionOfOurTimes #GoldenHorse #FIlm #Award
China rumoured banning Hollywood films to counter the US diplomatic boycott of the Beijing Winter Olympics. Spider-Man and Matrix may not be released in China.
The United States announced on 6 Dec that they would not send government officials to the Beijing Winter Olympics as part of a diplomatic boycott. China's Foreign Ministry responded that if the US persists in its policy, "China will take firm countermeasures".
Rumours on Weibo on 9 Dec saying China will suspend the release of Hollywood films as the first wave of counter-measures in response to the US boycott of the Beijing Winter Olympics. Perhaps, the first to be hit is the highly anticipated "Spider-Man: No Way Home".
A Weibo user commented on 8 Dec, "The news just came in that all US films have been suspended (except those already scheduled)". He said that Spider-Man was originally scheduled to release at 10:00 yesterday, but in response to the US boycott of the Winter Olympics, "the notice to suspend US films came down at 9:57...", meaning that Spider-Man will be banned completely.
Rumours are circulating online that the China State Administration of Radio, Film and Television has suspended the release of US blockbusters in China. The blockbusters include Spider-Man: No Way Home and The Matrix Resurrections, which will be released in Hong Kong on Christmas Day. Media outlets across the country have also been ordered not to publicise any US films.
Source: The Stand News #Dec09
#China #US #BeijingWinterOlympics #Olympics #DiplomaticBoycott #Hollywood #Film
The United States announced on 6 Dec that they would not send government officials to the Beijing Winter Olympics as part of a diplomatic boycott. China's Foreign Ministry responded that if the US persists in its policy, "China will take firm countermeasures".
Rumours on Weibo on 9 Dec saying China will suspend the release of Hollywood films as the first wave of counter-measures in response to the US boycott of the Beijing Winter Olympics. Perhaps, the first to be hit is the highly anticipated "Spider-Man: No Way Home".
A Weibo user commented on 8 Dec, "The news just came in that all US films have been suspended (except those already scheduled)". He said that Spider-Man was originally scheduled to release at 10:00 yesterday, but in response to the US boycott of the Winter Olympics, "the notice to suspend US films came down at 9:57...", meaning that Spider-Man will be banned completely.
Rumours are circulating online that the China State Administration of Radio, Film and Television has suspended the release of US blockbusters in China. The blockbusters include Spider-Man: No Way Home and The Matrix Resurrections, which will be released in Hong Kong on Christmas Day. Media outlets across the country have also been ordered not to publicise any US films.
Source: The Stand News #Dec09
#China #US #BeijingWinterOlympics #Olympics #DiplomaticBoycott #Hollywood #Film