Forwarded from Sebastian Bieniek
Forwarded from Sebastian Bieniek
Forwarded from Sebastian Bieniek
Numbers Project: make art alive, spontaneously from the everyday moment dust, here and now again, but also continuing, recognizable as art again are the mottos of Bieniek's Numers project. That's why he decided on a form that at first glance couldn't be more strict or boring, namely simply counting. Start at one and end at God knows where. One can do it like On Kawara and Roman Opałka, but Bieniek wouldn't be Bieniek if he didn't do it like Bieniek. That's why his counting is completely different. A fireworks display of imaginative and surprising actions and creativity.
https://foundation.app/mint/base/0x702fB414b17725c8D6A98E1751345E62BBA48B3e/5
https://foundation.app/mint/base/0x702fB414b17725c8D6A98E1751345E62BBA48B3e/5
Forwarded from Sebastian Bieniek
Forwarded from Sebastian Bieniek
Forwarded from Sebastian Bieniek
„If democrats would be democrats, democrats would be antidemocrats“, painting by Sebastian Bieniek, from march 7th 2025, oil on canvas, 75 x 100 cm. More www.BiENiEK.at
Forwarded from Sebastian Bieniek
Available as NFT 🔥
„If democrats would be democrats, democrats would be antidemocrats“, painting by Sebastian Bieniek
https://foundation.app/mint/base/0xdc034244ff9Fd42C1b56893e8E61Db2dDE58962f/1
„If democrats would be democrats, democrats would be antidemocrats“, painting by Sebastian Bieniek
https://foundation.app/mint/base/0xdc034244ff9Fd42C1b56893e8E61Db2dDE58962f/1
Forwarded from Sebastian Bieniek
„MAMAface no. 9“, serjes of photographs by Sebastian Bieniek, 2024. More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
„MAMAface no. 10“, serjes of photographs by Sebastian Bieniek, 2024. More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
„MAMAface no. 11“, series of photographs by Sebastian Bieniek, 02.12.2024. More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
„MAMAface no. 12“, series of photographs by Sebastian Bieniek, 03.12.2024. More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
„MAMAface no. 13“, series of photographs by Sebastian Bieniek, 03.12.2024. More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
„MAMAface no. 13“, series of photographs by Sebastian Bieniek, 03.12.2024. More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
„MAMAface no. 14“, series of photographs by Sebastian Bieniek, 04.12.2024 (10 days before the birth). More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
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bieniek is on Zora.
Forwarded from Sebastian Bieniek
You can buy my „Hello Sarah“ song on Zora now!!! 🎶🔥
https://zora.co/coin/base:0x620ca7788701796a7b46043c5e58fb9c1c37a644?referrer=0x1a6b4bbf79ee538b483ddfea2c8cdbb3f78e34a0
https://zora.co/coin/base:0x620ca7788701796a7b46043c5e58fb9c1c37a644?referrer=0x1a6b4bbf79ee538b483ddfea2c8cdbb3f78e34a0
Zora
Hello Sarah 🎶
Forwarded from Sebastian Bieniek
"Media Democracy - Rendezvous of Truth," 120 x 150 cm. Oil on canvas, 1995. A media-critical painting by Sebastian Bieniek (born 1975). Berlin-based artist.
Signed on the front (lower right) and back. Titled on the back. Website: https://www.bieniek.at/m
Signed on the front (lower right) and back. Titled on the back. Website: https://www.bieniek.at/m
Forwarded from Sebastian Bieniek
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Official website:
https://www.bieniek.at/md
https://www.bieniek.at/md
Forwarded from Sebastian Bieniek
The "all-seeing eye" becomes the "tree of knowledge"
As can be seen in this image, a tree emerges from the eye, which rests on the legs of an old man and is located within a screen (television or computer monitor). A tree whose branches wind like the body of a snake. A tree, therefore, that becomes a snake, which brings us to the iconography from the biblical story of the Garden of Eden. The Tree of Knowledge.
The red apple appears to be the acorn of a phallus. Is the Tree of Knowledge, then, being portrayed here as a media-dominated instrument of manipulation and control? That, at least, seems to be the artist's message.
For Bieniek, therefore, cognition is merely a kind of program and a sequence of commands, not the knowledge stylized in the Western tradition that allows the knower to see more than others. Quite the contrary. Bieniek denies the measurability of knowledge in the sense of measuring depth or breadth...
More: https://www.bieniek.at/md
As can be seen in this image, a tree emerges from the eye, which rests on the legs of an old man and is located within a screen (television or computer monitor). A tree whose branches wind like the body of a snake. A tree, therefore, that becomes a snake, which brings us to the iconography from the biblical story of the Garden of Eden. The Tree of Knowledge.
The red apple appears to be the acorn of a phallus. Is the Tree of Knowledge, then, being portrayed here as a media-dominated instrument of manipulation and control? That, at least, seems to be the artist's message.
For Bieniek, therefore, cognition is merely a kind of program and a sequence of commands, not the knowledge stylized in the Western tradition that allows the knower to see more than others. Quite the contrary. Bieniek denies the measurability of knowledge in the sense of measuring depth or breadth...
More: https://www.bieniek.at/md