В поисках современных перепевок барочных арий наткнулся вот на такую версию "Lamento della ninfa" Монтеверди. Хорошая.
https://youtu.be/UrMuIYmJ4Y0
Ну и давайте устроим в комментариях слет ваших любимых модернистских каверов барочного и раннеклассического репертуара. Ну и какого угодно, впрочем, еще — я вот Шуберта прицельно искал, был уверен, что должно быть полно, но нет.
https://youtu.be/UrMuIYmJ4Y0
Ну и давайте устроим в комментариях слет ваших любимых модернистских каверов барочного и раннеклассического репертуара. Ну и какого угодно, впрочем, еще — я вот Шуберта прицельно искал, был уверен, что должно быть полно, но нет.
YouTube
Ane Brun - Lamento Della Ninfa / Oh Love (Live on 2 Meter Sessions)
Ane Brun performs 'Lamento Della Ninfa / Oh Love' live on Dutch music show "2 Meter Sessies". Filmed on September 12, 2011.
• Subscribe to our Youtube-channel for more unique music sessions: https://bit.ly/2OX4S8t
• Playlist with over 150 well-known 2 Meter…
• Subscribe to our Youtube-channel for more unique music sessions: https://bit.ly/2OX4S8t
• Playlist with over 150 well-known 2 Meter…
А вот youtube подсовывает пышную мужскую версию Yuokali в исполнении неизвестного мне Владимира Корнеева (the new artist in residence of the Kurt Weill Fest in Dessau in March 2020).
https://youtu.be/84swInEeO9s
https://youtu.be/84swInEeO9s
YouTube
Vladimir Kornéev - Youkali (Official Music Video)
Vladimir Korneev is the new artist in residence of the Kurt Weill Fest in Dessau in March 2020. He honors Kurt Weill’s life’s work with his new show "YOUKALI" – named after the song Kurt Weill wrote in exile about an utopian land where everyone is respected…
https://youtu.be/EZ-VsKB_tNw
А вот, смотрите, русский подстрочник прекрасной "Чаконы Рая и Ада", и довольно квалифицированые комментарии к нему
https://italianocontesti.ru/chakona-ada-i-raja-ciaccona-inferno-paradiso-musica-poesia-srednevekovaya-literatura/
http://italianocontesti.ru/chakona-ada-i-raja-ciaccona-inferno-paradiso-musica-barocco-monteverdi-merula/
А вот, смотрите, русский подстрочник прекрасной "Чаконы Рая и Ада", и довольно квалифицированые комментарии к нему
https://italianocontesti.ru/chakona-ada-i-raja-ciaccona-inferno-paradiso-musica-poesia-srednevekovaya-literatura/
http://italianocontesti.ru/chakona-ada-i-raja-ciaccona-inferno-paradiso-musica-barocco-monteverdi-merula/
YouTube
'Ciaccona del Paradiso e del Inferno' P Jaroussky + Arpeggiata - Pluhar, life
Philippe Jaroussky L'Arpeggiata-Christina Pluhar Concert life Ambronay 18.09.2008
« Icônes du Seicento »
Philippe Jaroussky Contre-tenor
LArpeggiata Christina Pluhar
Christina Pluhar théorbe & direction
Alessandro Tampieri violon
Doron…
« Icônes du Seicento »
Philippe Jaroussky Contre-tenor
LArpeggiata Christina Pluhar
Christina Pluhar théorbe & direction
Alessandro Tampieri violon
Doron…
Вот еще прекрасное событие ЗАВТРА в Доме: OpensoundOrchestra и Алексей Любимов (!) играют Кейджа. Не пропустите.
https://www.facebook.com/events/248525446722019
https://www.facebook.com/events/248525446722019
Facebook
Cage. Our spring will come
Музыка Джона Кейджа в культурном центре ДОМ.
Алексей Любимов, фортепиано
OpensoundOrchestra
Drumartmusic
Алексей Любимов, фортепиано
OpensoundOrchestra
Drumartmusic
Forwarded from Трапеция с голыми боярами
Говорят, в 1908 году в Париже некто Жорж Мандель придумал способ синхронизировать грамофонную запись и видео - и тут же применил. Взял французских оперных певцов и запись секстета из "Лючии" с Карузо (того же года) - и сделал вот фильму. Как я понимаю, мимирующие певцы не поют.
Возможно, это первая запись того, как оперные певцы собственно играют на сцене.
Возможно, это первая запись того, как оперные певцы собственно играют на сцене.
YouTube
One of the earliest film of acting singers in opera - Lucia di Lammermoor sextet
This is one of the earliest film of acting singers - in a tradition that is now completely forgotten.
The film was produced in Paris in 1908 by Georges Mendel who designed a device to synchronize a gramophone recording with a film. He used a new recording…
The film was produced in Paris in 1908 by Georges Mendel who designed a device to synchronize a gramophone recording with a film. He used a new recording…
Хороший концерт в Мутаборе: Киматик играет «Professor bad trip” Ромителли и Plainsound glissando modulation фон Швайнитца. Go!
https://www.facebook.com/events/2879091682363792
https://www.facebook.com/events/2879091682363792
Facebook
µскусство: Пребытие. KYMATIC — Romitelli — Schweinitz
Music event in Moscow, Russia by Mutabor and Kymatic on Thursday, April 1 2021 with 462 people interested and 150 people going. 10 posts in the discussion.
Франсуа Гренье, клавесинист на этом видео, основатель ансамбля Hemiola, покончил с собой, видимо, из-за ковид-ограничений.
The noted French harpsichordist François Grenier died last week at the age of 39, reportedly by his own hand.
The cellist Claire Lamquet, his co-director at the innovative Hemiolia ensemble, writes that he could no longer bear the Covid-era concert cancellations and the uncertain future beyond.
She writes in La lettre du musicien: With the pandemic crisis, and in particular the second lockdown, I felt a clear change in François’ behaviour. He had a lot less energy, he was so sad about concert cancellations. He couldn’t bear it anymore. This season was to be the most important in the history of our ensemble, with tours planned in Bolivia, Quebec, a Passion according to Saint-Jean by Bach with the Concert d’Astrée…
I told him to take advantage of this period to think about the future, to prepare projects, but he was more and more elusive. He had locked himself in his bubble, and mulled over the cancellations. The future worried him more and more, he was afraid of it, because there was less and less postponement of our concerts. He also feared that the white year for the intermittence of the show would not be extended.
https://youtu.be/wSrqzbk3RIo
The noted French harpsichordist François Grenier died last week at the age of 39, reportedly by his own hand.
The cellist Claire Lamquet, his co-director at the innovative Hemiolia ensemble, writes that he could no longer bear the Covid-era concert cancellations and the uncertain future beyond.
She writes in La lettre du musicien: With the pandemic crisis, and in particular the second lockdown, I felt a clear change in François’ behaviour. He had a lot less energy, he was so sad about concert cancellations. He couldn’t bear it anymore. This season was to be the most important in the history of our ensemble, with tours planned in Bolivia, Quebec, a Passion according to Saint-Jean by Bach with the Concert d’Astrée…
I told him to take advantage of this period to think about the future, to prepare projects, but he was more and more elusive. He had locked himself in his bubble, and mulled over the cancellations. The future worried him more and more, he was afraid of it, because there was less and less postponement of our concerts. He also feared that the white year for the intermittence of the show would not be extended.
https://youtu.be/wSrqzbk3RIo
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