Psychology of Botany and Stones | Charubel
Charubel (1826–1906) was a British clairvoyant and seer who became known in occult circles for his astrological work The Degrees of the Zodiac Symbolised and for his psychically received researches into the spiritual properties of plants, minerals, and precious stones. He had earlier trained for the ministry, but devoted his life to what he saw as genuine occultism, working as a "born seer" who used clairvoyant perception to determine the character and influence of zodiacal degrees and of natural objects on the psychic plane. His ideas were far ahead of his time, emphasizing empathic healing and spiritual forces rather than conventional medicine.
Charubel presents nature as "the workshop of the Infinite," where every object both receives and transmits force, transforming what it receives into a new force through its own inner "laboratory". Spirit Absolute stands at the summit and the objective material universe at the base, yet both belong to nature, so that there is in his view nothing truly outside nature or properly "supernatural," only degrees of subtlety from spirit to dense matter. He states as a thesis that every mineral and every vegetable substance has a living principle, soul, or genius, which imprints specific characteristics and enables that stone or plant to act on other substances and organisms and produce definite changes.
Within this scheme the human being consists of immortal Spirit, an inner body or soul, and the outer physical body, with the soul as the Spirit's temple. If the soul remains in union with the Spirit, it may become immortal; if it revolts and refuses that rule, it ultimately breaks up and disperses among its kindred elements, while the Spirit returns to its source and the personality ceases. Disease begins at the level of the soul as a seed or disturbance which then unfolds through the organs into what is recognized as bodily illness, so any true cure must reach this inner plane rather than only adjusting the physical frame.
The governing law of his therapeutic doctrine is sympathy: whatever a person greatly admires and freely loves causes that person to become negative toward it and thus receptive to its influence. He affirms a direct sympathy between the human soul and the souls of the vegetable kingdom, but denies a comparable relation between animals and plants, despite their physical kinship. Once a plant is cut from its parent stem or root, he says, the soul of that severed part departs and cannot be captured; chemical analysis and synthesis are declared powerless to seize this "most subtle, yet most potent element" in a dead organism.
To discover and apply remedial forces, the practitioner enters a quiet, receptive state and inwardly "looks" into the field of nature, trusting that for every ill there is an answering remedy. Charubel reports that in this state specific plants present themselves inwardly, often with visible auras of particular colors; he then unites or directs the aura of the chosen plant toward the patient's aura and claims relief of such conditions as sharp internal pains, colds with ear pain, and post‑Scarlatina weakness. For readers who are not clairvoyant, he constructs a parallel mechanism: each selected plant, tree, metal, or precious stone is given a sigil and a special "word for invocation," which he describes as that being's true name on the psychic plane and as part of the Word of God in nature.
Charubel (1826–1906) was a British clairvoyant and seer who became known in occult circles for his astrological work The Degrees of the Zodiac Symbolised and for his psychically received researches into the spiritual properties of plants, minerals, and precious stones. He had earlier trained for the ministry, but devoted his life to what he saw as genuine occultism, working as a "born seer" who used clairvoyant perception to determine the character and influence of zodiacal degrees and of natural objects on the psychic plane. His ideas were far ahead of his time, emphasizing empathic healing and spiritual forces rather than conventional medicine.
Charubel presents nature as "the workshop of the Infinite," where every object both receives and transmits force, transforming what it receives into a new force through its own inner "laboratory". Spirit Absolute stands at the summit and the objective material universe at the base, yet both belong to nature, so that there is in his view nothing truly outside nature or properly "supernatural," only degrees of subtlety from spirit to dense matter. He states as a thesis that every mineral and every vegetable substance has a living principle, soul, or genius, which imprints specific characteristics and enables that stone or plant to act on other substances and organisms and produce definite changes.
Within this scheme the human being consists of immortal Spirit, an inner body or soul, and the outer physical body, with the soul as the Spirit's temple. If the soul remains in union with the Spirit, it may become immortal; if it revolts and refuses that rule, it ultimately breaks up and disperses among its kindred elements, while the Spirit returns to its source and the personality ceases. Disease begins at the level of the soul as a seed or disturbance which then unfolds through the organs into what is recognized as bodily illness, so any true cure must reach this inner plane rather than only adjusting the physical frame.
The governing law of his therapeutic doctrine is sympathy: whatever a person greatly admires and freely loves causes that person to become negative toward it and thus receptive to its influence. He affirms a direct sympathy between the human soul and the souls of the vegetable kingdom, but denies a comparable relation between animals and plants, despite their physical kinship. Once a plant is cut from its parent stem or root, he says, the soul of that severed part departs and cannot be captured; chemical analysis and synthesis are declared powerless to seize this "most subtle, yet most potent element" in a dead organism.
To discover and apply remedial forces, the practitioner enters a quiet, receptive state and inwardly "looks" into the field of nature, trusting that for every ill there is an answering remedy. Charubel reports that in this state specific plants present themselves inwardly, often with visible auras of particular colors; he then unites or directs the aura of the chosen plant toward the patient's aura and claims relief of such conditions as sharp internal pains, colds with ear pain, and post‑Scarlatina weakness. For readers who are not clairvoyant, he constructs a parallel mechanism: each selected plant, tree, metal, or precious stone is given a sigil and a special "word for invocation," which he describes as that being's true name on the psychic plane and as part of the Word of God in nature.
The practical method, as he sets it out, requires the sufferer to be alone, to fix the eyes on the sigil (and if possible to bring to mind or observe the living plant or stone without mutilating it), and to pronounce the invocative word a specified number of times, at stated hours and in specific postures, with pauses between repetitions. He emphasizes that in these operations the cure is effected "by the sight of a symbol, and the utterance of a word," that the remedy is "found on the Psychic Plane," and that this mode belongs to the domain of soul and spirit rather than to any pharmacology of pills, powders, tinctures, or decoctions. Charubel's approach thus differs fundamentally from homoeopathy, which works through highly diluted material doses that are still administered physically, whereas he rejects all such preparations, insisting that once a plant is severed its psychic soul has departed and that no laboratory process can retain it. His system operates entirely by sympathetic union, aura contact, and the spiritual Word associated with each being, so that the soul of the patient and the soul of the natural object interact directly and the physical organism changes as a secondary effect.
Bibliography (To be added to the Private Chat soon)
- Charubel. Grimoire Sympathia: The Workshop of the Infinite
- Charubel. Botany, Minerals and Precious Stones
Bibliography (To be added to the Private Chat soon)
- Charubel. Grimoire Sympathia: The Workshop of the Infinite
- Charubel. Botany, Minerals and Precious Stones
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Spectrochrome Colored Light Therapy| Dinshah P. Ghadiali
Between 1920 and 1933, Dinshah P. Ghadiali developed Spectrochrome as a complete drugless healing system using specific wavelengths of visible light applied to designated body areas under controlled conditions to restore chemical balance and normalize physiological function. Ghadiali accepted Newton's experimental demonstration that white light breaks into a spectrum through a prism, then extended this classical optics into therapeutic practice by arguing that mathematically selected color segments, when properly isolated and projected, produce measurable effects on living tissue. His approach remained strictly within the Newtonian reductionist tradition, treating color as objective, quantifiable wavelengths rather than subjective perception, which allowed the system to claim instrumental reproducibility and what he termed "automatic precision" independent of practitioner interpretation. Unlike Goethe's phenomenological color theory, which emphasized subjective experience and the interplay of light and darkness while challenging Newton's prism experiments as artifacts of the apparatus itself, Spectrochrome rejected qualitative approaches entirely, building its therapeutic claims on measurable spectral lines, calibrated glass filters, and reproducible mechanical procedures.
Ghadiali's patented projector (U.S. Patent 1,544,973) housed four key components: a high-intensity lamp, two rotating disk carriers mounted on a specially machined shaft, a condensing lens system with adjustable iris, and a motor-driven cooling fan. The shaft's stepped design was deliberate. Different diameters at each bearing meant the disks could only be mounted one way, making it impossible to assemble the color sequence incorrectly. Each slide sat clamped between metal rings and elastic washers inside what amounted to a sealed drum, while the fan continuously drew air past the hot lamp and glass filters to prevent cracking from thermal stress.
The two disks carried six colored glass slides between them. One disk held Red, Green, and Violet plus one blank opening, while the other carried Blue, Yellow, a duplicate Red, and another blank. When a colored slide on one disk aligned with a blank on the other, a single pure color projected. When two colored slides overlapped, the light passing through both created compound colors. Red layered with Yellow produced Orange, Yellow with Green made Lemon, Green with Blue yielded Turquoise, Blue with Violet gave Indigo, Violet with Yellow formed Purple, Violet with Red generated Magenta, and Blue with Red created Scarlet. This combination method delivered twelve distinct therapeutic colors from just six physical filters. Spring-loaded pins clicked into notches along the disk edges to lock each color position precisely in place, and engraved labels showed operators which combination was centered in the beam.
In Spectrochrome, each therapeutic color received a wavelength assignment in Angstrom units: Red at 7000 Å, Orange 6500 Å, Yellow 6000 Å, Green 5500 Å, Blue 5000 Å, Violet 4000 Å, with the compound colors falling between these values. All visible light occupies what Ghadiali called the "49th octave" of vibration, a range from roughly 318 to 750 trillion oscillations per second, arrived at by doubling a fundamental frequency forty-nine times. Within this octave, Ghadiali drew directly on the spectroscopic work of Kirchhoff and Bunsen, who had demonstrated in the 1860s that each chemical element emits or absorbs light at characteristic wavelengths, producing signature dark or bright lines in a spectrum when subjected to prism analysis.
Between 1920 and 1933, Dinshah P. Ghadiali developed Spectrochrome as a complete drugless healing system using specific wavelengths of visible light applied to designated body areas under controlled conditions to restore chemical balance and normalize physiological function. Ghadiali accepted Newton's experimental demonstration that white light breaks into a spectrum through a prism, then extended this classical optics into therapeutic practice by arguing that mathematically selected color segments, when properly isolated and projected, produce measurable effects on living tissue. His approach remained strictly within the Newtonian reductionist tradition, treating color as objective, quantifiable wavelengths rather than subjective perception, which allowed the system to claim instrumental reproducibility and what he termed "automatic precision" independent of practitioner interpretation. Unlike Goethe's phenomenological color theory, which emphasized subjective experience and the interplay of light and darkness while challenging Newton's prism experiments as artifacts of the apparatus itself, Spectrochrome rejected qualitative approaches entirely, building its therapeutic claims on measurable spectral lines, calibrated glass filters, and reproducible mechanical procedures.
Ghadiali's patented projector (U.S. Patent 1,544,973) housed four key components: a high-intensity lamp, two rotating disk carriers mounted on a specially machined shaft, a condensing lens system with adjustable iris, and a motor-driven cooling fan. The shaft's stepped design was deliberate. Different diameters at each bearing meant the disks could only be mounted one way, making it impossible to assemble the color sequence incorrectly. Each slide sat clamped between metal rings and elastic washers inside what amounted to a sealed drum, while the fan continuously drew air past the hot lamp and glass filters to prevent cracking from thermal stress.
The two disks carried six colored glass slides between them. One disk held Red, Green, and Violet plus one blank opening, while the other carried Blue, Yellow, a duplicate Red, and another blank. When a colored slide on one disk aligned with a blank on the other, a single pure color projected. When two colored slides overlapped, the light passing through both created compound colors. Red layered with Yellow produced Orange, Yellow with Green made Lemon, Green with Blue yielded Turquoise, Blue with Violet gave Indigo, Violet with Yellow formed Purple, Violet with Red generated Magenta, and Blue with Red created Scarlet. This combination method delivered twelve distinct therapeutic colors from just six physical filters. Spring-loaded pins clicked into notches along the disk edges to lock each color position precisely in place, and engraved labels showed operators which combination was centered in the beam.
In Spectrochrome, each therapeutic color received a wavelength assignment in Angstrom units: Red at 7000 Å, Orange 6500 Å, Yellow 6000 Å, Green 5500 Å, Blue 5000 Å, Violet 4000 Å, with the compound colors falling between these values. All visible light occupies what Ghadiali called the "49th octave" of vibration, a range from roughly 318 to 750 trillion oscillations per second, arrived at by doubling a fundamental frequency forty-nine times. Within this octave, Ghadiali drew directly on the spectroscopic work of Kirchhoff and Bunsen, who had demonstrated in the 1860s that each chemical element emits or absorbs light at characteristic wavelengths, producing signature dark or bright lines in a spectrum when subjected to prism analysis.
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Ghadiali took this principle further, organizing the entire periodic table by color affinity. He mapped elements onto a 360-degree color wheel: Red at 0°, Orange 30°, Yellow 60°, Green 120°, Turquoise 150°, Blue 180°, Indigo 210°, Violet 240°, Purple 270°, Magenta 300°, Scarlet 330°. Elements with spectral lines concentrated in one region were said to have a single color polarity. Hydrogen appeared predominantly in red frequencies, oxygen in blue, nitrogen in violet, while elements with lines scattered across the spectrum carried dual or complex polarities. Green and Magenta occupied a special position as opposite spirals of the same core frequency, one winding clockwise and the other counterclockwise through the color circle. He pointed to Fraunhofer's dark absorption lines in sunlight as proof that solar radiation already carried these elemental signatures, and argued that human tissue, composed of the same elements, would resonate when exposed to matching color frequencies.
What separated Spectrochrome's "attuned color waves" from ordinary colored light was precision. Ghadiali insisted his glass slides were not casual filters but laboratory-calibrated instruments, each one tested against reference spectra and adjusted until its transmission profile matched exact target wavelengths and intensities. Ordinary colored glass or theater gels allowed broad, uncontrolled bands of the spectrum to pass through, mixing polarities and diluting therapeutic effect, whereas the attuned slides isolated narrow oscillation bands. The sealed projector design reinforced this. Users could not swap or modify slides on their own; any broken filter required returning the entire disk assembly to the manufacturer so replacement glass could be matched to the remaining set
Ghadiali introduced a companion diagnostic device called the Itisometer (U.S. Patent 1,724,469), a meter with dials and internal electrical circuits that purportedly detected which color polarities were deficient or excessive in a patient's body. Operators could take readings from this instrument and select tonations without resorting to conventional medical diagnosis, bypassing the need to name diseases and instead working directly with indicated color imbalances. The method positioned itself as automatic and standardized. Follow the area charts, apply the colors the Itisometer suggests, trust the oscillatory frequencies to act on chemistry.
Despite acquittal on grand larceny charges in a 1931 New York Supreme Court trial where physicians testified to Spectrochrome's effectiveness, Ghadiali faced decades of opposition from the American Medical Association and medical licensing boards. A disastrous fire of unknown origin on January 2, 1945 destroyed all original case report records, and subsequent lawsuits in United States District Courts found his literature false and misleading under the Federal Food, Drug and Cosmetic Act. Unable to produce the original documents as proof of contested therapeutic claims, Ghadiali received heavy sentences and fines, was labeled a quack and faker, and saw $250,000 worth of printed literature destroyed by court order. The American Medical Association maintained throughout that the visible spectrum of light and color has absolutely no healing or curative value.
Bibliography (To be added to the private chat soon)
- Darius Dinshah. Let There Be Light
- Dinshah P. Ghadiali. Spectro-Chrome Magazines Abridged 1922-1957. 1996.
- The Life of a Karma Yogi: Dinshah 100th Anniversary
- Dinshah P. Ghadiali. Spectro-Chrome System. 1979
- Dinshah P. Ghadiali. Master of Occultism. 1935
- Dinshah P. Ghadiali. Spectro-Chrome Metry Encyclopaedia, Volumes 1-3
- Dinshah P. Ghadiali. Triumph of Spectro-Chrome: Attuned Color Waves Vindicated in New York Supreme Court.
- Various articles from Spectrochrome.com.
What separated Spectrochrome's "attuned color waves" from ordinary colored light was precision. Ghadiali insisted his glass slides were not casual filters but laboratory-calibrated instruments, each one tested against reference spectra and adjusted until its transmission profile matched exact target wavelengths and intensities. Ordinary colored glass or theater gels allowed broad, uncontrolled bands of the spectrum to pass through, mixing polarities and diluting therapeutic effect, whereas the attuned slides isolated narrow oscillation bands. The sealed projector design reinforced this. Users could not swap or modify slides on their own; any broken filter required returning the entire disk assembly to the manufacturer so replacement glass could be matched to the remaining set
Ghadiali introduced a companion diagnostic device called the Itisometer (U.S. Patent 1,724,469), a meter with dials and internal electrical circuits that purportedly detected which color polarities were deficient or excessive in a patient's body. Operators could take readings from this instrument and select tonations without resorting to conventional medical diagnosis, bypassing the need to name diseases and instead working directly with indicated color imbalances. The method positioned itself as automatic and standardized. Follow the area charts, apply the colors the Itisometer suggests, trust the oscillatory frequencies to act on chemistry.
Despite acquittal on grand larceny charges in a 1931 New York Supreme Court trial where physicians testified to Spectrochrome's effectiveness, Ghadiali faced decades of opposition from the American Medical Association and medical licensing boards. A disastrous fire of unknown origin on January 2, 1945 destroyed all original case report records, and subsequent lawsuits in United States District Courts found his literature false and misleading under the Federal Food, Drug and Cosmetic Act. Unable to produce the original documents as proof of contested therapeutic claims, Ghadiali received heavy sentences and fines, was labeled a quack and faker, and saw $250,000 worth of printed literature destroyed by court order. The American Medical Association maintained throughout that the visible spectrum of light and color has absolutely no healing or curative value.
Bibliography (To be added to the private chat soon)
- Darius Dinshah. Let There Be Light
- Dinshah P. Ghadiali. Spectro-Chrome Magazines Abridged 1922-1957. 1996.
- The Life of a Karma Yogi: Dinshah 100th Anniversary
- Dinshah P. Ghadiali. Spectro-Chrome System. 1979
- Dinshah P. Ghadiali. Master of Occultism. 1935
- Dinshah P. Ghadiali. Spectro-Chrome Metry Encyclopaedia, Volumes 1-3
- Dinshah P. Ghadiali. Triumph of Spectro-Chrome: Attuned Color Waves Vindicated in New York Supreme Court.
- Various articles from Spectrochrome.com.
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Forwarded from Library of Atlantis (Research Channel)
What is ‘fundamental’ in physics?
The differences between a system of measurement, an abstract mathematical theory of physics and actual reality are described along with some of the consequences. Fundamental constants and laws of nature are, in reality, artefacts of the mathematical theory, not fundamental, not part of reality and not even constant.
A Fundamental Law of Nature is best described as a 'non-negotiable hypothesis within a specific theoretical system'. The gravitational constant is not a fundamental constant of nature and is not constant.
https://library-of-atlantis.com/2026/01/10/what-is-fundamental-in-physics/
The differences between a system of measurement, an abstract mathematical theory of physics and actual reality are described along with some of the consequences. Fundamental constants and laws of nature are, in reality, artefacts of the mathematical theory, not fundamental, not part of reality and not even constant.
A Fundamental Law of Nature is best described as a 'non-negotiable hypothesis within a specific theoretical system'. The gravitational constant is not a fundamental constant of nature and is not constant.
https://library-of-atlantis.com/2026/01/10/what-is-fundamental-in-physics/
The Library of Atlantis
What is ‘fundamental’ in physics?
The differences between a system of measurement, an abstract mathematical theory of physics and actual reality are described along with some of the consequences. Fundamental constants and laws of n…
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Forwarded from Library of Atlantis (Research Channel)
Einstein’s relativity vs. actual reality
An attempt is made to understand Einstein’s theories of relativity, particularly with respect to the central idea of an inertial frame of reference.
Available descriptions are confusing and contradictory with definitions of the basic concepts either ambiguous or absent. Einstein himself voiced similar concerns.
Some of Einstein’s fundamental errors are pointed out and alternative ideas proposed.
The experimental results that are claimed to be explained by the theory of relativity are insufficient to prove the theory of relativity and in many cases, alternative explanations are available.
https://library-of-atlantis.com/2026/01/09/einsteins-relativity-vs-actual-reality/
An attempt is made to understand Einstein’s theories of relativity, particularly with respect to the central idea of an inertial frame of reference.
Available descriptions are confusing and contradictory with definitions of the basic concepts either ambiguous or absent. Einstein himself voiced similar concerns.
Some of Einstein’s fundamental errors are pointed out and alternative ideas proposed.
The experimental results that are claimed to be explained by the theory of relativity are insufficient to prove the theory of relativity and in many cases, alternative explanations are available.
https://library-of-atlantis.com/2026/01/09/einsteins-relativity-vs-actual-reality/
The Library of Atlantis
Einstein’s relativity vs. actual reality
Abstract An attempt is made to understand Einstein’s theories of relativity, particularly with respect to the central idea of an inertial frame of reference. Available descriptions are confus…
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KRT RADIONICS SPRING CLASSIC
The 11th Annual KRT Radionics Spring Classic takes place March 21-23 in Atlanta, Georgia. The 2026 event features two concurrent three-day programs: a Fundamentals workshop and an Advanced Seminars workshop, plus a marketplace and social space.
Author, inventor, and teacher Dan Mangum leads the Fundamentals course, which covers core concepts including analyzing, balancing, and imprinting/potentizing using a two-dial Hieronymus-type radionic instrument.
Six instructors teach the Advanced Seminars workshop: Justine Bartleywood (Radionics Woman), author/teacher/agronomist George Kuepper, Dr. Michelle Peal, Martin Lucas, Dan Mangum, and Ed Kelly of KRT. Each speaker receives a full half-day session rather than delivering brief lectures. This extended format allows time for hands-on exercises and active class participation, creating opportunities for genuine skill development.
To preserve the freedom of the instructors to discuss radionics openly, the event will not be livestreamed. The Advanced Seminars workshop will be recorded, with an edited version planned for release later this year on the KRT Vimeo channel. Those seeking the unfiltered content, interactive participation, and community connection must attend in person.
Registration is capped at 30 participants for each program. For complete details, visit the email invitation:
https://mailchi.mp/7096ae47f5f3/krt-2026-spring-classic
The 11th Annual KRT Radionics Spring Classic takes place March 21-23 in Atlanta, Georgia. The 2026 event features two concurrent three-day programs: a Fundamentals workshop and an Advanced Seminars workshop, plus a marketplace and social space.
Author, inventor, and teacher Dan Mangum leads the Fundamentals course, which covers core concepts including analyzing, balancing, and imprinting/potentizing using a two-dial Hieronymus-type radionic instrument.
Six instructors teach the Advanced Seminars workshop: Justine Bartleywood (Radionics Woman), author/teacher/agronomist George Kuepper, Dr. Michelle Peal, Martin Lucas, Dan Mangum, and Ed Kelly of KRT. Each speaker receives a full half-day session rather than delivering brief lectures. This extended format allows time for hands-on exercises and active class participation, creating opportunities for genuine skill development.
To preserve the freedom of the instructors to discuss radionics openly, the event will not be livestreamed. The Advanced Seminars workshop will be recorded, with an edited version planned for release later this year on the KRT Vimeo channel. Those seeking the unfiltered content, interactive participation, and community connection must attend in person.
Registration is capped at 30 participants for each program. For complete details, visit the email invitation:
https://mailchi.mp/7096ae47f5f3/krt-2026-spring-classic
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