Pohl_Effect of Planets on Human Organism | Hans Joachim Pohl
Seven planets and their corresponding metals form the foundation of this system through which cosmic forces shape human development and physiology. They operate through three conceptual dimensions: the celestial sphere centered on earth, inward radiation flowing from periphery to center, and the physical planetary body as material manifestation. These spheres function as concentric layers surrounding earth, contracting and expanding with planetary proximity. Planetary forces organize themselves within a hexagram structure derived from the opposition of outer and inner planets, with the sun serving as mediator. This creates diametrical pairs: Saturn with Moon, Jupiter with Mercury, and Mars with Venus, alongside lesser polarities such as Saturn with Venus and Mars with Moon. During embryonic development from approximately the seventh or eighth week, the seven planets operate through a lemniscate configuration positioned externally to the developing body. Outer planets surround the head region while inner planets embrace the trunk, intersecting near the heart and establishing the foundational cosmic imprint that shapes human morphology prior to birth.
The first breath at birth triggers substantial physiological transitions as planetary influence shifts from external lemniscate geometry to internalized radiation pathways entering the body at specific anatomical points: Saturn at the vertex, Jupiter at the nuchal region, Mars above and between the scapulae, Venus in the epigastric region, Mercury near the navel, and Moon in the genital organs. Mars forces exemplify this mechanism through respiratory initiation and arteriovenous blood differentiation. Incoming planetary radiation generates sequential functional activities within discrete organic systems before condensing into a corresponding organ, while outgoing radiation from the organ returns energy to the cosmos. This bidirectional functional sphere operates through two polar sine curves. The first path flows inward from the point of entry through progressive activities toward the planetary organ, while the second path radiates outward from the organ through complementary activities toward human expression. Together, these compose the tripartite sine curve configuration representing the Staff of Mercury, wherein form giving forces from outer planets oppose substance forming forces from inner planets across the median plane of the human organism.
NOTE: This document is available in the Private Chat
Check out the other posts about embryology for more context:
- https://t.me/aetherforceposts/5260
- https://t.me/aetherforceposts/3410
- https://t.me/aetherforceposts/3412
- https://t.me/aetherforceposts/3413
- https://t.me/aetherforceposts/3415
- https://t.me/aetherforceposts/3416
Seven planets and their corresponding metals form the foundation of this system through which cosmic forces shape human development and physiology. They operate through three conceptual dimensions: the celestial sphere centered on earth, inward radiation flowing from periphery to center, and the physical planetary body as material manifestation. These spheres function as concentric layers surrounding earth, contracting and expanding with planetary proximity. Planetary forces organize themselves within a hexagram structure derived from the opposition of outer and inner planets, with the sun serving as mediator. This creates diametrical pairs: Saturn with Moon, Jupiter with Mercury, and Mars with Venus, alongside lesser polarities such as Saturn with Venus and Mars with Moon. During embryonic development from approximately the seventh or eighth week, the seven planets operate through a lemniscate configuration positioned externally to the developing body. Outer planets surround the head region while inner planets embrace the trunk, intersecting near the heart and establishing the foundational cosmic imprint that shapes human morphology prior to birth.
The first breath at birth triggers substantial physiological transitions as planetary influence shifts from external lemniscate geometry to internalized radiation pathways entering the body at specific anatomical points: Saturn at the vertex, Jupiter at the nuchal region, Mars above and between the scapulae, Venus in the epigastric region, Mercury near the navel, and Moon in the genital organs. Mars forces exemplify this mechanism through respiratory initiation and arteriovenous blood differentiation. Incoming planetary radiation generates sequential functional activities within discrete organic systems before condensing into a corresponding organ, while outgoing radiation from the organ returns energy to the cosmos. This bidirectional functional sphere operates through two polar sine curves. The first path flows inward from the point of entry through progressive activities toward the planetary organ, while the second path radiates outward from the organ through complementary activities toward human expression. Together, these compose the tripartite sine curve configuration representing the Staff of Mercury, wherein form giving forces from outer planets oppose substance forming forces from inner planets across the median plane of the human organism.
NOTE: This document is available in the Private Chat
Check out the other posts about embryology for more context:
- https://t.me/aetherforceposts/5260
- https://t.me/aetherforceposts/3410
- https://t.me/aetherforceposts/3412
- https://t.me/aetherforceposts/3413
- https://t.me/aetherforceposts/3415
- https://t.me/aetherforceposts/3416
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External Factors in the Mechanisms of Biological Clocks | Frank A. Brown
Living creatures tell time by reading the earth's rhythms rather than relying on internal clocks, according to research compiled in "External Factors in the Mechanisms of Biological Clocks." From 1959 through 1977, extensive studies demonstrated that organisms maintain synchronized rhythms with natural periodicities by responding continuously to subtle environmental fluctuations. Metabolic rates in potatoes, fiddler crabs, and other organisms display daily, lunar, and annual cycles under conditions presumed constant. These metabolic fluctuations track barometric pressure parameters and cosmic radiation variations with remarkable precision. The phenomenon proves universal across living systems from algae to vertebrates. Organisms adjust their metabolic output in correlation with specific atmospheric pressure changes and cosmic radiation levels occurring at predictable times of day and synodic month phases. They derive their periods from a continuous inflow of external cyclic information rather than possessing independent internal timing mechanisms. This coordinate timing model renders autonomous internal clocks unnecessary for explaining biological periodicity ranging from solar day to annual frequencies, as organisms themselves serve as responsive systems embedded within rhythmic geophysical fields that provide their temporal framework.
The extrinsic timing hypothesis resolves the fundamental mystery of how organisms achieve extraordinary temperature independence and chemical immunity in their biological clocks. Timing derives externally from the earth's rhythmic electromagnetic environment rather than from internal biochemical or biophysical oscillators. Autonomous clock models require explanation for their mysterious precision despite metabolic poison immunity and extreme temperature insensitivity. The coordinate timing model simply postulates that organisms employ phase-shifting mechanisms sensitive to light and temperature fluctuations to maintain optimal alignment with natural environmental cycles. Planarian flatworms demonstrate after effects from reversed magnetic fields lasting beyond minutes. Crabs alter their orientation responses based on geographic location relative to celestial coordinates. Beans in Faraday cages exhibit phase-locked metabolic patterns coordinated with those of neighboring populations. These findings collectively indicate organisms possess responsiveness to subtle geophysical stimulus patterns that systematically pattern their behavioral sequences. The hypothesis elegantly accounts for autophasing mechanisms by which organisms scanning environmental conditions daily through their own sensitivity rhythms effectively self-adjust their phase relationships, circumventing any need for inherent oscillators while explaining how a single temperature or light perturbation can initiate or reset observed rhythms within minutes while maintaining stable mean periods over months and years.
NOTE: This text will be uploaded to the Private Chat soon.
Living creatures tell time by reading the earth's rhythms rather than relying on internal clocks, according to research compiled in "External Factors in the Mechanisms of Biological Clocks." From 1959 through 1977, extensive studies demonstrated that organisms maintain synchronized rhythms with natural periodicities by responding continuously to subtle environmental fluctuations. Metabolic rates in potatoes, fiddler crabs, and other organisms display daily, lunar, and annual cycles under conditions presumed constant. These metabolic fluctuations track barometric pressure parameters and cosmic radiation variations with remarkable precision. The phenomenon proves universal across living systems from algae to vertebrates. Organisms adjust their metabolic output in correlation with specific atmospheric pressure changes and cosmic radiation levels occurring at predictable times of day and synodic month phases. They derive their periods from a continuous inflow of external cyclic information rather than possessing independent internal timing mechanisms. This coordinate timing model renders autonomous internal clocks unnecessary for explaining biological periodicity ranging from solar day to annual frequencies, as organisms themselves serve as responsive systems embedded within rhythmic geophysical fields that provide their temporal framework.
The extrinsic timing hypothesis resolves the fundamental mystery of how organisms achieve extraordinary temperature independence and chemical immunity in their biological clocks. Timing derives externally from the earth's rhythmic electromagnetic environment rather than from internal biochemical or biophysical oscillators. Autonomous clock models require explanation for their mysterious precision despite metabolic poison immunity and extreme temperature insensitivity. The coordinate timing model simply postulates that organisms employ phase-shifting mechanisms sensitive to light and temperature fluctuations to maintain optimal alignment with natural environmental cycles. Planarian flatworms demonstrate after effects from reversed magnetic fields lasting beyond minutes. Crabs alter their orientation responses based on geographic location relative to celestial coordinates. Beans in Faraday cages exhibit phase-locked metabolic patterns coordinated with those of neighboring populations. These findings collectively indicate organisms possess responsiveness to subtle geophysical stimulus patterns that systematically pattern their behavioral sequences. The hypothesis elegantly accounts for autophasing mechanisms by which organisms scanning environmental conditions daily through their own sensitivity rhythms effectively self-adjust their phase relationships, circumventing any need for inherent oscillators while explaining how a single temperature or light perturbation can initiate or reset observed rhythms within minutes while maintaining stable mean periods over months and years.
NOTE: This text will be uploaded to the Private Chat soon.
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The Star Mirror: The Extraordinary Discovery of the True Reflection Between Heaven & Earth | Mark Vidler
The Star Mirror reveals a profound geometric correspondence between the heavens and Earth encoded in ancient sacred sites. Vidler demonstrates that the Great Pyramid contained eleven architectural angles functioning as astronomical spotlights that targeted specific bright stars in 2450 BC. Each spotlight aligned to star clusters forming isosceles triangles with remarkable precision. The pyramid's vertical alignment directed toward Melkalanin in Auriga positioned this star directly above Giza at approximately 30° north celestial latitude, matching the pyramid's own latitude exactly. This wasn't accidental. The ancient architects possessed sophisticated understanding of celestial mechanics and synchronized terrestrial structures with specific stellar configurations. When Capella passed vertically over Mt Katherine, Egypt's highest mountain, it established a measurable relationship between the brightest stars and Earth's highest terrestrial peaks according to precessional calculations.
This geometric principle extends far beyond Egypt across the globe. The three highest mountain ranges surrounding Mt Katherine form an isosceles triangle aligned precisely to Earth's meridian, mirroring the isosceles configuration of Auriga's three brightest stars positioned above those mountains during the critical epoch. Silbury Hill and Avebury in England display identical patterns, where natural high points produce equilateral and isosceles triangles matching stellar configurations visible from those locations. Ancient builders strategically constructed artificial mountains at Giza and Avebury positioned to duplicate natural topographic patterns, effectively impressing celestial geometry onto the terrestrial landscape. By AD 2000, Orion's constellation reached vertical alignment with Triangulum's apex passing directly over the Great Pyramid, coinciding with Polaris achieving near-perfect alignment at Earth's pole. This demonstrated the ancient architects' capacity to predict and mark astronomical events separated by approximately 4,500 years.
This geometric language represents an ancient scientific communication system expressing the principle "as above, so below." The coordinates of Earth's significant features, including mountain peaks, river deltas, and ancient monuments, correspond to the vertical parallels of bright stars. This unified blueprint connects Heaven and Earth through systematic correlation across multiple continents, from Egypt to Britain to India. The arrangement transcends coincidence; it indicates deliberate encoding of astronomical knowledge within both natural and constructed topography. These structures preserved wisdom designed to transmit understanding through millennia.
NOTE: This book will be uploaded to the Private Chat Soon
The Star Mirror reveals a profound geometric correspondence between the heavens and Earth encoded in ancient sacred sites. Vidler demonstrates that the Great Pyramid contained eleven architectural angles functioning as astronomical spotlights that targeted specific bright stars in 2450 BC. Each spotlight aligned to star clusters forming isosceles triangles with remarkable precision. The pyramid's vertical alignment directed toward Melkalanin in Auriga positioned this star directly above Giza at approximately 30° north celestial latitude, matching the pyramid's own latitude exactly. This wasn't accidental. The ancient architects possessed sophisticated understanding of celestial mechanics and synchronized terrestrial structures with specific stellar configurations. When Capella passed vertically over Mt Katherine, Egypt's highest mountain, it established a measurable relationship between the brightest stars and Earth's highest terrestrial peaks according to precessional calculations.
This geometric principle extends far beyond Egypt across the globe. The three highest mountain ranges surrounding Mt Katherine form an isosceles triangle aligned precisely to Earth's meridian, mirroring the isosceles configuration of Auriga's three brightest stars positioned above those mountains during the critical epoch. Silbury Hill and Avebury in England display identical patterns, where natural high points produce equilateral and isosceles triangles matching stellar configurations visible from those locations. Ancient builders strategically constructed artificial mountains at Giza and Avebury positioned to duplicate natural topographic patterns, effectively impressing celestial geometry onto the terrestrial landscape. By AD 2000, Orion's constellation reached vertical alignment with Triangulum's apex passing directly over the Great Pyramid, coinciding with Polaris achieving near-perfect alignment at Earth's pole. This demonstrated the ancient architects' capacity to predict and mark astronomical events separated by approximately 4,500 years.
This geometric language represents an ancient scientific communication system expressing the principle "as above, so below." The coordinates of Earth's significant features, including mountain peaks, river deltas, and ancient monuments, correspond to the vertical parallels of bright stars. This unified blueprint connects Heaven and Earth through systematic correlation across multiple continents, from Egypt to Britain to India. The arrangement transcends coincidence; it indicates deliberate encoding of astronomical knowledge within both natural and constructed topography. These structures preserved wisdom designed to transmit understanding through millennia.
NOTE: This book will be uploaded to the Private Chat Soon
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Scientific Base and Build of Music | Dougald Carmichael Ramsay
Dougald Carmichael Ramsay's work on music's scientific foundation influenced Jon Ernst Worrell Keely's investigations into sympathetic vibratory physics. Ramsay's Scientific Base and Build of Music grounds musical harmony in physical vibrations and proportional relationships. He establishes music through ratios and vibration frequencies, demonstrating that major and minor scales emerge from reciprocal vibration quantities and string lengths. The work develops thirteen mathematical scales through systematic application of three primary ratios: 1:2, 2:3, and 3:5. Extended across six octaves, the harmonic series reveals how the chromatic scale contains 32 notes and 25 circles of vibrations. Comma spacing, defined as 80:81 ratio intervals, provides precise measurement of pitch distinctions, allowing Ramsay to map all 24 major and minor scales through comma intervals and mathematical progression. The system positions music's center of gravity at the comma space itself, treating this microtonal interval as the fulcrum balancing gravitational and levity forces acting on tones.
The doctrine of reciprocal quantities reveals vibrations for the major mode correspond precisely to string lengths for the minor mode, creating mathematical duality underlying masculine and feminine aspects of harmonic structure. Ramsay's framework demonstrates that chords generate scales and scales generate keys through continuous growth-like progression. The three primary chords arise from specific vibration ratios: the tonic chord CEG from first power ratios, the dominant chord GBD from multiply-three operations, and the subdominant chord FAC from two-thirds operations. These chords operate through centrifugal and centripetal forces corresponding to their acoustic relationships. All musical phenomena reduce to these fundamental proportions. The system unifies diatonic and chromatic elements, with the twelfth mathematical scale representing an abnormality; subsequent scales follow predictable patterns, extending knowledge of temperament beyond conventional understanding.
Jon Ernst Worrell Keely drew upon Ramsay's mathematical demonstration that music operates through universal laws governing vibration and proportion to extend these principles toward understanding how specific frequencies could produce mechanical effects through sympathetic resonance. The reciprocal relationship between vibration frequencies and physical dimensions revealed by Ramsay's harmonic system provided Keely with a theoretical foundation for exploring what he termed the ultimate dynamic structure underlying visible material manifestation. By recognizing that musical proportions reflect fundamental forces of gravity and levity acting through acoustic relationships, Ramsay's work opened pathways for Keely to investigate how harmonic principles might govern not only sound and mechanical resonance but the deeper energetic organization of physical matter itself.
Dougald Carmichael Ramsay's work on music's scientific foundation influenced Jon Ernst Worrell Keely's investigations into sympathetic vibratory physics. Ramsay's Scientific Base and Build of Music grounds musical harmony in physical vibrations and proportional relationships. He establishes music through ratios and vibration frequencies, demonstrating that major and minor scales emerge from reciprocal vibration quantities and string lengths. The work develops thirteen mathematical scales through systematic application of three primary ratios: 1:2, 2:3, and 3:5. Extended across six octaves, the harmonic series reveals how the chromatic scale contains 32 notes and 25 circles of vibrations. Comma spacing, defined as 80:81 ratio intervals, provides precise measurement of pitch distinctions, allowing Ramsay to map all 24 major and minor scales through comma intervals and mathematical progression. The system positions music's center of gravity at the comma space itself, treating this microtonal interval as the fulcrum balancing gravitational and levity forces acting on tones.
The doctrine of reciprocal quantities reveals vibrations for the major mode correspond precisely to string lengths for the minor mode, creating mathematical duality underlying masculine and feminine aspects of harmonic structure. Ramsay's framework demonstrates that chords generate scales and scales generate keys through continuous growth-like progression. The three primary chords arise from specific vibration ratios: the tonic chord CEG from first power ratios, the dominant chord GBD from multiply-three operations, and the subdominant chord FAC from two-thirds operations. These chords operate through centrifugal and centripetal forces corresponding to their acoustic relationships. All musical phenomena reduce to these fundamental proportions. The system unifies diatonic and chromatic elements, with the twelfth mathematical scale representing an abnormality; subsequent scales follow predictable patterns, extending knowledge of temperament beyond conventional understanding.
Jon Ernst Worrell Keely drew upon Ramsay's mathematical demonstration that music operates through universal laws governing vibration and proportion to extend these principles toward understanding how specific frequencies could produce mechanical effects through sympathetic resonance. The reciprocal relationship between vibration frequencies and physical dimensions revealed by Ramsay's harmonic system provided Keely with a theoretical foundation for exploring what he termed the ultimate dynamic structure underlying visible material manifestation. By recognizing that musical proportions reflect fundamental forces of gravity and levity acting through acoustic relationships, Ramsay's work opened pathways for Keely to investigate how harmonic principles might govern not only sound and mechanical resonance but the deeper energetic organization of physical matter itself.
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Dougald Carmichael Ramsay | AI generated videos by Dale Pond
Origin and the Functions of Commas - https://www.youtube.com/watch?v=zyGS0dnRnoE
Speaking about Keely’s work - https://www.youtube.com/watch?v=Fb6MN2NzWGI
Music's Seal - The Number Three - https://www.youtube.com/watch?v=oAkHehvblM8
Commas, spheres, and the number three reveal nature's musical architecture. Music divides the octave into 53 commas that govern all intervals within the diatonic scale. From C as the tonic root, the major scale moves through commas in this sequence: 9, 8, 5, 9, 8, 9, and 5. The minor scale uses identical magnitudes but rearranges them to 9, 5, 8, 9, 5, 9, 8. As keys modulate, nature reduces larger intervals and splits them in two, converting the original seven notes into twelve semitones. She does this by ear, not by external rule. A fourth fifth registers one comma less than the harmonic fifth, serving as nature's boundary marker. Music's elements lock together so tightly that nothing can be added or subtracted without breaking the structure.
Any key system's range spans exactly three fifths, with the middle fifth acting as the tonic. Only one such scale can exist at a time. The major scale consists of three fifths and their thirds, deliberately kept separate at the ends. This gap between the dominant's top and subdominant's root allows compound chords and modulation to work. Three distinct spheres govern motion itself. The first sphere features pendulums executing nature's grand fugue in silence, containing 19 ratios across 25 oscillation circles that span six octaves. The second involves strings and elastic bodies vibrating fast enough to produce sound, where the same grand fugue underlies all music. The third contains molecules, atoms, and matter whose vibrations far exceed musical range, operating in that high silent region where sympathy's forces concentrate into mighty action. These three spheres follow identical laws of ratio, position, duality, and continuity. The minor scale grows from the major through duality. At one extreme, the note D serves double duty, connecting the subdominant minor to the dominant major while holding duality within itself. At the other extreme, three fifths below F lands on A, and three fifths above B lands on G sharp, these two notes meeting where B and F once stood apart. Two dual notes seal these limits hermetically, contained within nature's sphere of 12 keys where modulation flows freely.
Origin and the Functions of Commas - https://www.youtube.com/watch?v=zyGS0dnRnoE
Speaking about Keely’s work - https://www.youtube.com/watch?v=Fb6MN2NzWGI
Music's Seal - The Number Three - https://www.youtube.com/watch?v=oAkHehvblM8
Commas, spheres, and the number three reveal nature's musical architecture. Music divides the octave into 53 commas that govern all intervals within the diatonic scale. From C as the tonic root, the major scale moves through commas in this sequence: 9, 8, 5, 9, 8, 9, and 5. The minor scale uses identical magnitudes but rearranges them to 9, 5, 8, 9, 5, 9, 8. As keys modulate, nature reduces larger intervals and splits them in two, converting the original seven notes into twelve semitones. She does this by ear, not by external rule. A fourth fifth registers one comma less than the harmonic fifth, serving as nature's boundary marker. Music's elements lock together so tightly that nothing can be added or subtracted without breaking the structure.
Any key system's range spans exactly three fifths, with the middle fifth acting as the tonic. Only one such scale can exist at a time. The major scale consists of three fifths and their thirds, deliberately kept separate at the ends. This gap between the dominant's top and subdominant's root allows compound chords and modulation to work. Three distinct spheres govern motion itself. The first sphere features pendulums executing nature's grand fugue in silence, containing 19 ratios across 25 oscillation circles that span six octaves. The second involves strings and elastic bodies vibrating fast enough to produce sound, where the same grand fugue underlies all music. The third contains molecules, atoms, and matter whose vibrations far exceed musical range, operating in that high silent region where sympathy's forces concentrate into mighty action. These three spheres follow identical laws of ratio, position, duality, and continuity. The minor scale grows from the major through duality. At one extreme, the note D serves double duty, connecting the subdominant minor to the dominant major while holding duality within itself. At the other extreme, three fifths below F lands on A, and three fifths above B lands on G sharp, these two notes meeting where B and F once stood apart. Two dual notes seal these limits hermetically, contained within nature's sphere of 12 keys where modulation flows freely.
YouTube
Dougald Carmichael Ramsay on the Origin and Functions of Commas
Dougald Carmichael Ramsay on the Origin and Functions of Commas
Original source: https://svpwiki.com/Comma
Original source: https://svpwiki.com/Comma
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Effects of Subtle Energy Patterns on Cells | Yury Kronn
https://www.youtube.com/watch?v=J8gSZsqIKc8
"An in-vitro experiment with human dermal fibroblast (HDF) cells was conducted to compare the influences of various subtle energy patterns, created with Vital Force Technology, on cells’ viability and longevity while in the condition of “food deprivation.” To create this condition, a growth medium was not replenished throughout the entire course of the experiment. That is, at first, cells grew normally, but once the food ran out, they began to die. Control cells were grown in a standard growth medium, while the experimental cells were grown in the same medium, but infused with different subtle energy patterns. The growth rate of cells grown in energy-infused media was dramatically higher during the growth stage, up to 82% more than in the control group. The best result was demonstrated by the subtle energy pattern that was created specifically for the support of cells’ functioning. Also, cells in energy-infused media died much more slowly than the control cells: on the 9th day, there were between 50% - 83% more live cells in the energy-infused medium.
Another series of experiments was conducted using the human embryonic kidney cell line (HEK-293). To create a food deprivation condition cells were grown in a standard growth medium without the addition of fetal bovine serum (FBS), which is usually used for growing cells. In addition to the absence of FBS, mitochondrial toxins - MMP+, causing symptoms of Parkinson disease, or Rotenone - were added to the experimental samples and half of the control samples. Growth media of the experimental samples were infused with the two subtle energy patterns that produced the best results in the first experiment (described above). After 3 days, the viability of the cells and the mitochondrial membrane potential were compared, using the MMT colorimetric assay, JC-1 dye, and Tecan spectrometer. Measurements showed that both the viability and mitochondrial membrane potential of the experimental cells were significantly better, not only in comparison with the control containing mitochondrial poison, but even in comparison with the non-poisoned control.
Presented experimental results show that subtle energy patterns technologically created to support human cells can effectively provide high viability of cells and protect their mitochondrial functions, even in the presence of poisonous substances".
https://www.youtube.com/watch?v=J8gSZsqIKc8
"An in-vitro experiment with human dermal fibroblast (HDF) cells was conducted to compare the influences of various subtle energy patterns, created with Vital Force Technology, on cells’ viability and longevity while in the condition of “food deprivation.” To create this condition, a growth medium was not replenished throughout the entire course of the experiment. That is, at first, cells grew normally, but once the food ran out, they began to die. Control cells were grown in a standard growth medium, while the experimental cells were grown in the same medium, but infused with different subtle energy patterns. The growth rate of cells grown in energy-infused media was dramatically higher during the growth stage, up to 82% more than in the control group. The best result was demonstrated by the subtle energy pattern that was created specifically for the support of cells’ functioning. Also, cells in energy-infused media died much more slowly than the control cells: on the 9th day, there were between 50% - 83% more live cells in the energy-infused medium.
Another series of experiments was conducted using the human embryonic kidney cell line (HEK-293). To create a food deprivation condition cells were grown in a standard growth medium without the addition of fetal bovine serum (FBS), which is usually used for growing cells. In addition to the absence of FBS, mitochondrial toxins - MMP+, causing symptoms of Parkinson disease, or Rotenone - were added to the experimental samples and half of the control samples. Growth media of the experimental samples were infused with the two subtle energy patterns that produced the best results in the first experiment (described above). After 3 days, the viability of the cells and the mitochondrial membrane potential were compared, using the MMT colorimetric assay, JC-1 dye, and Tecan spectrometer. Measurements showed that both the viability and mitochondrial membrane potential of the experimental cells were significantly better, not only in comparison with the control containing mitochondrial poison, but even in comparison with the non-poisoned control.
Presented experimental results show that subtle energy patterns technologically created to support human cells can effectively provide high viability of cells and protect their mitochondrial functions, even in the presence of poisonous substances".
YouTube
Effects of Subtle Energy Patterns on Cells | Yury Kronn
Effect of Subtle Energy Patterns on Cell Viability and Mitochondrial Membrane Potential
Linda Klimaviciusa Kaspars Jekabsons (1), John McMichael (2), Jeremy Lins (2), Yury Kronn (3)
1. Dept. of Pharmacology, Faculty of Medicine, University of Latvia
2. Beech…
Linda Klimaviciusa Kaspars Jekabsons (1), John McMichael (2), Jeremy Lins (2), Yury Kronn (3)
1. Dept. of Pharmacology, Faculty of Medicine, University of Latvia
2. Beech…
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Microtubules as Fractal Time Crystals: implications for life and consciousness| Stuart Hameroff & Anirban Bandyopadhyay
https://www.youtube.com/watch?v=YusrOYGAhqM
Time crystals represent a phase of matter exhibiting periodic structure in time, where systems break time translational symmetry and maintain periodic dynamics even in their lowest energy state. Originally proposed theoretically by Frank Wilczek in 2012, time crystals have since been created experimentally in ultracold quantum systems including ion chains, cavity quantum electrodynamics, spin systems, and photonic platforms. Driven time crystals, called flow systems, can maintain phase coherence over extended times with oscillations occurring at subharmonic frequencies. Microtubules, which are cylindrical polymers of tubulin dimers arranged in ordered crystalline lattices, function as natural platforms for collective oscillations and appear to operate as polyatomic fractal time crystals. They exhibit three nested systems oscillating at distinct frequencies: C termini with ordered water oscillate coherently in kilohertz, tubulins themselves oscillate through phonons and polaritons in megahertz, and ordered water within the hollow microtubular core oscillates in gigahertz. These frequencies occur simultaneously and synchronously, with aromatic rings in tubulin containing 86 electron clouds that undergo quantum dipole oscillations in terahertz, potentially generating photons from the brain. This fractal resonance hierarchy extends from circadian rhythms through hertz EEG frequencies into terahertz and potentially down to the Planck scale, suggesting microtubules connect biological processes across multiple orders of magnitude through self similar patterns.
Microtubules regulate synaptic plasticity and memory through tau protein traffic signals that direct motor proteins along microtubular pathways, with tau location on microtubules serving as an indicator of memory and synaptic plasticity. When microtubules deteriorate and tau becomes hyperphosphorylated or displaced, cognitive dysfunction results, correlating better with neuropibrillary tangles than with amyloid plaques in Alzheimer's disease. Memory encoding in microtubules occurs through phosphorylation by CaMKII enzymes on individual tubulins, potentially storing information across distributed redundant networks with up to 10 to the 30th possible information states per neuron. Ultrasound at megahertz frequencies can noninvasively stimulate brain microtubules, demonstrating mood improvement in chronic pain patients and potential therapeutic applications for Alzheimer's disease. Microtubules in neuronal dendrites and soma are intentionally interrupted with mixed polarity, allowing recursive processing and generating interference beats between differently aligned microtubules that may produce the 40 hertz gamma oscillations observed in EEG. The triplet of triplets resonance pattern appears consistently across biological scales and measurement frequencies, occurring in neurons, individual microtubules, single tubulins, and in experimental measures from human scalps, germinating seeds, stem cells, and animals. Psychedelic compounds binding to 5HT2A receptors within pyramidal neuron dendrites associated with microtubules suggest consciousness involves quantum optical effects in aromatic ring regions where anesthetics bind and act, positioning microtubules as generators of quantum coherence, biological quantum computing, and unified information flow necessary for life itself.
Refer to this post about the Nanobrain for more context:
https://t.me/aetherforceposts/4969
https://www.youtube.com/watch?v=YusrOYGAhqM
Time crystals represent a phase of matter exhibiting periodic structure in time, where systems break time translational symmetry and maintain periodic dynamics even in their lowest energy state. Originally proposed theoretically by Frank Wilczek in 2012, time crystals have since been created experimentally in ultracold quantum systems including ion chains, cavity quantum electrodynamics, spin systems, and photonic platforms. Driven time crystals, called flow systems, can maintain phase coherence over extended times with oscillations occurring at subharmonic frequencies. Microtubules, which are cylindrical polymers of tubulin dimers arranged in ordered crystalline lattices, function as natural platforms for collective oscillations and appear to operate as polyatomic fractal time crystals. They exhibit three nested systems oscillating at distinct frequencies: C termini with ordered water oscillate coherently in kilohertz, tubulins themselves oscillate through phonons and polaritons in megahertz, and ordered water within the hollow microtubular core oscillates in gigahertz. These frequencies occur simultaneously and synchronously, with aromatic rings in tubulin containing 86 electron clouds that undergo quantum dipole oscillations in terahertz, potentially generating photons from the brain. This fractal resonance hierarchy extends from circadian rhythms through hertz EEG frequencies into terahertz and potentially down to the Planck scale, suggesting microtubules connect biological processes across multiple orders of magnitude through self similar patterns.
Microtubules regulate synaptic plasticity and memory through tau protein traffic signals that direct motor proteins along microtubular pathways, with tau location on microtubules serving as an indicator of memory and synaptic plasticity. When microtubules deteriorate and tau becomes hyperphosphorylated or displaced, cognitive dysfunction results, correlating better with neuropibrillary tangles than with amyloid plaques in Alzheimer's disease. Memory encoding in microtubules occurs through phosphorylation by CaMKII enzymes on individual tubulins, potentially storing information across distributed redundant networks with up to 10 to the 30th possible information states per neuron. Ultrasound at megahertz frequencies can noninvasively stimulate brain microtubules, demonstrating mood improvement in chronic pain patients and potential therapeutic applications for Alzheimer's disease. Microtubules in neuronal dendrites and soma are intentionally interrupted with mixed polarity, allowing recursive processing and generating interference beats between differently aligned microtubules that may produce the 40 hertz gamma oscillations observed in EEG. The triplet of triplets resonance pattern appears consistently across biological scales and measurement frequencies, occurring in neurons, individual microtubules, single tubulins, and in experimental measures from human scalps, germinating seeds, stem cells, and animals. Psychedelic compounds binding to 5HT2A receptors within pyramidal neuron dendrites associated with microtubules suggest consciousness involves quantum optical effects in aromatic ring regions where anesthetics bind and act, positioning microtubules as generators of quantum coherence, biological quantum computing, and unified information flow necessary for life itself.
Refer to this post about the Nanobrain for more context:
https://t.me/aetherforceposts/4969
YouTube
"Microtubules as Fractal Time Crystals: implications for life and consciousness" by Stuart Hameroff
This is a ~1 hour 20 min talk and discussion titled "Microtubules as Fractal Time Crystals: implications for life and consciousness" by Stuart Hameroff (https://hameroff.arizona.edu/).
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Interference: A Grand Scientific Musical Theory | Richard Merrick
Interference: A Grand Scientific Musical Theory traces harmonic principles as the foundation connecting music, nature, and human perception in ways science has largely overlooked.
Harmonic science, rooted in Pythagorean philosophy of musica universalis, offers a unifying framework for understanding acoustic phenomena, cultural history, and the organization of physical reality. The work shows how these principles, discovered through numerical proportions in musical pitch, became systematically suppressed. The medieval Church categorized the tritone as Diabolus in Musica and embedded this prohibition into canon law, fundamentally redirecting Western music theory away from its natural harmonic foundations. This ecclesiastical campaign created a philosophical divide that persists in contemporary science, which continues to avoid integrating the golden ratio into foundational equations despite its abundance throughout natural systems.
The Harmonic Interference Theory provides a mathematical framework expressed through the INTERFERENCE equation: y = n² / (Φⁿ / √5). This equation describes resonance patterns in the harmonic series as a balance between foreground harmonic proportions and background Fibonacci proportions. Maximum resonance occurs at the minor third, while minimum resonance appears at the golden ratio location. The mathematical model reveals that a twelve-step octave division emerges naturally from the interference distribution between harmonic and Fibonacci series. The work establishes direct mathematical correlations between musical intervals, physical geometry (the five Platonic solids, Metatron's Cube), and astronomical phenomena including Venus's pentagonal orbit and Saturn's ring formations. These correspondences aren't coincidental but reflect deeply embedded cosmic harmonic principles that human perception is physiologically organized to recognize and respond to.
NOTE: This book will be available in the Private Chat Soon
Interference: A Grand Scientific Musical Theory traces harmonic principles as the foundation connecting music, nature, and human perception in ways science has largely overlooked.
Harmonic science, rooted in Pythagorean philosophy of musica universalis, offers a unifying framework for understanding acoustic phenomena, cultural history, and the organization of physical reality. The work shows how these principles, discovered through numerical proportions in musical pitch, became systematically suppressed. The medieval Church categorized the tritone as Diabolus in Musica and embedded this prohibition into canon law, fundamentally redirecting Western music theory away from its natural harmonic foundations. This ecclesiastical campaign created a philosophical divide that persists in contemporary science, which continues to avoid integrating the golden ratio into foundational equations despite its abundance throughout natural systems.
The Harmonic Interference Theory provides a mathematical framework expressed through the INTERFERENCE equation: y = n² / (Φⁿ / √5). This equation describes resonance patterns in the harmonic series as a balance between foreground harmonic proportions and background Fibonacci proportions. Maximum resonance occurs at the minor third, while minimum resonance appears at the golden ratio location. The mathematical model reveals that a twelve-step octave division emerges naturally from the interference distribution between harmonic and Fibonacci series. The work establishes direct mathematical correlations between musical intervals, physical geometry (the five Platonic solids, Metatron's Cube), and astronomical phenomena including Venus's pentagonal orbit and Saturn's ring formations. These correspondences aren't coincidental but reflect deeply embedded cosmic harmonic principles that human perception is physiologically organized to recognize and respond to.
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The Power of Limits | Gyorgy Doczi
The Power of Limits by Gyorgy Doczi reveals how a single mathematical principle governs the growth of flowers, the structure of seashells, and the proportions of ancient temples. Doczi introduces dinergy, a concept combining dia (across or opposite) and energy to describe how complementary opposites unite to create harmonious patterns. This pattern forming process appears everywhere in nature. Plant growth follows logarithmic spirals that move in opposite directions, visible in daisies and sunflowers where florets arrange themselves according to the Fibonacci series. Neighboring elements consistently relate through the golden section ratio of approximately 0.618. This proportion represents something unique: the small part stands to the large part as the large part stands to the whole, expressed as A:B equals B:(A+B).
The same proportions appear in musical harmonies. Pythagorean ratios of 1:2, 2:3, and 3:4 produce the consonant intervals of octave, fifth, and fourth. These approximate the golden section and form the foundation for Western musical scales. Leaf outlines reveal these proportions too. So do basket weaving patterns and pottery vessels from cultures spanning Cretan, Greek, Chinese, and Native American traditions. These harmonious proportions emerge naturally from dinergic work processes that combine radiating and rotating movements. It's not conscious design. It's something deeper.
Human anatomy shows golden proportions as well. Classical Greek sculpture places the navel at the golden section point of body height. Architectural structures incorporate these ratios between major and minor elements, from the Parthenon to Gothic cathedrals to Eastern temples. Doczi argues that limitations aren't just restrictive. They're creative. Proportional limits create harmonious relationships from differences. Tangible patterns connect to intangible meanings. Spiral symbols across cultures, from Maori tattoos to prehistoric Irish passage graves, express concepts of life, death, and rebirth through double spiral patterns later discovered in DNA molecular structure and cellular microtubules.
The work bridges Eastern and Western artistic traditions. Greek ideals of man as measure align with Buddhist concepts of the Middle Path. Both traditions employ proportional limitations to achieve harmony. Throughout eight chapters covering plants, crafts, arts of living, patterns of sharing in calendars and music, anatomy of organisms from shells to human forms, organic and inorganic patterns, and comparative aesthetics, Doczi demonstrates a universal principle. Strict proportional limitations generate limitless variety while maintaining underlying order.
NOTE: This book is available in the Private Chat
The Power of Limits by Gyorgy Doczi reveals how a single mathematical principle governs the growth of flowers, the structure of seashells, and the proportions of ancient temples. Doczi introduces dinergy, a concept combining dia (across or opposite) and energy to describe how complementary opposites unite to create harmonious patterns. This pattern forming process appears everywhere in nature. Plant growth follows logarithmic spirals that move in opposite directions, visible in daisies and sunflowers where florets arrange themselves according to the Fibonacci series. Neighboring elements consistently relate through the golden section ratio of approximately 0.618. This proportion represents something unique: the small part stands to the large part as the large part stands to the whole, expressed as A:B equals B:(A+B).
The same proportions appear in musical harmonies. Pythagorean ratios of 1:2, 2:3, and 3:4 produce the consonant intervals of octave, fifth, and fourth. These approximate the golden section and form the foundation for Western musical scales. Leaf outlines reveal these proportions too. So do basket weaving patterns and pottery vessels from cultures spanning Cretan, Greek, Chinese, and Native American traditions. These harmonious proportions emerge naturally from dinergic work processes that combine radiating and rotating movements. It's not conscious design. It's something deeper.
Human anatomy shows golden proportions as well. Classical Greek sculpture places the navel at the golden section point of body height. Architectural structures incorporate these ratios between major and minor elements, from the Parthenon to Gothic cathedrals to Eastern temples. Doczi argues that limitations aren't just restrictive. They're creative. Proportional limits create harmonious relationships from differences. Tangible patterns connect to intangible meanings. Spiral symbols across cultures, from Maori tattoos to prehistoric Irish passage graves, express concepts of life, death, and rebirth through double spiral patterns later discovered in DNA molecular structure and cellular microtubules.
The work bridges Eastern and Western artistic traditions. Greek ideals of man as measure align with Buddhist concepts of the Middle Path. Both traditions employ proportional limitations to achieve harmony. Throughout eight chapters covering plants, crafts, arts of living, patterns of sharing in calendars and music, anatomy of organisms from shells to human forms, organic and inorganic patterns, and comparative aesthetics, Doczi demonstrates a universal principle. Strict proportional limitations generate limitless variety while maintaining underlying order.
NOTE: This book is available in the Private Chat
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Man, Weather and Sun | William Petersen
"Man, Weather and Sun" explores how genetically identical triplets responded uniformly to meteorological fluctuations through interconnected biochemical and biophysical changes centered on oxygen availability. During June and July 1940, Petersen monitored three adult brothers, discovering that twins Harold and Eli reacted identically to air mass changes, while their heterozygotic brother Seymour showed different patterns. The research established that biological rhythms pervade all organic functions, with environmental air mass shifts triggering measurable clinical reactions involving blood pH, acid-base balance, white blood cell counts, and mental states. The investigation encompassed body measurements, cranial analysis, personality assessments, blood chemistry, and meteorological data collection spanning six weeks coinciding with Chicago's coldest June and hottest July on record.
The study integrates five analytical levels spanning from individual triplet reactions to broader civilizational patterns. Petersen notes that the triplets' conception in July 1915 occurred during a sequence of polar air masses, suggesting multiple births may correlate with specific meteorological conditions. Cephalometric studies by Professor Brodie revealed that Harold and Eli shared homozygotic identity while Seymour represented heterozygotic sibling status, though all three possessed identical blood types and similar taste responses. The research demonstrates that biological pendulation occurs continuously across all organic systems, with relative anoxia providing the primary stimulus triggering distinct reaction patterns ranging from return to normal biotonus levels through depression and fatigue states to death. Mental acuity tests revealed scoring improvements during cold air mass passage, with episodes of lessened ability coinciding with heat waves and corresponding changes in nasal pH, bacterial flora, mood disturbances, and blood composition. The study extends these individual findings to population-level phenomena, showing that psychotic admissions, births, death rates, twinning frequency, and the vital index correlate statistically with the chemical rhythms documented in the triplets. Integration of solar cycles suggests organic reaction patterns governed by cosmic forces of varying time scales become evident as mass reactions reflected in cultural cycles, religious and ethical concept shifts, social revolutions, mass migrations, and wars, establishing the thesis of man functioning as a cosmic resonator whose rhythms ultimately reflect energy release patterns from the sun.
NOTE: This book will be available in the Private Chat soon.
"Man, Weather and Sun" explores how genetically identical triplets responded uniformly to meteorological fluctuations through interconnected biochemical and biophysical changes centered on oxygen availability. During June and July 1940, Petersen monitored three adult brothers, discovering that twins Harold and Eli reacted identically to air mass changes, while their heterozygotic brother Seymour showed different patterns. The research established that biological rhythms pervade all organic functions, with environmental air mass shifts triggering measurable clinical reactions involving blood pH, acid-base balance, white blood cell counts, and mental states. The investigation encompassed body measurements, cranial analysis, personality assessments, blood chemistry, and meteorological data collection spanning six weeks coinciding with Chicago's coldest June and hottest July on record.
The study integrates five analytical levels spanning from individual triplet reactions to broader civilizational patterns. Petersen notes that the triplets' conception in July 1915 occurred during a sequence of polar air masses, suggesting multiple births may correlate with specific meteorological conditions. Cephalometric studies by Professor Brodie revealed that Harold and Eli shared homozygotic identity while Seymour represented heterozygotic sibling status, though all three possessed identical blood types and similar taste responses. The research demonstrates that biological pendulation occurs continuously across all organic systems, with relative anoxia providing the primary stimulus triggering distinct reaction patterns ranging from return to normal biotonus levels through depression and fatigue states to death. Mental acuity tests revealed scoring improvements during cold air mass passage, with episodes of lessened ability coinciding with heat waves and corresponding changes in nasal pH, bacterial flora, mood disturbances, and blood composition. The study extends these individual findings to population-level phenomena, showing that psychotic admissions, births, death rates, twinning frequency, and the vital index correlate statistically with the chemical rhythms documented in the triplets. Integration of solar cycles suggests organic reaction patterns governed by cosmic forces of varying time scales become evident as mass reactions reflected in cultural cycles, religious and ethical concept shifts, social revolutions, mass migrations, and wars, establishing the thesis of man functioning as a cosmic resonator whose rhythms ultimately reflect energy release patterns from the sun.
NOTE: This book will be available in the Private Chat soon.
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