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Strader Machine Details
Here is an assessment of the Strader Machine Components. Do notice that the described device is one of a series of devices designed to work in tandem. When learning about the Strader machine, let's start to look at things through a radiesthesia lens as well.

You may notice from perusing the documents that even though Keely is usually mentioned as a candidate for the influence behind Strader, that does not seem to be the case due to a series of conflicting dates of death.

Dr. Strader, a central character in Rudolf Steiner's Mystery Plays, symbolizes the merging of material science and spiritual insight. Inspired by historical figures and spiritual themes, Strader struggles to reconcile his scientific pursuits with esoteric truths. Steiner visualized Strader’s work through the "Strader Machine," an enigmatic apparatus depicted in the dramas and constructed under Steiner’s direction by Oskar Schmiedel in 1912-1913. This machine, conceived as a prototype for harnessing future etheric forces, consisted of elements designed to connect cosmic and earthly energies. Components included antimony tips for igniting energy, gold-beater skins as receiving organs, and uranium for amplifying the night and daytime cosmic forces. Strader’s invention, embodying both cosmic and human ingenuity, failed to operate autonomously, revealing an inherent flaw. This defect, exploited by the malevolent Ahrimanic forces within the play's narrative, dramatized the struggle between progressive spiritual science and destructive materialism.

The machine's significance extends beyond its physical design, illustrating Steiner’s vision of a technology capable of transforming civilization by uniting material and etheric forces. Steiner warned that if the Strader Machine—or a similar device—was not realized within two decades of the plays' inception, an Ahrimanic counter-image would emerge, serving destructive ends. Strader’s ultimate crisis, portrayed in The Soul’s Awakening, reflects this tension, as he confronts the flaw in his invention and the existential doubt it evokes. His struggle and eventual resolution symbolize humanity’s potential to transcend material limitations through spiritual science.

Metals and Materials
- Copper in wire spirals and radiometer-like components for conducting and interacting with etheric forces.
- Lead for axis systems and structural components.
- Antimony: Used in a pointed structure, possibly for capturing or amplifying energy flows, producing effects like Elmo's fire.
- Silver in spiral forms to detect subtle energetic movements.
- Uranium Mentioned in connection with transforming or amplifying cosmic energy.

Key Components
- Vibration and Resonance Devices, inspired by John Keely's machines, convert high-amplitude, weak energy vibrations into lower-amplitude, stronger forces.
- Astroid Curves and Geometries suggested for energy reception and amplification.
- Rotating Discs designed for capturing or interacting with specific energetic fields. Notable for synchronous rotations in three spatial axes.
- Goldleaf Sheets acting as reception organs for energy.
- Components described as a combination of planetary metals and advanced geometries.

Functional Features
- Ability to operate with delicate etheric vibrations, possibly using cosmic or atmospheric forces as an energy source.
- Designed for household applications like producing heat, light, and mechanical energy

#mechanicaloccultism #moraltechnology #anthroposophy #steiner
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Formatorium Accousticum Vitum
A Dutch recreation of the Strader Instruments

Prepare for this meditative exploration into geometry, calendar science, anthroposophy, and Steiner's Apocalyptic Seals, all as part of a recreation of the Strader devices. This film is a truly unique artistic piece, offering a distinct view into the possibilities of f mechanical occultism. Don’t ask me to explain much further about the geometry and calendar—just take it in. Their publications are on my wishlist ... will just need translating.

Watch the film at the bottom of this page. [Click CC for English Subtitles]
https://www.imagilogos.nl/Media-FilmFormatoriumAccousticumVitum.php

The below text was translated from:
https://www.imagilogos.nl/Media-FilmFormatoriumAccousticumVitumToelichting.php

"The film shows and discusses how John Worrell Keelys' so-called 'zog theory' and the Strader stage attributes elevated in higher dimensions spheres are interrelated. In particular, the main attribute, in our opinion an inverse of Rudolf Steiner's representation of the coming New Jerusalem. With that in shown one breath and discussed how this connection is consistent with a piece of calendar science, which starts with the 38-year period 1841 - 1879, exactly the duration of 2 Metoncycles. This concerns a period from its beginning, ie from 1841, 361 = 192 continues for years until the year 2202; exactly 19 Metoncycle, as many cycles as one such cycle counts for years!

Summary from 'The Secret Doctrine', the first pages of Section VIII, 'The Coming Force', by Helena Petrovna Blavatsky:

We argue that sound is a great occult force. It is possible to produce a form of sound, which elevates an Egyptian pyramid in the air, which awakens life from what is dead, and — otherwise — in what lives the brings death. And the latter on a large scale. The power of such a sound exceeds the forces of nature known to us and forms of energy.

This is how John Worrell Keely's former engines worked on such a sound, albeit occasionally and without the possibility to (re) production. We believe that the latter is (have been) a blessing. Keely was about to become one of the largest reveal secrets of the universe:

the secret how life force can be inserted into the dead matter with the aid of sound, vigor, which in it drives is being converted. Keely accidentally had a body constitution that in his metabolism inserted that insertion and conversion took place (automatically), and could be transferred by him to equipment; albeit temporarily.

Most of the spirit world, most angels of fate, realized that Keely had his own giftedness did not understand and that he could not involve others in his technique.

The view of the spirit world was and is that Keely's secret can be horribly abused and that the man is too selfish, and will remain too selfish for a long time to make that secret known on earth.

Keely therefore did not go much further than the following when explaining the base of his devices, theosophically correct statement: "Every object, dead or alive, round or cubic, possesses a so-called neutral ethereal center, a kind of spaceless spirit spark atom. In humans hot that center ‘the lotus or Rose of the Soul ’; for all other objects that point ‘is called the Layapunt ’ or ‘it central wake ’. If one is able to tune any sound to that wake, it forms a gate for ’the world's ether power. And thus the wake is moved. This displacement forces the associated physical object into an analog displacement, even if it weighs tons ". So much for Helena Petrovna Blavatsky.

Rudolf Steiner added (released from various lectures):


Man is present (from 1841 - 1879)2 at one point of its development to be purely based of logic and rational humanities, without the cheat sheet of meritorious, inherited clairvoyance and religious pressure, to come to God and the ‘good ’.
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And this especially in technical-social areas. In this way he will become the mentally choice-free person to which he was destined from the Paradise era. And so the question arises more and more: how will modern man choose?

Will he choose against God and the ‘good ’ and maintain an unjust social order, supported by a materialistic, environmentally harmful technology, based on logic without morality?

Or will he choose before God and the ‘good ’ and proceed to a just social order, allowing him a — licensed by heaven — 'explaining his mind' light how to arrive an environmentally sacred ether technique? However, a technique that will destroy people and nature if they fall back into immorality!

’ Man's moral and humanities progression lagged and lags behind what was hoped for in the world of the mind. So much for Rudolf Steiner.

Over the course of his life, Rudolf Steiner seemed to prove that (for the aforementioned reason) the world of the mind, with regard to up to ’man's mental enlightenment to arrive at ether technique, followed a middle ground.

Neither he nor anyone else was able to (have) build an ether motor. Neither he nor any other guessed and / or Keley's declared a secret. Rudolf Steiner did write a mystery drama in which that engine is discussed and he designed associated stage attributes that point to that engine; (in our opinion) in the form of so-called letters from the Akasha Chronicle, the memory of nature.

Regarding attributes are immobile. Nevertheless, they can be mobilized. And in a spiritual sense, in the world of the fourth and especially the fifth dimension. In material specifications this concerns the world of image and sound, of imagination and logos (word / tone).

The Imagilogos initiative group introduces this mobilization and a possible response from the celestial world. All this on the basis of the film Formatorium Accousticum Vitum.

This shows in one breath and discusses how that is consistent with a piece of calendar science, which commences with the 38-year period of the aforementioned years 1841 - 1879, exactly the duration of 2 Metoncycly. That concerns a period from its beginning, from 1841, 361 = 192 continues for years until the year 2202; exactly 19 Metoncycle, as many cycles as one such cycle counts for years!

Halfway through that period is a short time of 19 (= 0.5 x 38) year, exactly 1 Meton cycle, which started on 21-12-2012 and lasts until 2031. At the hinge point of that short one time appears to be light for the first part of the 361-year period throw on the second part of it.

Strip sum: C = 38 = 2 x 19
Total sum: S = 190 = 5 x 38

These things run parallel to what Maya calendar science reports in 2012. We point them out because the essence of time annex is with the ether nature of things, such as the space that is with the physical nature of things; and because it Strader main device, in itself and in its functioning, Turns out to be 19-fold structured.

Anyway: a new era has started, first of all as a reflection on past centuries; that it is our social justice and a new, life-sanctifying technique.

EDN — I JCH M — PSSR

Key
This is the key to mobilizing the Strader main device4 being a testimony of light in it Mammon's night culture robe:

The spatial device forms a 19-fold overhang (annex to the Meton cycle) by Rudolf Steiners semi-spatial 19-fold Jerusalem image. Halfway that bulge creates a flat figure, the so-called magical 19-hexagram with its 19 number fields and as many strips (straight and round), a mathematical unique.5 That flat hexagram can be used with the help of one ‘ genetic number code ’ linear display. That display can be mobilized acoustically.6

This film shows how things look and look sounds, as well as what that yields (as said). In the publication 'Formatorium Accousticum Vitum, Monadum and Quadrivium', to which the film is based, it becomes all over detail described and proven."

NOTES
1. John Worrell Keely (1837 - 1898). American technician and inventor; mostly working in Philadelphia.

2. See footnote 3.
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3. A Meton cycle is (almost minute-accurate) the duration of 19 years in which sun, moon and earth relative to each other again in an equal position. This period includes (again almost minute-accurate) 235 synodic lunar months. Two Metoncycles represent in the humanities an echo of two incarnations of man, one as a man and one as a woman. Regarding double Meton cycle between 1841 - 1879 according to Rudolf Steiner a reflection on ’s man's fall in / out of Paradise. He speaks of a time of (renewed) ‘ war in heaven ’, a war between the archangel Michael and his and the lord of the matter, Ahriman- Satan and his demons. The latter were thrown to earth during and after that war, "in the heads and hearts of the people'.

This once became ’s human mental freedom of choice, once prepared, effected by Lucifer through that Paradise trap. But ’s man ‘intellectual fall ’ also took one start. For example, the — double — Meton cycle is considered one for the modern time crucial time frame, especially if it is related to the aforementioned years and the subsequent times.

4. A similar exists for the Strader ancillary devices key, which is not taken into account here.

5. The so-called pulley of surrounding; in fact the synthesis of the symbols of the elements fire, air, water and earth. The principles that lead to the surrounding area — Rudolf Steiners inverse keys — are provided by the symbols of the ethers, which trace the elements mentioned.

#strader #formativeforces #mechanicaloccultism #steiner #anthroposophy
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