Emma Kunz: The Researcher Who Refused to Become a Guru
https://www.frieze.com/article/emma-kunz-researcher-who-refused-become-guru
She considered herself a researcher, believing her work would be understood in the 21st century.
"To draw, she employed big sheets of graph paper. The paper was usually one square metre, on which she drew patterns using colour crayons. After a period of deep concentration, an ordered system of dots appeared in her mind. Then, she used a special pendulum as a sort of focusing device to discern the pattern of lines and shapes. All of this was done in one sitting, sometimes for long hours until the work was finished and she was on the verge of collapse. She would follow with an explanation, sometimes a few hours long, but she deliberately blocked any attempts to make notes. She did not want to distort her message by fixing it with written words."
Download more of the Kunz collection HERE
https://www.frieze.com/article/emma-kunz-researcher-who-refused-become-guru
She considered herself a researcher, believing her work would be understood in the 21st century.
"To draw, she employed big sheets of graph paper. The paper was usually one square metre, on which she drew patterns using colour crayons. After a period of deep concentration, an ordered system of dots appeared in her mind. Then, she used a special pendulum as a sort of focusing device to discern the pattern of lines and shapes. All of this was done in one sitting, sometimes for long hours until the work was finished and she was on the verge of collapse. She would follow with an explanation, sometimes a few hours long, but she deliberately blocked any attempts to make notes. She did not want to distort her message by fixing it with written words."
Download more of the Kunz collection HERE
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Hilma af Klint
https://hilmaafklint.se/about-hilma-af-klint/
Hilma af Klint, along with Anna Cassel, Cornelia Cederberg, Sigrid Hedman, and Mathilda Nilsson, formed "The Five," a group deeply engaged in spiritual exploration through séances and automatic writing. They believed they communicated with higher spirits, receiving messages that they transcribed into drawings. In 1907, af Klint received a directive to lead the group, but the others resisted, leading to its dissolution. This pivotal moment led af Klint to focus on her most significant body of work, "The Paintings for the Temple," which she believed were divinely inspired. These works, abstract and non-figurative, were far removed from her more conventional paintings, which provided her primary income. Her esoteric paintings remained largely unknown during her life, shown only within spiritual contexts, and were not widely recognized until decades after her death. A pivotal moment in her posthumous recognition came in 1986 when her work was featured in the Los Angeles County Museum of Art’s exhibition, "The Spiritual in Art: Abstract Painting 1890-1985." Today, af Klint's visionary works are celebrated globally, with exhibitions in major museums, highlighting her unique approach to art as a spiritual and philosophical endeavor. The Hilma af Klint Foundation acknowledges her profound connection to Anthroposophy, which significantly influenced her worldview and artistic creations.
View here artwork here:
https://www.wikiart.org/en/hilma-af-klint/all-works#!#filterName:all-paintings-chronologically,resultType:masonry
Or Download her collection HERE
https://hilmaafklint.se/about-hilma-af-klint/
Hilma af Klint, along with Anna Cassel, Cornelia Cederberg, Sigrid Hedman, and Mathilda Nilsson, formed "The Five," a group deeply engaged in spiritual exploration through séances and automatic writing. They believed they communicated with higher spirits, receiving messages that they transcribed into drawings. In 1907, af Klint received a directive to lead the group, but the others resisted, leading to its dissolution. This pivotal moment led af Klint to focus on her most significant body of work, "The Paintings for the Temple," which she believed were divinely inspired. These works, abstract and non-figurative, were far removed from her more conventional paintings, which provided her primary income. Her esoteric paintings remained largely unknown during her life, shown only within spiritual contexts, and were not widely recognized until decades after her death. A pivotal moment in her posthumous recognition came in 1986 when her work was featured in the Los Angeles County Museum of Art’s exhibition, "The Spiritual in Art: Abstract Painting 1890-1985." Today, af Klint's visionary works are celebrated globally, with exhibitions in major museums, highlighting her unique approach to art as a spiritual and philosophical endeavor. The Hilma af Klint Foundation acknowledges her profound connection to Anthroposophy, which significantly influenced her worldview and artistic creations.
View here artwork here:
https://www.wikiart.org/en/hilma-af-klint/all-works#!#filterName:all-paintings-chronologically,resultType:masonry
Or Download her collection HERE
Hilma af Klint Foundation
About - Hilma af Klint Foundation
About Hilma af Klint (1862-1944) is one of Sweden’s most esteemed artists. Today she is celebrated all over the world. Born in Stockholm, Hilma af Klint studied at the city’s Royal Academy of Fine Arts, graduating with honours in 1887. She established herself…
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