I have been reviewing some of the work of Martinus, the dutch mystic. He created very interesting artwork that reveal his spiritual revelations in of themselves. Some but not all of his art is reminiscent of the "healing art"Hilma af Klint and Emma Kunz, who are both worth investigating as well. In terms of spiritual science, Martinus and his "Third Testament" writings are supposed to be on par with Rudolf Steiner, Styllianos (Daskalos) & Beinsa Duono.
Symbols: https://www.martinus.dk/en/online-library/symbols/
Books: https://www.martinus.dk/en/online-library/ttt/
Articles: https://www.martinus.dk/en/online-library/ttt/index.php?mode=artikelliste
Love for all life is a key element of Martinus ’ optimistic and comprehensive worldview, offering modern people a logically founded framework to understand life and one's own life within.
Martinus spent 60 years of his life writing down and conveying the worldview he first saw during his spiritual experiences as a 30-year-old.
Later, he described these experiences as a ”cosmic initiation ” that enabled him to ” ... not glimpses, but, in a permanently awake day consciousness state, to see all the spiritual forces behind the physical world, invisible causes, eternal world laws, basic energies, and basic principles ”. The mystery of existence was no longer a mystery to him, he was ” ... become conscious in the life of the universe ” as he puts it.
Martinus decided late in his life that the entire work should carry the overall title The Third Testament. In doing so, he wanted to say that an important part of his work consisted in reconciling the message of love and tolerance of Christianity and other religions with a modern scientific attitude".
Posted above are just a few of the 100 symbols Martinus created.
Symbols: https://www.martinus.dk/en/online-library/symbols/
Books: https://www.martinus.dk/en/online-library/ttt/
Articles: https://www.martinus.dk/en/online-library/ttt/index.php?mode=artikelliste
Love for all life is a key element of Martinus ’ optimistic and comprehensive worldview, offering modern people a logically founded framework to understand life and one's own life within.
Martinus spent 60 years of his life writing down and conveying the worldview he first saw during his spiritual experiences as a 30-year-old.
Later, he described these experiences as a ”cosmic initiation ” that enabled him to ” ... not glimpses, but, in a permanently awake day consciousness state, to see all the spiritual forces behind the physical world, invisible causes, eternal world laws, basic energies, and basic principles ”. The mystery of existence was no longer a mystery to him, he was ” ... become conscious in the life of the universe ” as he puts it.
Martinus decided late in his life that the entire work should carry the overall title The Third Testament. In doing so, he wanted to say that an important part of his work consisted in reconciling the message of love and tolerance of Christianity and other religions with a modern scientific attitude".
Posted above are just a few of the 100 symbols Martinus created.
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Emma Kunz: The artist and healer who may have predicted the atomic bomb
https://english.elpais.com/culture/2022-03-02/emma-kunz-the-artist-and-healer-who-may-have-predicted-the-atomic-bomb.html
Emma Kunz (1892-1963), a Swiss artist and healer, is recognized for her intricate geometric drawings, which she used as healing tools rather than art. Despite never considering herself an artist, Kunz's works have gained significant posthumous recognition. Some believe her drawing "No. 20," created during World War II, may have predicted the atomic bomb. Her work, deeply influenced by her spiritual and holistic practices, is now being re-examined within contemporary art contexts, emphasizing the intersections of art, healing, and esoteric knowledge.
Download a collection of her art HERE
https://english.elpais.com/culture/2022-03-02/emma-kunz-the-artist-and-healer-who-may-have-predicted-the-atomic-bomb.html
Emma Kunz (1892-1963), a Swiss artist and healer, is recognized for her intricate geometric drawings, which she used as healing tools rather than art. Despite never considering herself an artist, Kunz's works have gained significant posthumous recognition. Some believe her drawing "No. 20," created during World War II, may have predicted the atomic bomb. Her work, deeply influenced by her spiritual and holistic practices, is now being re-examined within contemporary art contexts, emphasizing the intersections of art, healing, and esoteric knowledge.
Download a collection of her art HERE
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