Nobody cared about the aliens because we’ve seen them before. We’ve already seen the inside of their spaceships and shot them with sniper rifles in video games. We cycled through the sky with one in the basket of our BMX, and then we escaped the authorities to help the little fellow get home. We’ve watched them nuke the Empire State Building and in return, we hacked the computers of their mothership. We saw them place electrodes in our heads, we were entertained by seeing them skinned alive by Feds in hazmat suits.

That was all decades ago. Decades before that, Orson Wells terrified radio listeners by depicting them invading the earth. It’s all an old hackneyed plot that we’ve seen too many times, and now nobody cares about the aliens.

Another reason nobody cares about the aliens is that nobody believes there are aliens. We’ve seen that story too. We’ve seen series about the Government faking aliens, and we’ve seen series about the Government hiding aliens. We were bored with black-goo plots and human/alien hybrids before the millennium, and we watched every conceivable story arc and documentary featuring pyramids and downed UFOs locked in Arctic ice fields.

We are more familiar with those curiously expressionless and somewhat childlike visages as we are with the features of the goblin shark or platypus. The aliens are not actually alien, they’ve been an embedded part of our cultural psyche for at least a century and nobody now cares that they pop up on our screen interfaces once again like Charles Manson, Optimus Prime, or Kylie Minogue.

Aliens are entertainment, they were always entertainment. They were always us — a space-fetus reflecting back to ourselves our own anxieties and existential dreads. They were the Russians during the Cold War, the manifestation of cosmic consciousness when we dreamed of the stars and the unifying hand of God when we entered Globalization. Always part psy-op part accurate reflection.

After the millennium, we stopped dreaming or believing because we consumed images instead. Jumbo jets penetrated skyscrapers, which crumpled, withered, and collapsed like paper cups. Naturally, the Government did that too, and suddenly Area 51 seemed quaint and distant, and merely in black and white — it was imagery and narrative from a different time. We were locked in our homes and our families were forcibly vaccinated. That didn’t make sense either, and we still don’t know why so many people are dying. But there’s no time to worry about that now because the planet is dying, and we’re killing it. We are the alien plague upon this rock orbiting the sun, and now the sun is going to immunize the planet with its cleansing heat. At least it will try to do so before the nuclear war arrives. https://morgoth.substack.com/p/why-nobody-cares-about-the-aliens?utm_source=post-email-title&publication_id=701286&post_id=137019198&utm_campaign=email-post-title&isFreemail=true&r=6x3tl&utm_medium=email

How is history written and rewritten with the help of the American film industry?

"The easiest way to inject a propaganda idea into most people's minds is to let it go through the medium of an entertainment picture,’ said American journalist Elmer Davis, who headed the US Office of Military Information during World War II. It was then that Hollywood began to flourish as a propaganda tool for Washington.

Who exactly is responsible for censorship at the "dream factory"? Take a look at how the film industry and the American government are connected.

Hollywood’s Propaganda Factory / 2020
#USA

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