7: ویراستار انسانی نخبه

prompt

این متن را مانند یک ویراستار برتر بازنویسی کنید و آن را برای انتشار آماده کنید. وضوح روان بودن اعتبار و جذابیت آن را بهبود بخشید. هر چیزی را که مصنوعی کلی یا تولید شده توسط هوش مصنوعی به نظر میرسد حذف کنید و در عین حال پیام اصلی را حفظ کنید.

Create a cinematic double-exposure black-and-white

romantic portrait of a couple standing back-to-back while holding hands, both with their eyes gently closed and peaceful expressions, symbolizing love, trust, and emotional connection. Captured in an eye-level camera angle with a medium composition. The woman wears an elegant sleeveless flowing black dress with long wavy hair, while the man wears a fitted black button-up shirt and dark trousers with a neatly styled hair. Large, soft-faded monochrome side-profile portraits of both faces are blended into the cloudy sky above, creating a dreamy, emotional composition. The background features a calm mountain lake surrounded by misty hills, soft fog, and an overcast sky. Fine-art monochrome photography, subtle film grain, soft diffused lighting, smooth tonal contrast, ultra-realistic skin texture, cinematic depth, shallow depth of field, perfectly balanced composition, emotional storytelling, high dynamic range, 85mm lens, f/2, 8K resolution, photorealistic,

masterpiece quality, no text, no watermark, no distortion.

Aspect ratio 4:5.

پرامپتش رو کپی کن با عکست بده جی پی تی👇

Surreal selfie-style scale-manipulation photograph, vertical 3:4, hyper-realistic composite, viral Instagram aesthetic, deliberately unpolished finish. COMPOSITION: strictly symmetrical on the vertical axis, the subject centered in front of a residential doorway. The Image runs TWO SIMULTANEOUS SCALES of the same man. GIANT HEAD AND HANDS: his head and both hands rendered at arm's-length selfie scale, occupying the upper third and the lateral edges of the frame. Black sleeved arms enter diagonally from the lower left and lower right corners, converging toward the center and forming an inverted V frame. His glant head is held between both palms, hands pressing against his cheeks and ears. He wears a black flat-brim baseball cap with white two-line lettering on the front, thick black rectangular acetate sunglasses, and has a few days of stubble. His MOUTH IS WIDE OPEN in an exaggerated shout of shock and astonishment, chin dropped - this comic shock Is the emotional engine of the Image. MINIATURE BODY: the same man's body at roughly 1/4 the scale of the head, standing on the sidewalk directly below, his neck ending Just under the giant Jaw so that the large head and small body align as a single bobblehead-like figure. He wears an oversized black zip-up Jacket, a gray knit sweater showing at the collar, ultra-wide black jeans with a silver wallet chain hanging at the hip, high white socke, and silver-gray retro running sneakers. SETTING: a Georgian townhouse facade - a slate blue-gray paneled front door with a classical pediment above, a brass letterbox and center knob, a metal house number to the right, black iron railings on both sides, cream sfucco walls, and gray stone paving slabs. LIGHTING: soft diffused overcast daylight, flat with no dominant direction, very faint shadows this neutral light is what makes the montage bellevable, since there are no directional shadows to expose the mismatch between the two scales. Palette: dominant cool neutrals - black outfit and sunglasses, slate blue-gray door, cream wall, gray paving - with minimal accents of brass and silver; the warm skin

tones of the face are the only warm element, making the head

the automatic focal point. Shot on a 24mm phone front

camera, evident in the distortion of the hands and the

converging perspective of the arms, deep depth of field, selfie

framing logic, 8k.

پرامپتش👇

Surreal composite photograph with emerging hands, vertical 3:4. hyper-realistic, viral sneaker content aesthefic. COMPOSITION: one-point perspective down a narrow exterlor corridor that tapers toward a dark vanishing point at the conter, forming a tunnel that drives all attention to the subject. MAIN SUBJECT: a young man (face of the reference person) JUMPING mid-air in the exact center of the corridor, one leg bent back and his body slightly turned, mouth open in a shout of surprise, arms held out from his body in a defensive reactive posture - he Is being besieged. OUTFIT: a red flat-brim baseball cap, sllver wraparound sunglasses, an oversized white t-shirt with a small red circular chest logo, very wide white cargo trousers with deep creases and red graphic detaile at the hem, and red canvas high-top sneakers. MAIN EFFECT - THE HANDS: elght or nine ARMS of deliberately different scales bursting through the side walls of the corridor, each emerging from a hole with cracked and fractured concrete edges and radial cracks propagating outward from the breach - enormous hands in the foreground at the upper left and mid right, smaller hands deeper down the corridor. All have fingers spread wide, reaching and grasping. Several wear silver Jeweiry - rings, bracelete, a watch. THREE of the hands hold RED HIGH-TOP SNEAKERS Identical to the sublect's, offering or displaying them. The ambiguity of whether the hands are chasing him, offering him something or clalming him is what makes the Image unsettling rather than merely eye-catching. SETTING: a narrow exterlor passage of modern residential architecture - smooth white stucco walls, a dark wood celling with recessed spoflights switched on, large-format gray floor tiles with visible Jointe, a staircase on the left in the background,

and a dark zone at the end of the corridor acting as a black vanishing point. LIGHTING: soft diffused natural dayllght entering from the front and above, supplemented by the celling spotlighte, soff shadows, with lighting consistency maintained between the Inserted arms and the real walls. Palette: dominant WHITE - walls, outfit, pale floor - with SATURATED RED as the only accent appearing exclusively on the cap, sneakers and chest logo, plus the warm skin tones of the arms; a two-color palette pushed to the extreme, turning the image into effective advertising without looking like it. Shot on a 24-28mm wide angle at hip helght, exaggerating the foreground hands and the depth of the corrldor, deep depth of fleld, 8k.

پرامپتش👌👇

fashion

photograph w..

reetwear

overlays, vertical 3:4, hyper-realistic, viral Instagram aesthetic. COMPOSITION: three verfical columns - a floafing music player widget on the left, a pixelated figure at the lower left, and the real subject on the right. MAIN SUBJECT: a young man (face of the reference person) in profile, leaning back against a white concrete pillar with his head tilted back and up resting on the wall, eyes closed in absorbed listening - he is inside the music. One hand in his pocket, the other holding a green soda can. OUTFIT: black over-ear headphones, an oversized boxy gray SHERPA FLEECE half-zip pullover with a thick stand-up collar and dropped shoulders in soft plush teddy texture, wide-leg light gray acid-wash CARGO trousers with muitiple flap pockets on the thighs and hips and a heavy structured drape stacking over the shoes, and chunky white minimalist platform sneakers with a smooth seamless upper. Short dark curly hair with a taper fade and a full dark beard, small silver earring. THE MUSIC WIDGET: a floating franslucent FROSTED GLASS panel with an IOS-style blur, contalning an album cover artwork, a track title with an explicit content tag, an artist name, a progress bar with timestamps, playback controls (rewind, pause, forward), a volume slider and an audio device indicator. The panel casts a subtle shadow and catches soft reflectione, Integrating It into the real space. THE PIXELATED FIGURE: a VOXEL / 3D plxel-art version of the same man, about 1/4 scale, standing on the floor looking toward the real subject - an exact replica of his outfit (gray fleece pullover, headphones, light gray cargo trousers, white chunky eneakers) holding the same green can, rendered with deliberately Jagged edges and vielble blocks; the contrast between his low resolutlon and the photorealism of the environment is the entire Joke. SETTING: a covered parking garage - a white concrete pillar, red fire suppression pipes running along the celling, polished concrete floor with reflections, and a white SUV partlally vieible on the left. The anonymous utilitarian architecture is Intentlonal, making the digital elements pop. LIGHTING: flat diffused indirect parking-garage light with no dominant directlon, very soft

shadows under the feet, with the widget and the pixel figure lit consistently with the environment to hold the integration. Keep clear tonal separation between the gray fleece and the white pillar behind it - a subtle rim of shadow along his sllhouette so the figure never blends Into the wall. Palette: dominant grays and off-whites - the fleece, the acid-wash cargos, the pillar and the concrete - with black headphones as the only dark mass, and the only saturated accents being red on the album artwork echoing the red celling pipes, and the green of the can; this chromatic economy is what makes the album cover land as a visual bomb. Shot on 35-5Omm at chest helght, deep depth of fleld, vertical phone-capture format, 8k.

پیج این دوستمون پرامپت های خفنی داره استفاده کنید...

که دوتاشو براتون گزاشتم...

https://www.instagram.com/p/DbwwNLCjmgc/?igsh=MW1wcWswYzg0dHc5MQ==

عکس تکی 1👆

Transform us into the 1980s. Keep both faces identical; change clothes, hair and environment to authentic 80s style.

عکس دو نفره👆

What would I look like if I lived in the 1980s?

Transform this photo into an authentic, realistic 1980s portrait, as if the photograph had actually been taken during that era.

Preserve the person's identity, facial features, facial structure, proportions, skin tone, and distinctive characteristics exactly, so the person remains clearly recognizable and closely resembles the original photo.

Give the subject a look inspired by authentic 1980s fashion and beauty: big, voluminous hair with a realistic hairstyle from that era, glamorous and stylish 1980s clothing, period-appropriate accessories, and a polished, attractive appearance inspired by fashion magazine portraits of the time.

Use authentic 1980s studio lighting, a warm magenta or pink backdrop, vibrant and saturated colors, direct studio flash, soft contrast, natural skin texture, subtle analog film grain, and the visual characteristics of 35mm film photography.

The image should look like a genuine photograph taken in the 1980s, not a modern photograph with a vintage filter applied.

Do not change the person's face or identity. Do not change their age, facial proportions, or distinctive facial features. Avoid plastic-looking skin, excessive retouching, cartoonish effects, artificial-looking details, or modern fashion and photography aesthetics.

The final result should feel natural, glamorous, nostalgic, stylish, and completely believable—as if this person had genuinely been photographed in the 1980s.

9:16

پرامپت اصلی👆👌🏻