' Old World CATHEDRALS their interiors, windows, doors, domes, organs...did the whole architectural design have a specific purpose? Temples and other places now used as places of 'worship' have other functions? Energy STORAGE, power stations?
Was Old World architecture designed to harness FREE ENERGY from the ground and aether? ' https://twitter.com/Earstohearyou/status/1679814589272170497
Was Old World architecture designed to harness FREE ENERGY from the ground and aether? ' https://twitter.com/Earstohearyou/status/1679814589272170497
Short video:
' Electromagnetic frequencies (EMF's) are invisible areas of ENERGY that are associated with the use of ELECTRICAL POWER.
Typically IONISING (higher frequency) removes our electrons and we become sick. DIS-EASE.
NON-IONISING (low frequency) less harmful.
Were the CATHEDRALS of the past with their organs used to REBALANCE and HARMONISE the ill effects of EMF exposure?
Credit 📽 ewaranon ' https://twitter.com/Earstohearyou/status/1679814344568102912
' Electromagnetic frequencies (EMF's) are invisible areas of ENERGY that are associated with the use of ELECTRICAL POWER.
Typically IONISING (higher frequency) removes our electrons and we become sick. DIS-EASE.
NON-IONISING (low frequency) less harmful.
Were the CATHEDRALS of the past with their organs used to REBALANCE and HARMONISE the ill effects of EMF exposure?
Credit 📽 ewaranon ' https://twitter.com/Earstohearyou/status/1679814344568102912
X (formerly Twitter)
WhatdoIknow (@Earstohearyou) on X
Electromagnetic frequencies (EMF's) are invisible areas of ENERGY that are associated with the use of ELECTRICAL POWER.
Typically IONISING (higher frequency) removes our electrons and we become sick. DIS-EASE.
NON-IONISING (low frequency) less harmful.
Were…
Typically IONISING (higher frequency) removes our electrons and we become sick. DIS-EASE.
NON-IONISING (low frequency) less harmful.
Were…
' The rose WINDOWS of CATHEDRALS, these 'repurposed' architectural wonders resemble our DNA, looking from the top-down... Coincidence? '
twitter.com/Earstohearyou/status/1780053707763167603
t.me/IntuitivePublicMusic/2634
twitter.com/Earstohearyou/status/1780053707763167603
t.me/IntuitivePublicMusic/2634
Forwarded from 🔊 @SpaceDogSchool • Family Training Seminar Schooling For Working Dogs • Intuitive Public Radio • IPR •••
Media is too big
VIEW IN TELEGRAM
20180220 Candle On The Water • Hardman 1927 Medium Grand Piano • youtu.be/E-SBYB51mEs • t.me/IntuitivePublicMusic/2179
Calling improvisational instrumentalists!
Intuitive Public TV (t.me/IntuitivePublicRadio, www.IntuitivePublicRadio.network) is gathering musicians, especially improvisationalists, to form collaborative features in public media...
...to demonstrate how powerfully music & creative musical expression facilitate recovery from severe conditions...
...particularly, conditions that are otherwise considered impossible to recover from — and particularly, cases of neurological injury.
We're also featuring conversational intersections about expanded creativity & cognitive capacity for all, not just those who have experienced severe injuries.
Improvisational methods (for learning, collaboration, & performance) have a special place in this conversation, and I'm particularly interested in highlighting how reparative they can be.
Please reach out to me if you might enjoy being part of our public media features, in small or large ways, & part of the greater conversation!
It's especially helpful if those who join me can use Telegram messenger (message me at t.me/maxmorris), which is where we're coordinating media primarily — but I want to connect with everyone who wants to be involved, even if we need to use other platforms instead.
I'd love to chat more about it with any and all who find my words resonate. 🌺🌿
Thank you, bright lights, for reading (and resharing)! 💖
Intuitive Public TV (t.me/IntuitivePublicRadio, www.IntuitivePublicRadio.network) is gathering musicians, especially improvisationalists, to form collaborative features in public media...
...to demonstrate how powerfully music & creative musical expression facilitate recovery from severe conditions...
...particularly, conditions that are otherwise considered impossible to recover from — and particularly, cases of neurological injury.
We're also featuring conversational intersections about expanded creativity & cognitive capacity for all, not just those who have experienced severe injuries.
Improvisational methods (for learning, collaboration, & performance) have a special place in this conversation, and I'm particularly interested in highlighting how reparative they can be.
Please reach out to me if you might enjoy being part of our public media features, in small or large ways, & part of the greater conversation!
It's especially helpful if those who join me can use Telegram messenger (message me at t.me/maxmorris), which is where we're coordinating media primarily — but I want to connect with everyone who wants to be involved, even if we need to use other platforms instead.
I'd love to chat more about it with any and all who find my words resonate. 🌺🌿
Thank you, bright lights, for reading (and resharing)! 💖
New release by Stella Akua Mensah: The Meek {demo} • https://stellaakua.bandcamp.com/album/the-meek-demo • More about this release: facebook.com/share/p/huuD2Kqz7PgvbtiR • t.me/IntuitivePublicMusic/2640
stella Akua
the Meek {demo}, by stella Akua
7 track album
Libations & Oscillations • The Cracked Chronometer • josephnoctum.com/blog/crackedchronometer • t.me/BurnersInService/955, t.me/IntuitivePublicMusic/2641
When the transcribe button was pressed, this emerged:
' පිළිබඳ ව ද න හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි minimising සරසවියේ මල් මෙහෙවරෙන් සිරිනන්ද හිමි ගේ දේශණය 2020 උසස් මිද්දෙණිය එක්සත් වී sticks parts name in election list of supplier මිනිසා සෙසු සත්ව රූප හාමුදුරුවන්ගේ මන්තර 100 movie වන්දි sureni de mel ඔය ඉතා උසස් අන්දමින් සංකේතය වේ '
t.me/MaeveIPR/5, t.me/MaeveIPR/6 • t.me/IntuitivePublicMusic/2644
' පිළිබඳ ව ද න හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි හි minimising සරසවියේ මල් මෙහෙවරෙන් සිරිනන්ද හිමි ගේ දේශණය 2020 උසස් මිද්දෙණිය එක්සත් වී sticks parts name in election list of supplier මිනිසා සෙසු සත්ව රූප හාමුදුරුවන්ගේ මන්තර 100 movie වන්දි sureni de mel ඔය ඉතා උසස් අන්දමින් සංකේතය වේ '
t.me/MaeveIPR/5, t.me/MaeveIPR/6 • t.me/IntuitivePublicMusic/2644
Dave Grohl, the Foo Fighters, and Kiss Guy • designalls.com/kiss-guy-yayo-sanchez-joins-foo-fighters-for-a-monkeywrench-collaboration • t.me/IntuitiveSocialPop/485
Designalls
KISS Guy, Yayo Sanchez, Joins Foo Fighters for a "Monkeywrench" Collaboration
Are you familiar with Yayo Sanchez, who earned the nickname “KISS Guy” from Dave Grohl on April 18, 2018? If you haven’t yet discovered him, you’re in for quite the experience. Dubbed by Grohl himself as the ultimate guest to join Foo Fighters on stage, KISS…
' DIKANDA is a music band of international renown, playing "world music." They come from Szczecin, Poland.
In their artistic work, DIKANDA promotes the authenticity of style – searching for new trends; therefore, most of their works are original compositions.
They draw their musical inspiration from traditional folk sounds of the broadly defined Orient – from the Balkans, through Israel, Kurdistan, Belarus to India. Their works are dominated by Balkan and Gypsy influences.
The band has been playing since 1997 and has recorded 7 albums so far, including a Live DVD recorded in the Witkacy Theatre in Zakopane.
They have performed hundreds of concerts, mostly in Germany, Austria, and Switzerland, but also in Russia, India, and the USA.
They have won numerous awards – among others, in 2005, their album "Ushtijo" was awarded "The Disc of the Year" by the German magazine "Folker." DIKANDA's concerts are extremely emotional journeys through ethnic sounds, zestful meetings full of charisma, energy, and true feelings.
What sets DIKANDA apart is creating new words in their lyrics, thus forming their genuine language - "dikandish."
The most important element of their artistic work is the message – a special relation between the musicians and the audience.
Significant Performances and Awards:
• Polish Radio Festival of Folk Music "New Tradition" 1999 – I prize
• Eurofolk Festival 1999 – I Prize
• Montreux Jazz Festival – Montreux 2001
• Polish Song Festival – Opole 2001, 2002
• Sziget Festival – Budapest 2003
• Folk Phonogram of the Year – III Prize for the album "Jakhana Jakhana" 2002
• Folkherbstfestival, Plauen 2004 – I Prize and Audience Award
• Performance in Agnieszka Osiecka Studio in Polish Radio 2008
• 17th Woodstock (Station) Festival, Kostrzyn, Poland, 2011
Discography:
• Muzyka czterech stron wschodu (2000)
• Jakhana Jakhana (2002)
• Usztijo (2004)
• Ajotoro (2008)
• Live (2010)
• DIKANDA Live in Zakopane (2013)
• Rassi (2013)
Anna Witczak-Czerniawska - singing, accordion
Andrzej Jarząbek Fiś - violin, singing
Katarzyna Bogusz - singing
Daniel Kaczmarczyk - percussion
Piotr Rejdak - guitar
Grzegorz Kolbrecki - double bass
Szymon Bobrowski - trumpet '
Jakhana Jakhana • Dikanda • https://open.spotify.com/track/0nqj8x8f1PKJIl1DvQ1oHC • ethnocloud.com/DIKANDA
t.me/IntuitivePublicMusic/2648
In their artistic work, DIKANDA promotes the authenticity of style – searching for new trends; therefore, most of their works are original compositions.
They draw their musical inspiration from traditional folk sounds of the broadly defined Orient – from the Balkans, through Israel, Kurdistan, Belarus to India. Their works are dominated by Balkan and Gypsy influences.
The band has been playing since 1997 and has recorded 7 albums so far, including a Live DVD recorded in the Witkacy Theatre in Zakopane.
They have performed hundreds of concerts, mostly in Germany, Austria, and Switzerland, but also in Russia, India, and the USA.
They have won numerous awards – among others, in 2005, their album "Ushtijo" was awarded "The Disc of the Year" by the German magazine "Folker." DIKANDA's concerts are extremely emotional journeys through ethnic sounds, zestful meetings full of charisma, energy, and true feelings.
What sets DIKANDA apart is creating new words in their lyrics, thus forming their genuine language - "dikandish."
The most important element of their artistic work is the message – a special relation between the musicians and the audience.
Significant Performances and Awards:
• Polish Radio Festival of Folk Music "New Tradition" 1999 – I prize
• Eurofolk Festival 1999 – I Prize
• Montreux Jazz Festival – Montreux 2001
• Polish Song Festival – Opole 2001, 2002
• Sziget Festival – Budapest 2003
• Folk Phonogram of the Year – III Prize for the album "Jakhana Jakhana" 2002
• Folkherbstfestival, Plauen 2004 – I Prize and Audience Award
• Performance in Agnieszka Osiecka Studio in Polish Radio 2008
• 17th Woodstock (Station) Festival, Kostrzyn, Poland, 2011
Discography:
• Muzyka czterech stron wschodu (2000)
• Jakhana Jakhana (2002)
• Usztijo (2004)
• Ajotoro (2008)
• Live (2010)
• DIKANDA Live in Zakopane (2013)
• Rassi (2013)
Anna Witczak-Czerniawska - singing, accordion
Andrzej Jarząbek Fiś - violin, singing
Katarzyna Bogusz - singing
Daniel Kaczmarczyk - percussion
Piotr Rejdak - guitar
Grzegorz Kolbrecki - double bass
Szymon Bobrowski - trumpet '
Jakhana Jakhana • Dikanda • https://open.spotify.com/track/0nqj8x8f1PKJIl1DvQ1oHC • ethnocloud.com/DIKANDA
t.me/IntuitivePublicMusic/2648