«From birth, humans are given a longing for what is foreign, for what takes them away from their origin (‘‘Humans were initiated into that distance’’). As a result, however, we are also born with Heimweh [Homesickness], a longing for an origin from which we are constantly drawn away. . . . As humans we strive toward the other, but need to return constantly to our Heimath [= today’s German Heimat]. To find the nature of the self in Godwi is to recognize these contradictory impulses within the self and to determine the nature of the Heimath to which the self longs to return.»
—John B. Lyon, Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth-Century German Literature (Lewisburg: Bucknell University Press, 2006), 89.
—John B. Lyon, Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth-Century German Literature (Lewisburg: Bucknell University Press, 2006), 89.
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Honorius
«From birth, humans are given a longing for what is foreign, for what takes them away from their origin (‘‘Humans were initiated into that distance’’). As a result, however, we are also born with Heimweh [Homesickness], a longing for an origin from which we…
«ولا أهلك بالحب إلا لثلاث: لأُوجَدَ في نفسي، وأبقى في نفسي، وأضمَّ نفسًا إلى نفسي».
—مصطفى ص. الرافعي، رسائل الأحزان (مصر: مطبعة الهلال، ١٩٢٤)، ٤٤.
—مصطفى ص. الرافعي، رسائل الأحزان (مصر: مطبعة الهلال، ١٩٢٤)، ٤٤.
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Rudolf Buchbinder (79-year-old) playing the Andante con Moto of Beethoven’s Piano Concerto No. 4.
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