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Ordinary women with high quality underwear!
They can use it as advertisement:)))
They can use it as advertisement:)))
💩3
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I’m not sure of how many truth bombs one person can drop in 2 minutes… but George Carlin sure does…
It's a big club and we ain't in it!
They got us by our balls...
It's a big club and we ain't in it!
They got us by our balls...
❤6👍1
Forwarded from اتچ بات
Ford Mustang GT500
Amish Slayer
🇺🇸
❤️🔥
Let's go to tear apart some stupid sinful chink coppied cars in the downtown
@DavidsCave
Amish Slayer
🇺🇸
❤️🔥
Let's go to tear apart some stupid sinful chink coppied cars in the downtown
@DavidsCave
Telegram
attach 📎
Forwarded from ~Helicon Epineion~ (Ethelheard)
Franz Liszt at the piano surrounded by (from left to right) Alexandre Dumas, Hector Berlioz, George Sand, Niccolò Paganini, Gioachino Rossini, Marie d'Agoult with a bust of Ludwig van Beethoven on the piano, Josef Danhauser (1840).
#Romanticism
#Romanticism
Forwarded from The Exaltation of Beauty
The Scapegoat, by William Holman Hunt, Manchester Art Gallery
Vividly coloured depiction of a russet coloured goat on the brink of death. The goat stands in the centre foreground, head lowered, haunches caving in, and tongue hanging out. The desert landscape in which it stands is barren. It is dominated by a range of hills in purple and pink, above which is a yellow and pink sky with a bright sun in the upper left corner and almost black clouds in the right; in contrast to the dark weight of the clouds is a rainbow, which appears in the right of the composition, at the foot of which is the carcass of a camel. To the left of the goat and echoing its inevitable fate is the skull of an ibex, silhouetted against the reflected light of the sun. The goat has been cast out into the wilderness to suffer for the sins of Man.
Vividly coloured depiction of a russet coloured goat on the brink of death. The goat stands in the centre foreground, head lowered, haunches caving in, and tongue hanging out. The desert landscape in which it stands is barren. It is dominated by a range of hills in purple and pink, above which is a yellow and pink sky with a bright sun in the upper left corner and almost black clouds in the right; in contrast to the dark weight of the clouds is a rainbow, which appears in the right of the composition, at the foot of which is the carcass of a camel. To the left of the goat and echoing its inevitable fate is the skull of an ibex, silhouetted against the reflected light of the sun. The goat has been cast out into the wilderness to suffer for the sins of Man.
Forwarded from The Exaltation of Beauty
GMIII_MCAG_1906_2.1200x1200.jpg
1.7 MB
The painting explores the Old Testament description of the Jewish ritual of atonement: "And the Goat shall bear upon him all their iniquities unto a land not inhabited." (Leviticus, 16, 22), and Isaiah, 1, 18: "Though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool". Wound around the base of the goat's horns is red wool, symbolising the sins with which it has been burdened.