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Illusion of choice without choice
In order to manipulate people in management, use the "or" particle in commerce.
It offers a logical closure - giving a person a "non-existent" choice. For example, "do you want tea or coffee?"
The person may not be particularly thirsty at all, still will be forced to accept the "treat" whichever option he or she chooses.
Another example, "Will you pay with card or cash?"
In order to manipulate people in management, use the "or" particle in commerce.
It offers a logical closure - giving a person a "non-existent" choice. For example, "do you want tea or coffee?"
The person may not be particularly thirsty at all, still will be forced to accept the "treat" whichever option he or she chooses.
Another example, "Will you pay with card or cash?"
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Natural selection 99
Forwarded from Wakingup1984
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The intentions of the founding fathers 2:00 and who and what’s behind US immigration policy? 2:55
Forwarded from The Exaltation of Beauty
Young Woman with a Water Pitcher, ca. 1662, by Johannes Vermeer, 45.7 x 40.6 cm, The Met
Standing at an open window, a woman begins her day with ablutions from a gilt-silver pitcher and basin, with linen coverings protecting her dress and hair. The first work by Vermeer to enter an American collection, this painting embodies the artist’s interest in domestic themes, giving an almost voyeuristic glimpse into the private life of a woman before she presents her public face to the world.
The perfect balance of the composition, the cool clarity of the light, and the silvery tones of blue and gray combine to make this closely studied view of an interior a classic work by Vermeer. It is characteristic of his early maturity and dates from the beginning of the 1660s.
Standing at an open window, a woman begins her day with ablutions from a gilt-silver pitcher and basin, with linen coverings protecting her dress and hair. The first work by Vermeer to enter an American collection, this painting embodies the artist’s interest in domestic themes, giving an almost voyeuristic glimpse into the private life of a woman before she presents her public face to the world.
The perfect balance of the composition, the cool clarity of the light, and the silvery tones of blue and gray combine to make this closely studied view of an interior a classic work by Vermeer. It is characteristic of his early maturity and dates from the beginning of the 1660s.