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Israeli tour guide forces German Christian figure to remove his cross, claiming it's inappropriate to have it displayed near the so-called sacred Jewish wall.
This happened in the presence of a German Minister.
This happened in the presence of a German Minister.
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Forwarded from βοΈCats-vs-Rats (Eem)
devisesheroiques00parad.pdf
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Honey never gets bad if it is correctly stored. π―π
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Forwarded from Vault of Secrets - Unpopular History (David K)
"An uninvited guest is worse than a Tatar" (1916) - Vladimir Taburin.
Taburin was a well-known St. Petersburg artist and illustrator at the turn of the XIX-XX centuries. He illustrated magazines with editions of Gogol, Pushkin and Turgenev. At the height of the Russo-Japanese War he was a war correspondent and photo correspondent for Niva magazine.
The style in which Taburin worked was often criticized. For example, Chukovsky openly stated that children's books should be illustrated by Repin, Dobuzhinsky, Zamirailo, and not by any Taburin.
During World War I, children on postcards were often depicted in military uniforms and sitting in trenches. Such stylization was used then by other Russian, French and German authors. The works showed the cuteness of the children, aimed at bringing a smile to the viewer's face.
Taburin was a well-known St. Petersburg artist and illustrator at the turn of the XIX-XX centuries. He illustrated magazines with editions of Gogol, Pushkin and Turgenev. At the height of the Russo-Japanese War he was a war correspondent and photo correspondent for Niva magazine.
The style in which Taburin worked was often criticized. For example, Chukovsky openly stated that children's books should be illustrated by Repin, Dobuzhinsky, Zamirailo, and not by any Taburin.
During World War I, children on postcards were often depicted in military uniforms and sitting in trenches. Such stylization was used then by other Russian, French and German authors. The works showed the cuteness of the children, aimed at bringing a smile to the viewer's face.
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Forwarded from Vault of Secrets - Unpopular History (David K)
Vault of Secrets - Unpopular History
"An uninvited guest is worse than a Tatar" (1916) - Vladimir Taburin. Taburin was a well-known St. Petersburg artist and illustrator at the turn of the XIX-XX centuries. He illustrated magazines with editions of Gogol, Pushkin and Turgenev. At the heightβ¦
Vladimir Taburin
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"The Battle of the Negroes in the Cave at Night" (1882) - Paul Billaud.
Unveiled in 1915, Malevich's "Black Square" revolutionized painting. But it turns out that this was not the first monochrome-black work. The humorists of the "Salon des Inconsequences" from France presented today's work as a joke on academic art in 1882.
Like many works by members of this club, the painting was long considered lost. But in 2021, in one of the private houses of Ile-de-France was found a chest, which contained 17 paintings, painted a century and a half ago. And among them is "The Battle of the Negroes in a Cave at Night"!
Billaud's idea was picked up by Allee. And in continuation of the theme she wrote "Harvesting tomatoes on the Red Sea coast by apoplectic cardinals" and "Anemic maidens going to the first communion in the snowy season". There is probably no need to name the colors of these paintings. π€£
Unveiled in 1915, Malevich's "Black Square" revolutionized painting. But it turns out that this was not the first monochrome-black work. The humorists of the "Salon des Inconsequences" from France presented today's work as a joke on academic art in 1882.
Like many works by members of this club, the painting was long considered lost. But in 2021, in one of the private houses of Ile-de-France was found a chest, which contained 17 paintings, painted a century and a half ago. And among them is "The Battle of the Negroes in a Cave at Night"!
Billaud's idea was picked up by Allee. And in continuation of the theme she wrote "Harvesting tomatoes on the Red Sea coast by apoplectic cardinals" and "Anemic maidens going to the first communion in the snowy season". There is probably no need to name the colors of these paintings. π€£
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