Forwarded from Wakingup1984
The last time Russia fell into default vis-a-vis its foreign creditors was more than a century ago, when the Bolsheviks under Vladimir Lenin repudiated the nation’s staggering Czarist-era debt load in 1918.
http://www.bnnbloomberg.ca/russia-defaults-on-foreign-debt-for-first-time-since-1918-1.1784183
http://www.bnnbloomberg.ca/russia-defaults-on-foreign-debt-for-first-time-since-1918-1.1784183
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Forwarded from The Exaltation of Beauty
The Entombment, From the Engraved Passion, Plate 13, 1512, by Albrecht Dürer
Forwarded from The Exaltation of Beauty
Ehrenpforte (The Triumphal Arch of Maximilian I), 1515 (printed 1799), 67.95 x 49.85 x 2.54 cm, by Albrecht Dürer
The Triumphal Arch of Maximilian I is a landmark in the history of printmaking and an impressive early example of propaganda. At the time of its initial publication, The Triumphal Arch was the largest print that had ever been completed. Though Maximilian I was not rich enough to complete major architectural monuments, he had the vision to realize the influence of a printed equivalent that could assert his right to rule as well as his ability to do so. Fully assembled, the print measures more than eleven feet tall by nine feet wide.
It is a part of a series of three huge prints created for Maximilian, the others being a Triumphal Procession (1516–18, 137 woodcut panels, 54 metres (177 ft) long) which is led by a Large Triumphal Carriage (1522, 8 woodcut panels, 8 × 1.5 feet (244 × 46 cm)); only the Arch was completed in Maximilian's lifetime.
The Triumphal Arch of Maximilian I is a landmark in the history of printmaking and an impressive early example of propaganda. At the time of its initial publication, The Triumphal Arch was the largest print that had ever been completed. Though Maximilian I was not rich enough to complete major architectural monuments, he had the vision to realize the influence of a printed equivalent that could assert his right to rule as well as his ability to do so. Fully assembled, the print measures more than eleven feet tall by nine feet wide.
It is a part of a series of three huge prints created for Maximilian, the others being a Triumphal Procession (1516–18, 137 woodcut panels, 54 metres (177 ft) long) which is led by a Large Triumphal Carriage (1522, 8 woodcut panels, 8 × 1.5 feet (244 × 46 cm)); only the Arch was completed in Maximilian's lifetime.
Forwarded from The Exaltation of Beauty
The design includes three arches: the central arch is entitled "Honour and Might", the left arch is "Praise", and the right arch is "Nobility". Each arch is illustrated with scenes relating to Maximilian, including a family tree above the central arch which leads back to Clovis I, first King of the Franks, and then the mythical Francia, Sicambria and Troia, flanked by heraldic escutcheons, and 12 historical scenes above each of the two side arches. To the left are busts of emperors and kings, including Julius Caesar and Alexander the Great, and to the right are Maximilian's ancestors. Towers to each side show scenes from Maximilian's private life. Towards the lower right is a line of three shields showing the coats of arms of Stabius, Kölderer and Dürer. Many panels contain a descriptive text, and a long inscription at the bottom describes the whole. The design includes elements of Egyptian hieroglyphs, influenced by Willibald Pirckheimer's 1514 translation of the Hieroglyphica by Roman author Horapollo.