EN EREBOS PHOS
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do i frighten you? do you want me to?

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โ€œI know what the fear is. The fear is not for what is lost. What is lost is already in the wall. What is lost is already behind the locked door. The fear is for what is still to be lost.โ€

Joan Didion
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End of a Vampire, c. 16/17th century
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Albrecht Dรผrer - The Beast with Two Horns Like a Lamb from The Apocalypse, circa 1496-97
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Charles Bennett - Death as a Jester, 1860
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Rudolph Meyer - Dodenstraf, 1650
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โ€œIt frightens me when people try to grab at us like that. I canโ€™t sit still and just let people watch me and talk to me and ask me questions. You see,โ€ she said again, as though trying to moderate her words and explain, โ€œThey want to pull us back, and start us all over again just like them and doing the things they want to do and acting the way they want to act and saying and thinking and wanting all the things they live with us every day. [โ€ฆ]

Shirley Jackson, Hangsaman
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Judith Herman, Trauma And Recovery
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Sascha Schneider - Der Gram, 1894-1895
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Seductive Death by E. H. Langlois, 1852
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Charles Henry Bennett & William Harry Rogers - The Body of This Death c. 1861
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John Leech - The Ghost c. 1848
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Death is the great Teacher, stern, cold, inexorable, irresistible; whom the collected might of the world cannot stay or ward off.

Albert Pike, Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry
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After Hieronymus Bosch
Saint Anthony (?)
, circa 1550
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Wislawa Szymborska, โ€œThe Three Oddest Wordsโ€
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