Увидел как в одном японском видосе добавляют пищевую соду для того чтобы у спагетти поменять текстуру. Ни разу такого не видел
https://www.seriouseats.com/2014/10/baking-soda-ramen-noodle-spaghetti-hack.html
https://www.seriouseats.com/2014/10/baking-soda-ramen-noodle-spaghetti-hack.html
“There is a distinct difference between “suspense” and “surprise,” and yet many pictures continually confuse the two. I’ll explain what I mean.
We are now having a very innocent little chat. Let’s suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, “Boom!” There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o’clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: “You shouldn’t be talking about such trivial matters. There is a bomb beneath you and it is about to explode!”
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
Alfred Hitchcock
We are now having a very innocent little chat. Let’s suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, “Boom!” There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o’clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: “You shouldn’t be talking about such trivial matters. There is a bomb beneath you and it is about to explode!”
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
Alfred Hitchcock
Void, Place
“There is a distinct difference between “suspense” and “surprise,” and yet many pictures continually confuse the two. I’ll explain what I mean. We are now having a very innocent little chat. Let’s suppose that there is a bomb underneath this table between…
Нашёл это и парня который делает интересную игровую критику с учётом опыта в кино и геймдизайне
https://medium.com/@DocSeuss/iwouldntrecommendit-the-last-of-us-d0dba1f7fadb
https://medium.com/@DocSeuss/iwouldntrecommendit-the-last-of-us-d0dba1f7fadb
Medium
#iwouldntrecommendit: the last of us
Everyone tells you the sky turns green before a tornado, but until I saw it with my own eyes, I couldn’t comprehend it. That day, as we…
Кину до кучи сюжет игры которую они сейчас делают:
You're a pig farmer in Kansas. It's October. Cold, crisp mornings are the norm, and you have decided that you're no longer okay with letting the mob use your pigs to dispose of bodies. When your old friend - a hitman - arrives with his assistant to deliver another body, you finally screw up the courage to tell them that you're done.
You're a pig farmer in Kansas. It's October. Cold, crisp mornings are the norm, and you have decided that you're no longer okay with letting the mob use your pigs to dispose of bodies. When your old friend - a hitman - arrives with his assistant to deliver another body, you finally screw up the courage to tell them that you're done.
Мне нравится как соус делает 80% вкуса занимая только 20% объёма в финальном продукте. Когда лень готовить, то можно сделать соус и куриную грудку - будет даже ничё так
https://www.onceuponachef.com/recipes/tzatziki.html
https://www.onceuponachef.com/recipes/tzatziki.html
Если вы уже осовили touch typing и хотите совместить приятное с полезным. Круто, что есть тёмная тема, но не нашёл опции как увеличить размер шрифта
https://www.typelit.io
https://www.typelit.io
Уиии 🎉 Наша игрушка попала в Best Competitive of 2020 на гугле. Как жеж круто-то!
С командой невероятно работать, спасибо ребят, будем тащить дальше 🔥
https://play.google.com/store/apps/topic?id=campaign_editorial_bestof2020_competitive&hl=en&gl=US
С командой невероятно работать, спасибо ребят, будем тащить дальше 🔥
https://play.google.com/store/apps/topic?id=campaign_editorial_bestof2020_competitive&hl=en&gl=US
Sachin Teng
I'm a freelance artist from NYC, where I was born and raised in the borough of Staten Island.
I attended LaGuardia Arts for High School in Manhattan and Pratt Institute for a BFA in Communication Design with a focus on Illustration in Brooklyn. I lived and worked in New York, Los Angeles, and Philadelphia.
I've done work for ad campaigns, posters, editorial publications, book covers, comic books, art galleries, and animation.
I hope to make work that means something, but I'm also happy to just make work that I love.
https://www.sachinteng.com/portraits
https://www.instagram.com/sachinteng/
I'm a freelance artist from NYC, where I was born and raised in the borough of Staten Island.
I attended LaGuardia Arts for High School in Manhattan and Pratt Institute for a BFA in Communication Design with a focus on Illustration in Brooklyn. I lived and worked in New York, Los Angeles, and Philadelphia.
I've done work for ad campaigns, posters, editorial publications, book covers, comic books, art galleries, and animation.
I hope to make work that means something, but I'm also happy to just make work that I love.
https://www.sachinteng.com/portraits
https://www.instagram.com/sachinteng/