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The trouble with being born

Admin: @TwoMonthsOff
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"He's a nihilist," repeated Arkady.

"A nihilist," said Nikolai Petrovitch. "That's from the Latin, nihil, nothing, as far as I can judge; the word must mean a man who... who accepts nothing?"

"Say, who respects nothing," put in Pavel Petrovitch, and he set to work on the butter again.

"Who regards everything from the critical point of view," observed Arkady.

"Isn't that just the same thing?" inquired Pavel Petrovitch.

"No, it's not the same thing. A nihilist is a man who does not bow down before any authority, who does not take any principle on faith, whatever reverence that principle may be enshrined in."
The Blood of a Poet, dir. Jean Cocteau (1932)
Vertigo, accompanied by the New York Philharmonic
Jana Sterbak, Artist As Combustible, 1986
Alexander McQueen, by Nick Knight for Talk Magazine, 1999
Waking up begins with saying am and now. That which has awoken then lies for a while staring up at the ceiling and down into itself until it has recognized I, and therefrom deduced I am, I am now. Here comes next, and is at least negatively reassuring; because here, this morning, is where it has expected to find itself: what’s called at home.
How to Look at Art, Arts & Architecture, Ad Reinhardt, January 1947
Forwarded from tomrum
Disgust relies on moral obtuseness. It is possible to view another human being as a slimy slug or a piece of revolting trash only if one has never made a serious good-faith attempt to see the world through that person’s eyes or to experience that person’s feelings. Disgust imputes to the other a subhuman nature. How, by contrast, do we ever become able to see one another as human? Only through the exercise of imagination.
- Martha Nussbaum, From Disgust to Humanity
A tattooed worker smoking a pipe, Kronoberg County, Sweden, 1940s
Duel between Onegin and Lenski (1899) by Ilya Repin (1844 - 1930)
Ushiku's Daibutsu, Ibaraki Prefecture, Japan
Villa Rausing
Lund, Scania, Sweden; 1952