7
Февраль 2024
Lineto

Вариант Riforma (NORM) <…> довольно монотонный.

LL Riforma Mono
—
NORM (Dimitri Bruni, Manuel Krebs, Ludovic Varone)
—
Styles 6

#display #text #sans #mono #trial

Fabrizio Schiavi Design

Внеконкурсная программа.
Просто «на посмотреть».

#display

По результатам обмена мнениями в чате канала « точка I——o г » Recursive Typeface

*Recursive Sans* is made for text & user interface design. While its proportional characters deliver comfortable reading at text sizes, its heaviest weights are perfect to create punchy, tightly-spaced headlines.

*Recursive Mono* is made for code. Its characters share the same width for clear legibility and perfect alignment. This is particularly helpful for use in programming and data-heavy design tasks, but also allows for creative possibilities in display typography.

#sans #mono #free

8
Февраль 2024
AllCaps

🕶_
Affix was initiated as a strict monospace set, before being reworked and finished as a proportional font, capturing the mood of these sources while rejecting their methodology.

Affix
—
Malte Bentzen
—
Styles 10

#display #text #serif #trial

Обновление: второе начертание (прямое) к шрифту LTR Limited Grotesque by LettError.

9
Февраль 2024
ddott

🎯
Aether plays with light, callenging the uniform grey tone within letters. Derived from 19th Century modern faces, and grounded in a geometric framework, Aether incorporates a set of predefined curves on a rhythmic system. This ensures an identical stem interval within and between letters for a consistent and rational appearance.

Aether Mono
—
Dominik Thieme
—
Styles 6

#serif #mono

e ——— 🦅

Neo-Mini Jenson, 1977 Headliners specimen

Возврат каретки.

10
Январь 2024


Tuplet by Jakob Fangmeier

Есть версия прописных шириной на две ячейки моноширинного шрифта.

#serif #mono #trial

Tiemann Revival (Ferum probbably) by Janos Honor Vari

János Hunor Vári is a type and graphic designer, art director originally from Hungary, based in Lausanne, Switzerland. Recent graduate of the Master Type Design programme of ECAL – Ecole Cantonale d’Art de Lausanne. His practice is built on experimenting with unexpected tools and materials, and on a speculative and playful approach to serve both cultural and commercial purposes.

#ligatures #typeface

11
Февраль 2024
Brownfox

«Booklet Sans – часть супергарнитуры Booklet. Антиква Booklet Serif пока в работе, она планируется и как пара к гротеску, и для самостоятельного использования. Booklet Sans включает в себя пять насыщенностей. В составе знаков: два набора цифр и знаков валют, знаки препинания для прописного регистра, стрелки-указатели. Шрифт поддерживает множество языков, использующих латинскую и кириллическую письменности.»

Booklet
—
Вячеслав Кириленко и Гаянэ Багдасарян
—
Styles 5


#sans

12
Февраль 2024
New Letters

«Gazet out now — the typeface consists of the two subfamilies Angled and Straight. The original Angled style features diagonal endings corresponding with the typefaces structure. The Straight subfamily is a rather neutral and more versatile take on the original Angled style due to its horizontal endings.»

Альтернативные строчные без нижних выносов.

Gazet
—
Thomas John
—
Styles 28


#sans #display

13
Февраль 2024
Future Fonts

Интересное в деталях.

Siche Text
—
Caterina Santullo
—
Styles 1


#serif #text #trial

14
Февраль 2024
TypeMates

Компактный гротеск и моно версия с альтернативами и поворотным курсивом.

Piet Sans and Piet Mono
—
Nils Thomsen
—
Styles 10+10


#sans #text #mono #display

Вне конкурса.

Gramma
by Riccardo Locco

When I began designing Gramma, in the summer of 2009, my goal was to create a compact sans serif with sizeable letter height, one that would work well both for headers and titles as well as main bodies of text. I also — and this is a risky ambition in type design — wanted it to have some personality.

#sans

15
Март 2024
OH no Type

Очень хорошо. Динамичный курсив. Альтернативы с «историческими» формами.

For some reason, this was around the time that I started paying attention to Friz Quadrata and Albertus absolutely everywhere. Of course there are other great titling fonts, but Friz and Albertus always just look so good! Trajan definitely deserves a mention, since it’s pretty much the OG classically proportioned serif, but more often than not, Trajan feels too default when you see it in public.

Forevs
—
OH no Type
—
Styles 14

#serif #display #text

16
Март 2024
Tegamitype

Интересное в мономодном шрифте.

TG Frida Mono
—
Iqbal Firdaus
—
Styles 6

#sans #mono #trial

Introducing Intel One Mono, an expressive monospaced font family that’s built with clarity, legibility, and the needs of developers in mind.

It’s easier to read, and available for free, with an open-source font license.

Identifying the typographically underserved low-vision developer audience, Frere-Jones Type designed the Intel One Mono typeface in partnership with the Intel Brand Team and VMLY&R, for maximum legibility to address developers' fatigue and eyestrain and reduce coding errors. A panel of low-vision and legally blind developers provided feedback at each stage of design.

Intel One Mono also covers a wide range of over 200 languages using the Latin script. The Intel One Mono fonts are provided in four weights — Light, Regular, Medium, and Bold — with matching italics, and we are happy to share both an official release of fonts ready to use as well as editable sources.

#sans #mono #free

17
Март 2024
A2-Type

Не уверен, что реализовано в марте, но надо отметить обязательно.

Интересная система начертаний с чередованием знаков гротеска и антиквы.
«Написано пером» по мотивам «высеченного топором».

Glyptotek
—
Henrik Kubel
—
Styles 4

#sans #serif #text #display #trial