Computer Cursive
by Papon Punyahotra

Кодом — в шрифт! 😍

Can code be used to design a typeface? At a glance, the letters we use seem to be too specific to be made randomly. However, with enough iterations I was able to curate a complete alphabet, numbers, and a few ligatures and punctuations.

Результат курса Programming Posters at Elisava.

#typedesign #typeface #wow

7
Февраль 2024
Lineto

Вариант Riforma (NORM) <…> довольно монотонный.

LL Riforma Mono
—
NORM (Dimitri Bruni, Manuel Krebs, Ludovic Varone)
—
Styles 6

#display #text #sans #mono #trial

Fabrizio Schiavi Design

Внеконкурсная программа.
Просто «на посмотреть».

#display

По результатам обмена мнениями в чате канала « точка I——o г » Recursive Typeface

*Recursive Sans* is made for text & user interface design. While its proportional characters deliver comfortable reading at text sizes, its heaviest weights are perfect to create punchy, tightly-spaced headlines.

*Recursive Mono* is made for code. Its characters share the same width for clear legibility and perfect alignment. This is particularly helpful for use in programming and data-heavy design tasks, but also allows for creative possibilities in display typography.

#sans #mono #free

8
Февраль 2024
AllCaps

🕶_
Affix was initiated as a strict monospace set, before being reworked and finished as a proportional font, capturing the mood of these sources while rejecting their methodology.

Affix
—
Malte Bentzen
—
Styles 10

#display #text #serif #trial

Обновление: второе начертание (прямое) к шрифту LTR Limited Grotesque by LettError.

9
Февраль 2024
ddott

🎯
Aether plays with light, callenging the uniform grey tone within letters. Derived from 19th Century modern faces, and grounded in a geometric framework, Aether incorporates a set of predefined curves on a rhythmic system. This ensures an identical stem interval within and between letters for a consistent and rational appearance.

Aether Mono
—
Dominik Thieme
—
Styles 6

#serif #mono

e ——— 🦅

Neo-Mini Jenson, 1977 Headliners specimen

Возврат каретки.

10
Январь 2024


Tuplet by Jakob Fangmeier

Есть версия прописных шириной на две ячейки моноширинного шрифта.

#serif #mono #trial

Tiemann Revival (Ferum probbably) by Janos Honor Vari

János Hunor Vári is a type and graphic designer, art director originally from Hungary, based in Lausanne, Switzerland. Recent graduate of the Master Type Design programme of ECAL – Ecole Cantonale d’Art de Lausanne. His practice is built on experimenting with unexpected tools and materials, and on a speculative and playful approach to serve both cultural and commercial purposes.

#ligatures #typeface

11
Февраль 2024
Brownfox

«Booklet Sans – часть супергарнитуры Booklet. Антиква Booklet Serif пока в работе, она планируется и как пара к гротеску, и для самостоятельного использования. Booklet Sans включает в себя пять насыщенностей. В составе знаков: два набора цифр и знаков валют, знаки препинания для прописного регистра, стрелки-указатели. Шрифт поддерживает множество языков, использующих латинскую и кириллическую письменности.»

Booklet
—
Вячеслав Кириленко и Гаянэ Багдасарян
—
Styles 5


#sans

12
Февраль 2024
New Letters

«Gazet out now — the typeface consists of the two subfamilies Angled and Straight. The original Angled style features diagonal endings corresponding with the typefaces structure. The Straight subfamily is a rather neutral and more versatile take on the original Angled style due to its horizontal endings.»

Альтернативные строчные без нижних выносов.

Gazet
—
Thomas John
—
Styles 28


#sans #display

13
Февраль 2024
Future Fonts

Интересное в деталях.

Siche Text
—
Caterina Santullo
—
Styles 1


#serif #text #trial

14
Февраль 2024
TypeMates

Компактный гротеск и моно версия с альтернативами и поворотным курсивом.

Piet Sans and Piet Mono
—
Nils Thomsen
—
Styles 10+10


#sans #text #mono #display

Вне конкурса.

Gramma
by Riccardo Locco

When I began designing Gramma, in the summer of 2009, my goal was to create a compact sans serif with sizeable letter height, one that would work well both for headers and titles as well as main bodies of text. I also — and this is a risky ambition in type design — wanted it to have some personality.

#sans

15
Март 2024
OH no Type

Очень хорошо. Динамичный курсив. Альтернативы с «историческими» формами.

For some reason, this was around the time that I started paying attention to Friz Quadrata and Albertus absolutely everywhere. Of course there are other great titling fonts, but Friz and Albertus always just look so good! Trajan definitely deserves a mention, since it’s pretty much the OG classically proportioned serif, but more often than not, Trajan feels too default when you see it in public.

Forevs
—
OH no Type
—
Styles 14

#serif #display #text

16
Март 2024
Tegamitype

Интересное в мономодном шрифте.

TG Frida Mono
—
Iqbal Firdaus
—
Styles 6

#sans #mono #trial