Интересное вне зачета.
PoW Garnier is a work in progress. Proof of Words.
https://proof-of-words.com/typefaces/garnier
PoW Garnier is a work in progress. Proof of Words.
https://proof-of-words.com/typefaces/garnier
👍2
Вне конкурса. Доступно для скачивания и использования. ⚡️💥🌟⬇️
Forwarded from Чувствительность к регистру
Gotico-Antiqua, Proto-Roman, Hybrid, 15 typefaces, basic latin (1939 glyphs), design and production Rafael Ribas with Alexis Faudot, supervision Jérôme Knebusch & ANRT Team, 2017–2019. All fonts and specimen available here.
Проекту пять лет, но 🌟
#typeface #wow
Проекту пять лет, но 🌟
#typeface #wow
🔥1
Вне конкурса: если кому интересно, вот так можно кодом (Processing) и в шрифт.
Forwarded from Чувствительность к регистру
Computer Cursive
by Papon Punyahotra
Кодом — в шрифт! 😍
Can code be used to design a typeface? At a glance, the letters we use seem to be too specific to be made randomly. However, with enough iterations I was able to curate a complete alphabet, numbers, and a few ligatures and punctuations.
Результат курса Programming Posters at Elisava.
#typedesign #typeface #wow
by Papon Punyahotra
Кодом — в шрифт! 😍
Can code be used to design a typeface? At a glance, the letters we use seem to be too specific to be made randomly. However, with enough iterations I was able to curate a complete alphabet, numbers, and a few ligatures and punctuations.
Результат курса Programming Posters at Elisava.
#typedesign #typeface #wow
❤2🎉1
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По результатам обмена мнениями в чате канала « точка I——o г » Recursive Typeface
*Recursive Sans* is made for text & user interface design. While its proportional characters deliver comfortable reading at text sizes, its heaviest weights are perfect to create punchy, tightly-spaced headlines.
*Recursive Mono* is made for code. Its characters share the same width for clear legibility and perfect alignment. This is particularly helpful for use in programming and data-heavy design tasks, but also allows for creative possibilities in display typography.
#sans #mono #free
*Recursive Sans* is made for text & user interface design. While its proportional characters deliver comfortable reading at text sizes, its heaviest weights are perfect to create punchy, tightly-spaced headlines.
*Recursive Mono* is made for code. Its characters share the same width for clear legibility and perfect alignment. This is particularly helpful for use in programming and data-heavy design tasks, but also allows for creative possibilities in display typography.
#sans #mono #free
❤1🔥1
9
Февраль 2024
ddott
🎯
Aether plays with light, callenging the uniform grey tone within letters. Derived from 19th Century modern faces, and grounded in a geometric framework, Aether incorporates a set of predefined curves on a rhythmic system. This ensures an identical stem interval within and between letters for a consistent and rational appearance.
Aether Mono
—
Dominik Thieme
—
Styles 6
#serif #mono
Февраль 2024
ddott
🎯
Aether plays with light, callenging the uniform grey tone within letters. Derived from 19th Century modern faces, and grounded in a geometric framework, Aether incorporates a set of predefined curves on a rhythmic system. This ensures an identical stem interval within and between letters for a consistent and rational appearance.
Aether Mono
—
Dominik Thieme
—
Styles 6
#serif #mono
❤6🔥2
Возврат каретки.
10
Январь 2024
Tuplet by Jakob Fangmeier
Есть версия прописных шириной на две ячейки моноширинного шрифта.
#serif #mono #trial
10
Январь 2024
Tuplet by Jakob Fangmeier
Есть версия прописных шириной на две ячейки моноширинного шрифта.
#serif #mono #trial
🔥6❤🔥2❤1
Forwarded from Чувствительность к регистру
Tiemann Revival (Ferum probbably) by Janos Honor Vari
János Hunor Vári is a type and graphic designer, art director originally from Hungary, based in Lausanne, Switzerland. Recent graduate of the Master Type Design programme of ECAL – Ecole Cantonale d’Art de Lausanne. His practice is built on experimenting with unexpected tools and materials, and on a speculative and playful approach to serve both cultural and commercial purposes.
#ligatures #typeface
János Hunor Vári is a type and graphic designer, art director originally from Hungary, based in Lausanne, Switzerland. Recent graduate of the Master Type Design programme of ECAL – Ecole Cantonale d’Art de Lausanne. His practice is built on experimenting with unexpected tools and materials, and on a speculative and playful approach to serve both cultural and commercial purposes.
#ligatures #typeface
❤4
11
Февраль 2024
Brownfox
«Booklet Sans – часть супергарнитуры Booklet. Антиква Booklet Serif пока в работе, она планируется и как пара к гротеску, и для самостоятельного использования. Booklet Sans включает в себя пять насыщенностей. В составе знаков: два набора цифр и знаков валют, знаки препинания для прописного регистра, стрелки-указатели. Шрифт поддерживает множество языков, использующих латинскую и кириллическую письменности.»
Booklet
—
Вячеслав Кириленко и Гаянэ Багдасарян
—
Styles 5
#sans
Февраль 2024
Brownfox
«Booklet Sans – часть супергарнитуры Booklet. Антиква Booklet Serif пока в работе, она планируется и как пара к гротеску, и для самостоятельного использования. Booklet Sans включает в себя пять насыщенностей. В составе знаков: два набора цифр и знаков валют, знаки препинания для прописного регистра, стрелки-указатели. Шрифт поддерживает множество языков, использующих латинскую и кириллическую письменности.»
Booklet
—
Вячеслав Кириленко и Гаянэ Багдасарян
—
Styles 5
#sans
❤4🎉2
12
Февраль 2024
New Letters
«Gazet out now — the typeface consists of the two subfamilies Angled and Straight. The original Angled style features diagonal endings corresponding with the typefaces structure. The Straight subfamily is a rather neutral and more versatile take on the original Angled style due to its horizontal endings.»
Альтернативные строчные без нижних выносов.
Gazet
—
Thomas John
—
Styles 28
#sans #display
Февраль 2024
New Letters
«Gazet out now — the typeface consists of the two subfamilies Angled and Straight. The original Angled style features diagonal endings corresponding with the typefaces structure. The Straight subfamily is a rather neutral and more versatile take on the original Angled style due to its horizontal endings.»
Альтернативные строчные без нижних выносов.
Gazet
—
Thomas John
—
Styles 28
#sans #display
❤1🔥1🎉1
13
Февраль 2024
Future Fonts
Интересное в деталях.
Siche Text
—
Caterina Santullo
—
Styles 1
#serif #text #trial
Февраль 2024
Future Fonts
Интересное в деталях.
Siche Text
—
Caterina Santullo
—
Styles 1
#serif #text #trial
❤1