1
Январь 2024
LettError
Редкое явление — «ручной» шрифт в одно начертание.
Single weight, non-variable. Extended Latin character set. Stylistic sets, ligatures, many alternates. Licenses for Desktop, Web, App.
LTR Limited Grotesque
—
LettError
—
Styles 1
#display #sans
Январь 2024
LettError
Редкое явление — «ручной» шрифт в одно начертание.
Single weight, non-variable. Extended Latin character set. Stylistic sets, ligatures, many alternates. Licenses for Desktop, Web, App.
LTR Limited Grotesque
—
LettError
—
Styles 1
#display #sans
🎉2❤1
2
Январь 2024
Approximate Type
Развернуто и симпатично.
Realm is a gracefully flared typeface in seven weights. It takes inspiration in a disparate selection of old English engraved and hand-painted pieces of lettering and merges proportions based on Roman capitals with loops and flourishes borrowed from roundhand calligraphy.
Realm
—
Kasper Pyndt Rasmussen
—
Styles 7
#display #text #serif
Январь 2024
Approximate Type
Развернуто и симпатично.
Realm is a gracefully flared typeface in seven weights. It takes inspiration in a disparate selection of old English engraved and hand-painted pieces of lettering and merges proportions based on Roman capitals with loops and flourishes borrowed from roundhand calligraphy.
Realm
—
Kasper Pyndt Rasmussen
—
Styles 7
#display #text #serif
👍1
3
Январь 2024
Optimo
По классике.
Recital, a contemporary serif typeface, reveals a refreshingly warm personality, skillfully and harmoniously weaving historical influences and shapes together. The evolution of typefaces often takes the form of revivals nested within revivals. Straddling the line between Old-Style and Transitional typefaces, Recital defies traditional classifications and explores the rich and nuanced tapestry of moods embedded within typographic materials produced during the 19th and 20th centuries.
Recital
—
Malte Bentzen
—
Styles 10
#display #text #serif
Январь 2024
Optimo
По классике.
Recital, a contemporary serif typeface, reveals a refreshingly warm personality, skillfully and harmoniously weaving historical influences and shapes together. The evolution of typefaces often takes the form of revivals nested within revivals. Straddling the line between Old-Style and Transitional typefaces, Recital defies traditional classifications and explores the rich and nuanced tapestry of moods embedded within typographic materials produced during the 19th and 20th centuries.
Recital
—
Malte Bentzen
—
Styles 10
#display #text #serif
❤2👍1
4
Январь 2024
Bureau Brut
Отыграли старую свою идею (Droulers) в новые начертания.
Droulers Clarendon is a fanciful version of Clarendons with the distinctive features of Droulers : it has been designed as if it were its historical source.
Droulers is inspired by the most iconic typographies of 19th-century typewriters. Droulers Clarendon, on the other hand, draws inspiration from the sources of these typewriters, particularly the Clarendons. The Clarendon category—subcategories of slab serifs, these fonts with thick, block-like serifs — are, for us, the most subtle and perhaps the most accomplished form of this style. We believe that the two main characteristics are high contrast for a slab serif, and the addition of brackets in the serifs, which brings softness and makes the type color warmer for body text.
Droulers Clarendon
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Bureau Brut
—
Styles 16
#display #text #serif
Январь 2024
Bureau Brut
Отыграли старую свою идею (Droulers) в новые начертания.
Droulers Clarendon is a fanciful version of Clarendons with the distinctive features of Droulers : it has been designed as if it were its historical source.
Droulers is inspired by the most iconic typographies of 19th-century typewriters. Droulers Clarendon, on the other hand, draws inspiration from the sources of these typewriters, particularly the Clarendons. The Clarendon category—subcategories of slab serifs, these fonts with thick, block-like serifs — are, for us, the most subtle and perhaps the most accomplished form of this style. We believe that the two main characteristics are high contrast for a slab serif, and the addition of brackets in the serifs, which brings softness and makes the type color warmer for body text.
Droulers Clarendon
—
Bureau Brut
—
Styles 16
#display #text #serif
🎉2❤1
5
Январь 2024
FORMAGARI
Антиква без засечек 😮.
Modale Antique
—
Emmanuel Besse
—
Styles 8
#display #text #sans #trial
Январь 2024
FORMAGARI
Антиква без засечек 😮.
Modale Antique
—
Emmanuel Besse
—
Styles 8
#display #text #sans #trial
❤🔥3
6
Январь 2024
HVD
Вариант Grotesque No <…> (смотри старые каталоги шрифтов). Местами остро (или резко). Кто не успел со своей версией шрифта на данную тему, тот пока еще не опаздал.
Gurky Grotesque
—
Hannes von Döhren
—
Styles 12
#display #text #sans #trial
Январь 2024
HVD
Вариант Grotesque No <…> (смотри старые каталоги шрифтов). Местами остро (или резко). Кто не успел со своей версией шрифта на данную тему, тот пока еще не опаздал.
Gurky Grotesque
—
Hannes von Döhren
—
Styles 12
#display #text #sans #trial
❤5😐2
Интересное вне зачета.
PoW Garnier is a work in progress. Proof of Words.
https://proof-of-words.com/typefaces/garnier
PoW Garnier is a work in progress. Proof of Words.
https://proof-of-words.com/typefaces/garnier
👍2
Вне конкурса. Доступно для скачивания и использования. ⚡️💥🌟⬇️
Forwarded from Чувствительность к регистру
Gotico-Antiqua, Proto-Roman, Hybrid, 15 typefaces, basic latin (1939 glyphs), design and production Rafael Ribas with Alexis Faudot, supervision Jérôme Knebusch & ANRT Team, 2017–2019. All fonts and specimen available here.
Проекту пять лет, но 🌟
#typeface #wow
Проекту пять лет, но 🌟
#typeface #wow
🔥1
Вне конкурса: если кому интересно, вот так можно кодом (Processing) и в шрифт.
Forwarded from Чувствительность к регистру
Computer Cursive
by Papon Punyahotra
Кодом — в шрифт! 😍
Can code be used to design a typeface? At a glance, the letters we use seem to be too specific to be made randomly. However, with enough iterations I was able to curate a complete alphabet, numbers, and a few ligatures and punctuations.
Результат курса Programming Posters at Elisava.
#typedesign #typeface #wow
by Papon Punyahotra
Кодом — в шрифт! 😍
Can code be used to design a typeface? At a glance, the letters we use seem to be too specific to be made randomly. However, with enough iterations I was able to curate a complete alphabet, numbers, and a few ligatures and punctuations.
Результат курса Programming Posters at Elisava.
#typedesign #typeface #wow
❤2🎉1
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По результатам обмена мнениями в чате канала « точка I——o г » Recursive Typeface
*Recursive Sans* is made for text & user interface design. While its proportional characters deliver comfortable reading at text sizes, its heaviest weights are perfect to create punchy, tightly-spaced headlines.
*Recursive Mono* is made for code. Its characters share the same width for clear legibility and perfect alignment. This is particularly helpful for use in programming and data-heavy design tasks, but also allows for creative possibilities in display typography.
#sans #mono #free
*Recursive Sans* is made for text & user interface design. While its proportional characters deliver comfortable reading at text sizes, its heaviest weights are perfect to create punchy, tightly-spaced headlines.
*Recursive Mono* is made for code. Its characters share the same width for clear legibility and perfect alignment. This is particularly helpful for use in programming and data-heavy design tasks, but also allows for creative possibilities in display typography.
#sans #mono #free
❤1🔥1
9
Февраль 2024
ddott
🎯
Aether plays with light, callenging the uniform grey tone within letters. Derived from 19th Century modern faces, and grounded in a geometric framework, Aether incorporates a set of predefined curves on a rhythmic system. This ensures an identical stem interval within and between letters for a consistent and rational appearance.
Aether Mono
—
Dominik Thieme
—
Styles 6
#serif #mono
Февраль 2024
ddott
🎯
Aether plays with light, callenging the uniform grey tone within letters. Derived from 19th Century modern faces, and grounded in a geometric framework, Aether incorporates a set of predefined curves on a rhythmic system. This ensures an identical stem interval within and between letters for a consistent and rational appearance.
Aether Mono
—
Dominik Thieme
—
Styles 6
#serif #mono
❤6🔥2