Zetland has been one of the leading reader-funded digital publishers in Europe. Over the past few years, they have successfully expanded their model from Denmark's home market to Finland and Norway by launching sister publications Uusi Juttu and Demo, respectively.
Zetland’s co-founder and international director, Jakob Moll, joins The Fix’s senior editor, Anton Protsiuk, to discuss their international expansion, including the plan to launch in Germany, as well as where AI helps in global growth.
🎧 Listen to the full conversation on YouTube or wherever you get your podcasts:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
Zetland’s co-founder and international director, Jakob Moll, joins The Fix’s senior editor, Anton Protsiuk, to discuss their international expansion, including the plan to launch in Germany, as well as where AI helps in global growth.
🎧 Listen to the full conversation on YouTube or wherever you get your podcasts:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
YouTube
Zetland’s global ambitions
Zetland has been one of the most prominent reader-funded digital publishers in Europe. In the past few years, they’ve successfully exported their model from the home market of Denmark to Finland and Norway by launching sibling publications Uusi Juttu and…
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In 2020, a new Italian media outlet launched with a radical premise: no website, a newsroom with an average age of 25, and a laser focus on social media. That outlet, Will, has since grown to 80 people with €11 million in annual revenue, proving that it had tapped into a long-neglected shift in how younger audiences consume news.
◼ Will’s success wasn’t just about being on Instagram; it was about reimagining news for the platform. "We paid special attention to topics that matter most to our audience, but we also reframed broader issues," says Francesco Zaffarano, Will’s Executive Audience and Content Strategist. For instance, they approached Italy's cost-of-living crisis not from the perspective of property-owning families, but of young professionals struggling in unstable rental markets.
◼ Initially dismissed by critics for oversimplifying complex topics, Will’s approach was ultimately imitated across the industry. Zaffarano defends their model: "Traditional news can feel like jumping into a Netflix series at season four, episode six. You lack context. If you simplify without dumbing down, that’s a public service. We lower that barrier to entry.”
◼ The business model is equally disruptive. Around 70% of revenue comes from sponsored content created by the same journalists who produce their editorial work, ensuring consistent quality. While this has raised questions of independence, Zaffarano counters that they've "turned down a lot of offers" from companies whose values don't align.
◼ Living entirely on third-party platforms has its risks. "At a certain point... Meta began penalising IGTV, which had been our best-performing format. We quickly had to adjust," Zaffarano recalls. This vulnerability forced diversification, and today Will has a robust presence across TikTok, YouTube, and WhatsApp. "If Instagram disappeared tomorrow, it would hurt, but it wouldn’t be fatal."
◼ While Will thrives, Zaffarano is concerned about the industry's inertia. "Italian media still hasn’t woken up," he warns. "If other outlets don’t start investing strategically in innovation, they risk fading away."
❓ Will's story offers a powerful case study in meeting audiences where they are, both in format and perspective. What can legacy media learn from social-native upstarts like Will?
📍 Read the full article on our website to explore their strategy in more detail.
◼ Will’s success wasn’t just about being on Instagram; it was about reimagining news for the platform. "We paid special attention to topics that matter most to our audience, but we also reframed broader issues," says Francesco Zaffarano, Will’s Executive Audience and Content Strategist. For instance, they approached Italy's cost-of-living crisis not from the perspective of property-owning families, but of young professionals struggling in unstable rental markets.
◼ Initially dismissed by critics for oversimplifying complex topics, Will’s approach was ultimately imitated across the industry. Zaffarano defends their model: "Traditional news can feel like jumping into a Netflix series at season four, episode six. You lack context. If you simplify without dumbing down, that’s a public service. We lower that barrier to entry.”
◼ The business model is equally disruptive. Around 70% of revenue comes from sponsored content created by the same journalists who produce their editorial work, ensuring consistent quality. While this has raised questions of independence, Zaffarano counters that they've "turned down a lot of offers" from companies whose values don't align.
◼ Living entirely on third-party platforms has its risks. "At a certain point... Meta began penalising IGTV, which had been our best-performing format. We quickly had to adjust," Zaffarano recalls. This vulnerability forced diversification, and today Will has a robust presence across TikTok, YouTube, and WhatsApp. "If Instagram disappeared tomorrow, it would hurt, but it wouldn’t be fatal."
◼ While Will thrives, Zaffarano is concerned about the industry's inertia. "Italian media still hasn’t woken up," he warns. "If other outlets don’t start investing strategically in innovation, they risk fading away."
❓ Will's story offers a powerful case study in meeting audiences where they are, both in format and perspective. What can legacy media learn from social-native upstarts like Will?
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The Italian outlet everyone tried to copy – how Will reinvented news for Italy’s digital generation
80 people, €11 million in annual revenue, 1.8 million followers on Instagram, no full-on website.
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📰 Last week, we looked into the side effects of Moscow's Telegram slowdown, and learned about Zetland's global ambitions.
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The Fix
Thoughts, stories and ideas.
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In a news ecosystem saturated with content, Página Internacional is betting on curating top-notch international journalism. Romain Chauvet spoke with co-founder and editor Xavier Orri Badia.
The Fix
Can curated journalism scale in Spanish? Inside Página Internacional’s strategy
In a news ecosystem saturated with content, Página Internacional is betting that curation is the future of Spanish-language journalism
Russia’s “voenkory” are a media community of pro-war reporters and military bloggers that has gained significant influence since Russia’s full-scale invasion of Ukraine in February 2022. Despite their ideological bias, they continue to provide information about the war that is difficult to find elsewhere, Veronica Snoj writes in her latest article for The Fix.
The Fix
Why Russia’s pro-war military bloggers remain a valuable source on the invasion of Ukraine
Despite their support of the invasion, “voenkory” – pro-war mediamakers – offer insights otherwise inaccessible to independent media
Independent newsrooms across the world face mounting financial, political, and digital pressures. But what does effective support actually look like?
In this episode, Orsolya Seregély speaks with Ryan Powell, Head of Innovation and Media Business at the International Press Institute (IPI), about how newsrooms navigate crises, what sustainable media support requires beyond funding, and why innovation is central to long-term press freedom.
🎧 Listen to the full conversation on YouTube or wherever you get your podcasts:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
In this episode, Orsolya Seregély speaks with Ryan Powell, Head of Innovation and Media Business at the International Press Institute (IPI), about how newsrooms navigate crises, what sustainable media support requires beyond funding, and why innovation is central to long-term press freedom.
🎧 Listen to the full conversation on YouTube or wherever you get your podcasts:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
YouTube
How Newsrooms Survive Crises: What Real Support Looks Like
Independent newsrooms across the world face mounting financial, political, and digital pressures. But what does effective support actually look like?
In this episode, Orsolya Seregély speaks with Ryan Powell, Head of Innovation and Media Business at the…
In this episode, Orsolya Seregély speaks with Ryan Powell, Head of Innovation and Media Business at the…
🇵🇱 As Poland's economic and political significance has grown, so has the need for nuanced, English-language reporting on the country. Filling that gap is Notes from Poland, an outlet that has evolved from a personal blog into a professional non-profit newsroom serving a global audience.
◼ The project began in 2014 but found its mission after the 2015 governmental change created a surge in demand for context-rich news. "It's very important for us to provide context, background, and history in some cases to help people understand," says editor-in-chief Daniel Tilles. "It's not enough just to report on what's happened today."
◼ The team's unique composition—a mix of Poles and foreigners, insiders and outsiders—allows them to bridge cultural and political divides. Their audience reflects this, comprising immigrants, the Polish diaspora, diplomats, and even Poles seeking a more balanced perspective than offered by partisan local media.
◼ While the outlet relies on a mix of grants and reader donations, it faced a near-catastrophic funding crisis this year when its largest grant was cancelled unexpectedly. The crisis was a stark lesson in financial vulnerability. "We've realised from the crisis we had this year that we were too reliant on a few sources of funding," Tilles explains.
◼ A swift response from 400 individual donors and a new foundation saved the outlet, highlighting the power of a loyal community. Now, Notes from Poland is strategically diversifying its funding model for 2026, exploring revenue-generating activities like events and advertising partnerships to ensure long-term sustainability.
❓What strategies are most effective for niche, non-profit media to achieve financial sustainability?
📍 Read the full article on our website to learn more about their journey.
◼ The project began in 2014 but found its mission after the 2015 governmental change created a surge in demand for context-rich news. "It's very important for us to provide context, background, and history in some cases to help people understand," says editor-in-chief Daniel Tilles. "It's not enough just to report on what's happened today."
◼ The team's unique composition—a mix of Poles and foreigners, insiders and outsiders—allows them to bridge cultural and political divides. Their audience reflects this, comprising immigrants, the Polish diaspora, diplomats, and even Poles seeking a more balanced perspective than offered by partisan local media.
◼ While the outlet relies on a mix of grants and reader donations, it faced a near-catastrophic funding crisis this year when its largest grant was cancelled unexpectedly. The crisis was a stark lesson in financial vulnerability. "We've realised from the crisis we had this year that we were too reliant on a few sources of funding," Tilles explains.
◼ A swift response from 400 individual donors and a new foundation saved the outlet, highlighting the power of a loyal community. Now, Notes from Poland is strategically diversifying its funding model for 2026, exploring revenue-generating activities like events and advertising partnerships to ensure long-term sustainability.
❓What strategies are most effective for niche, non-profit media to achieve financial sustainability?
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The Fix
How to explain Poland to foreigners: inside Notes from Poland
The outlet serves a growing audience seeking to understand a rapidly changing country
🖨️ Inspired by The Onion, France’s top satirical outlet Le Gorafi is soon launching its print edition. Romain Chauvet spoke with founder Sébastien Liebus about how Le Gorafi is doing, and why it chose to venture into print.
The Fix
Satire in print – French satirical outlet Le Gorafi expands beyond digital
Le Gorafi is betting on print, launching a monthly newspaper to reach readers beyond algorithms and social media. The Fix spoke with its founder
Amidst changing news consumption habits, Ukrainian media outlet 24 Channel adapted a familiar social media format to successfully boost retention and viewing depth.
The Fix discussed @channel24_ua approach and its pros and cons with Head of Digital Denys Zelenov.
The Fix discussed @channel24_ua approach and its pros and cons with Head of Digital Denys Zelenov.
The Fix
How Ukrainian 24 Channel grew engagement with short videos directly on the website
Amidst changing news consumption habits, a media outlet adapted a familiar social media format to successfully boost retention and viewing depth.
First, Russia’s censors came for independent journalists; now they are also targeting those reading them. In a new piece, we review key points from a recent study on the state of Russian independent media in exile, published by JX Fund with the support of The Fix Research and Advisory.
The Fix
Russia’s expanding surveillance system is starting to target the audience
First the censors came for independent journalists, now they are also targeting those reading them.
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What does diversity in media actually mean in day-to-day newsroom practice — and why does it matter now more than ever?
In the latest FIxEd podcast episode, Orsolya Seregély speaks with Marcela Kunova, Managing Director of Journalism UK, about gender inequality in media leadership, structural barriers to ownership, access to funding, sponsorship culture, and the business case for diversity
They discuss why tokenism fails, how newsroom culture shapes editorial priorities, and what meaningful progress on gender equality in media could look like in the next five years.
🎧 Listen to the full conversation on your platform of choice:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
In the latest FIxEd podcast episode, Orsolya Seregély speaks with Marcela Kunova, Managing Director of Journalism UK, about gender inequality in media leadership, structural barriers to ownership, access to funding, sponsorship culture, and the business case for diversity
They discuss why tokenism fails, how newsroom culture shapes editorial priorities, and what meaningful progress on gender equality in media could look like in the next five years.
🎧 Listen to the full conversation on your platform of choice:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
YouTube
Women in Media Leadership: Barriers, Bias, and the Business Case
What does diversity in media actually mean in day-to-day newsroom practice — and why does it matter now more than ever?
In this episode, Orsolya Seregély speaks with Marcela Kunova, Managing Director of Journalism UK, about gender inequality in media leadership…
In this episode, Orsolya Seregély speaks with Marcela Kunova, Managing Director of Journalism UK, about gender inequality in media leadership…
Following the US military operation in Venezuela and the capture of President Nicolás Maduro, the global community is watching closely. For Venezuelan journalists exiled in Spain, this moment is a complex mix of fragile hope and deep-seated fear.
◼ For over a decade, the media in Venezuela has been systematically dismantled. According to Reporters Without Borders, the country is one of the most dangerous in the world for journalists. More than 60 newspapers and 200 radio stations have been forced to shut down, pushing over 8 million Venezuelans—including many media professionals—to leave the country. But even in exile, they continue the fight to inform.
◼ Journalist Dariela Sosa, now based in Madrid, created "Arepita," a newsletter that bypasses state censorship to deliver essential news directly to 80,000 subscribers. "The media outlets were blocked... so I thought if we just send an email, it will be very hard to block it,” she explains.
◼ Alessandro Di Stasio, another exiled journalist, continues his investigative work on corruption for the outlet Armando.Info. The risks follow him. "I've reduced my tweets and my social media posts," he says. "I always ask myself if it is worth publishing this and what the consequences could be for me and my family.”
◼ Despite Maduro's removal, the appointment of his vice-president as interim leader offers little comfort. "We are happy because Maduro is not in power... but the person that is in charge right now... is one of the architects of the repression,” Sosa notes. The reality on the ground remains perilous, with journalists still being prosecuted and working in fear.
◼ While some imprisoned journalists have been released in recent weeks, repression still seems to be very much present in the country, as arrests have been reported in recent days. Twenty-three journalists were still incarcerated as of 2026, while forty more were being prosecuted.
❓ How can the global journalism community better support reporters forced to work in exile?
📍 Read the full, in-depth story on our website.
◼ For over a decade, the media in Venezuela has been systematically dismantled. According to Reporters Without Borders, the country is one of the most dangerous in the world for journalists. More than 60 newspapers and 200 radio stations have been forced to shut down, pushing over 8 million Venezuelans—including many media professionals—to leave the country. But even in exile, they continue the fight to inform.
◼ Journalist Dariela Sosa, now based in Madrid, created "Arepita," a newsletter that bypasses state censorship to deliver essential news directly to 80,000 subscribers. "The media outlets were blocked... so I thought if we just send an email, it will be very hard to block it,” she explains.
◼ Alessandro Di Stasio, another exiled journalist, continues his investigative work on corruption for the outlet Armando.Info. The risks follow him. "I've reduced my tweets and my social media posts," he says. "I always ask myself if it is worth publishing this and what the consequences could be for me and my family.”
◼ Despite Maduro's removal, the appointment of his vice-president as interim leader offers little comfort. "We are happy because Maduro is not in power... but the person that is in charge right now... is one of the architects of the repression,” Sosa notes. The reality on the ground remains perilous, with journalists still being prosecuted and working in fear.
◼ While some imprisoned journalists have been released in recent weeks, repression still seems to be very much present in the country, as arrests have been reported in recent days. Twenty-three journalists were still incarcerated as of 2026, while forty more were being prosecuted.
❓ How can the global journalism community better support reporters forced to work in exile?
📍 Read the full, in-depth story on our website.
The Fix
Venezuelan journalists exiled in Spain are torn between hope and fear for the future
Venezuelan journalists exiled in Spain hope that the American operation in Venezuela will restore freedom of the press.
📰 Last week, we learned how a French satirical outlet is expanding beyond digital and how Ukrainian news channel grew engagement with short videos directly on their website.
📍 Check out ways you can support our work with membership options.
📍 Sign up to get the latest media-related news in your mailbox every Monday!
📍 Check out ways you can support our work with membership options.
📍 Sign up to get the latest media-related news in your mailbox every Monday!
thefix.media
The Fix
Thoughts, stories and ideas.
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A local publisher has just launched its third free ultra-local newspaper in the Jura Arc, demonstrating that local press has a bright future and thrives on proximity. The Fix's Romain Chauvet spoke with Clément Charles, the editor of three Swiss local newspapers.
The Fix
Ultra-local free newspapers are flourishing in the Jura region of Switzerland despite the media crisis
A local publisher has just launched its third free ultra-local newspaper, a sign that the local press has a real future and that it lies in proximity.
Over a year after the USAID shutdown, independent Russian media outlets keep operating, but there is less room for new initiatives and experimentation, Veronica Snoj writes in her latest article for The Fix.
The Fix
How is Russian independent media doing a year after the USAID shutdown
One year after the USAID shutdown, independent Russian media outlets keep operating, but there is less room for new initiatives and experimentation.
How does a print-first magazine not only survive for 15 years but also thrive by expanding into digital, podcasts, and now video?
New Eastern Europe has built a dedicated global audience by being the go-to English-language source on Central and Eastern Europe. In our latest FixEd episode—now in video for the first time!—we sit down with Editor-in-Chief Adam Reichardt to dissect their multi-product strategy.
We discuss how their flagship print magazine anchors their brand, how they monetise a niche audience, and the key lessons learned from 15 years in publishing.
Watch the full interview on YouTube, or listen wherever you get your podcasts:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
Note: this conversation is part of a series produced under the MOST project. Media Organisations for Stronger Transnational Journalism (MOST) is a European Commission initiative that connects six non-profit digital media outlets across Europe. The Fix works as a mentor and consultant on product, audience, and business development for partner newsrooms.
New Eastern Europe has built a dedicated global audience by being the go-to English-language source on Central and Eastern Europe. In our latest FixEd episode—now in video for the first time!—we sit down with Editor-in-Chief Adam Reichardt to dissect their multi-product strategy.
We discuss how their flagship print magazine anchors their brand, how they monetise a niche audience, and the key lessons learned from 15 years in publishing.
Watch the full interview on YouTube, or listen wherever you get your podcasts:
▶️ Youtube
🎵 Spotify
🍏 Apple
OR other platforms
Note: this conversation is part of a series produced under the MOST project. Media Organisations for Stronger Transnational Journalism (MOST) is a European Commission initiative that connects six non-profit digital media outlets across Europe. The Fix works as a mentor and consultant on product, audience, and business development for partner newsrooms.
YouTube
Building a Multi-Product Media Brand, with New Eastern Europe’s Adam Reichardt
New Eastern Europe is one of the very few English-language outlets dedicated to politics and society in Central and Eastern Europe.
The Fix’s Anton Protsiuk spoke with editor-in-chief Adam Reichardt about how New Eastern Europe built a sustainable niche…
The Fix’s Anton Protsiuk spoke with editor-in-chief Adam Reichardt about how New Eastern Europe built a sustainable niche…
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For journalism students in Russia, the 2022 invasion of Ukraine didn't just change the world—it fundamentally altered their education and the very definition of their chosen profession. We spoke with several students (using pseudonyms for their safety) to understand what it's like to learn journalism in a country where free speech is severely suppressed.
◼ The classroom has become a space of fear and avoidance. "It was downright scary to even mention THAT topic in front of teachers," one student named Nastya recalls. Another, Vladimir, saw his curriculum change as liberal professors were replaced by instructors with military backgrounds. One assignment required a video about the "new regions"—the official term for occupied Ukrainian territories.
◼ For some, like a student named Kira, the war was the very reason she enrolled. "My understanding of the profession, of what I needed to remain human, all of this suddenly became clear and crystallised in journalism,” she says. Yet, she finds her program stuck in the past, with professors who "teach us to compromise."
◼ Another student, Katya, believes many of her professors are privately against the war but are afraid of being reported by their own students. "People who still want to produce and support honest journalism remain in universities," she says. "It’s just that the profession is in hiding."
◼ She offers a stark choice facing her generation: "If you enter journalism in Russia today, sooner or later, you have to choose between vanity and safety."
◼ Their futures hang in the balance. Some have already left the field. Others are considering emigration or carving out careers in "less risky" beats like culture or business, where the war can be more easily avoided. To gain the skills their universities can no longer offer, they seek out alternative training from NGOs and independent media schools.
◼ These testimonies reveal a generation of aspiring journalists grappling with impossible choices, trying to uphold journalistic integrity in a system designed to crush it.
❓ What is the long-term impact on a country's media landscape when its next generation of journalists is trained in an environment of censorship and fear?
📍 Read the full, in-depth report on our website.
◼ The classroom has become a space of fear and avoidance. "It was downright scary to even mention THAT topic in front of teachers," one student named Nastya recalls. Another, Vladimir, saw his curriculum change as liberal professors were replaced by instructors with military backgrounds. One assignment required a video about the "new regions"—the official term for occupied Ukrainian territories.
◼ For some, like a student named Kira, the war was the very reason she enrolled. "My understanding of the profession, of what I needed to remain human, all of this suddenly became clear and crystallised in journalism,” she says. Yet, she finds her program stuck in the past, with professors who "teach us to compromise."
◼ Another student, Katya, believes many of her professors are privately against the war but are afraid of being reported by their own students. "People who still want to produce and support honest journalism remain in universities," she says. "It’s just that the profession is in hiding."
◼ She offers a stark choice facing her generation: "If you enter journalism in Russia today, sooner or later, you have to choose between vanity and safety."
◼ Their futures hang in the balance. Some have already left the field. Others are considering emigration or carving out careers in "less risky" beats like culture or business, where the war can be more easily avoided. To gain the skills their universities can no longer offer, they seek out alternative training from NGOs and independent media schools.
◼ These testimonies reveal a generation of aspiring journalists grappling with impossible choices, trying to uphold journalistic integrity in a system designed to crush it.
❓ What is the long-term impact on a country's media landscape when its next generation of journalists is trained in an environment of censorship and fear?
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The Fix
What's it like to study journalism in Russia during wartime censorship?
Russia’s 2022 invasion of Ukraine led to severe suppression of free speech, forcing many journalists to leave the country.
📰 Last week, we learned how ultra-local free newspapers are flourishing in Switzerland despite the media crisis and how Russian independent media are doing a year after the USAID shutdown.
📍 Check out ways you can support our work with membership options.
📍 Sign up to get the latest media-related news in your mailbox every Monday!
📍 Check out ways you can support our work with membership options.
📍 Sign up to get the latest media-related news in your mailbox every Monday!
thefix.media
The Fix
Thoughts, stories and ideas.
As crises dominate the headlines, many readers are tuning out. Romain Chauvet spoke with Libération and The Objective, two European media outlets, about their moves to embrace more positive news.
The Fix
In a more anxious world, European media outlets turn to positive news
War and crises dominate the headlines, but many readers are tuning out. To fight news fatigue, some European publishers are turning to positive news.
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Ukraine’s public broadcaster transitioned from a state-owned company to a leading independent broadcaster within a decade. Hleb Liapeika spoke with a member of its managing board, Dmytro Kozlov, and profiled Suspilne Ukraine.
The Fix
How Suspilne Ukraine transitioned from a state-owned legacy to a trusted public broadcaster
The public broadcaster relies on a hyper-local network to keep Ukrainians informed and maintain 86% trust level among its news consumers amidst the war.
📢 We’ve launched the Crisis Leadership Simulation website!
For the past few years, we’ve been building and testing a hands-on leadership simulation for media teams and organisations.
Used across trainings, workshops, and international programmes, it helps teams move beyond theory – into real decision-making under pressure. Programme directors use it to digitalise their formats and recreate high-stakes environments, and participants practise leadership, navigate complex trade-offs, and work through real team dynamics.
We’ve already run it as part of the SSE Riga programme, used it at the IPI Media Blend Hackathon, and tested it with European media, Ukrainian NGOs, and students at Taras Shevchenko University – alongside partners like UN Women and FOJO.
Now, Crisis Leadership Simulation finally has a dedicated website – with a clear overview of how it works and what participants gain.
If you run a media programme, hackathon, or team training – this is built for you.
Check it out here.
For the past few years, we’ve been building and testing a hands-on leadership simulation for media teams and organisations.
Used across trainings, workshops, and international programmes, it helps teams move beyond theory – into real decision-making under pressure. Programme directors use it to digitalise their formats and recreate high-stakes environments, and participants practise leadership, navigate complex trade-offs, and work through real team dynamics.
We’ve already run it as part of the SSE Riga programme, used it at the IPI Media Blend Hackathon, and tested it with European media, Ukrainian NGOs, and students at Taras Shevchenko University – alongside partners like UN Women and FOJO.
Now, Crisis Leadership Simulation finally has a dedicated website – with a clear overview of how it works and what participants gain.
If you run a media programme, hackathon, or team training – this is built for you.
Check it out here.
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