#analytics@simoderna
(54)
China
(35)
USA
(31)
Japan
(20)
Spain
Germany
(19)
France
(12)
Netherlands
(11)
Singapore
(10)
South Korea
Italy
(9)
UAE
Russia
(8)
Brazil
Taiwan
(6)
Mexico
Norway
Canada
Denmark
India
(5)
Belgium
Saudi Arabia
Wealthy European nations like Spain, Germany, and France appear prominently due to both economic strength and deep architectural traditions, while smaller but affluent states such as Singapore, the UAE, and Denmark rank high relative to size by leveraging resources into design-driven urban identities.
Meanwhile, countries like Brazil, Mexico, and Russia illustrate how regional economies translate into recognizable architectural contributions.
Overall, the distribution underscores the strong correlation between national economic power and the production of globally visible contemporary architecture.
Only countries mentioned at least five times are included. The list is regularly updated.
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Architect #KillaDesign
City #Manama
Country #Bahrain #ME
The turbines will provide up to 15% of the total energy requirements for the project. #sustainability
The relatively standard design brief for the initial stages had metamorphosed into a groundbreaking development on the world stage.
Towers stand on a large podium that incorporates much of the original shopping mall, which has been extended and reworked into a high-end retail centre, offering the world’s foremost brands through compact, luxurious shops with the intimacy of a traditional Arabian souk.
Function #office
Feature #skyscraper
Address: Isa Al Kabeer Ave, Manama, Bahrain
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#analytics@simoderna
(17)
Zaha Hadid
(12)
MVRDV
(10)
Thomas Heatherwick
Santiago Calatrava
Norman Foster
MAD
(9)
Bjarke Ingels
Frank Gehry
Herzog de Meuron
Snohetta
(7)
Toyo Ito
Rem Koolhaas / OMA
(6)
Jean Nouvel
Oscar Niemeyer
Kengo Kuma
(4)
Coop Himmelblau
gmp
Renzo Piano
Richard Rogers
Selgas Cano
SANAA
(3)
ALA
Jun Aoki
Le Corbusier
Moshe Safdie
Ricardo Bofill
Tadao Ando
WOHA
Max Dudler
X+Living
VTN
Figures such as Gehry, Heatherwick, Calatrava, and Herzog & de Meuron reflect a mix of experimental forms and institutional commissions, while Foster, Nouvel, and Koolhaas represent established modern masters.
The presence of MAD, Snohetta, and Kengo Kuma signals the growing influence of Asian and Nordic practices, and the inclusion of historic names like Le Corbusier or Niemeyer underlines the occasional reference to foundational modernist legacies.
Overall, the distribution balances celebrated global icons with regional innovators and classics, mirroring the way contemporary discourse blends past and present architectural narratives.
Only architects mentioned at least three times are included. The list is regularly updated.
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#analytics@simoderna
(8,16) UAE
(6,68) Netherlands
(4,25) Belgium
(4,19) Spain
(3,02) Taiwan
(2,85) France
(2,50) Japan
(2,13) Germany
(1,94) South Korea
(1,52) Italy
(1,45) Canada
(1,43) Saudi Arabia
(1,01) USA
(0,62) Russia
(0,46) Mexico
(0,38) China
(0,38) Brazil
(0,04) India
Northern European countries such as Norway, Denmark, the Netherlands, and Belgium also perform well thanks to a tradition of public design investment, while larger states like Russia, China, Brazil, and India score lower because their vast populations dilute the visibility of individual projects.
Overall, the distribution underscores how density, scale, and cultural emphasis on architecture shape people’s day-to-day exposure to contemporary buildings.
Only countries mentioned at least five times are included. The list is regularly updated.
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Architect #Hadid #ZahaHadid #ZHA
City #Beijing
Country #China #AP
Natural light also enters the terminal via a network of linear skylights that provide an intuitive system of navigation throughout the building, guiding passengers to and from their departure gates.
Structural spans of up to 100m provide the terminal’s generous public spaces and allow the highest degree of flexibility for any future reconfiguration.
The compact radial configuration of the terminal allows a maximum number of aircraft to be parked directly at the terminal with minimum distances from the centre of the building. This configuration ensures the farthest boarding gate can be accessed in a walking time of less than 8 minutes.
Colour #white #monochrome
Material #aluminium
Function #transportation #airport
Feature #interior #adminvisited
Address: GC56+W6C, Daxing District, Beijing, China
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Architect #HdM #HerzogdeMeuron #Herzog #Meuron
City #Basel
Country #Switzerland #EU
To avoid the “big box” effect, the New Hall consists of three individual elements, one on top of the other, each projecting over the street in varying degrees, and allowing them to respond to different urban conditions.
From each point of view – whether from the Riehenring, Messeplatz or Riehenstrasse – the New Hall offers a different perception every time and thus avoids the monotony of uniform facade lines.
To provide indoor connection to all exhibition halls, the new building bridges over the Messeplatz and creates a covered public space, perhaps comparable to a railway station concourse or indoor market, realized in a modern design language.
This key architectural and urban planning element defines the south end of the Messeplatz and is illuminated from above by a generous circular opening.
Colour #metallic
Material #aluminium
Function #entertainment #venue
Address: Messepl. 10, 4005 Basel, Switzerland
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4.1 World architecture festival
#WAF@simoderna
4.2 Royal institute of British architecture
#RIBA@simoderna
4.3 Council on tall buildings and urban habitat – skyscraper of the year
#CTBUH@simoderna
4.4 Archdaily
#Archdaily@simoderna
4.5 Dezeen
#Dezeen@simoderna
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Architect #AL_A
City #Lisbon
Country #Portugal #EU
Blending structure into landscape, the kunsthalle is designed to allow visitors to walk over, under and through the building that sits beneath a gently expressed arch – one of the oldest forms in western architecture. #context
Building on Portugal’s rich tradition of craft and ceramics, three-dimensional crackle glazed tiles articulate the façade and produce a complex surface that gives mutable readings of water, light and shadow. The overhanging roof that creates welcome shade is used to bounce sunlight off the water and into the building.
Colour #white
Material #ceramic
Function #public #museum
Feature #adminvisited
Address: Av. Brasília, 1300-598 Lisboa, Portugal
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