*simoderna
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An archive of contemporary architecture. Only finished projects. About the channel (t.me/simoderna/2188).

Interactive channel map (t.me/simoderna/111). All content includes full credits.

Inquiries to nikitaie.work@gmail.com
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*️⃣The Museum Hotel Antakya

Architect #Arolat #EmreArolat #EAA
City #Antakya
Country #Turkey #ME

🔤Situated nearby the Saint Peter’s Church on Mount Starius in Antakya, which is claimed to have housed the first Christian congregation, the hotel is erected on a site of archaeological findings dating back to antiquity.

The Museum Hotel Antakya pays homage to the amazing mosaics, baths, piazzas discovered during the first drills of the site and draws on the tensioned relationship of Archaeology and Architecture by intertwining the ancient and the modern.

An understanding of the unique context was a vital part of this project; becoming familiar with archaeological preservation, re-interpreting the architectural program of the hotel typology made it possible to design a building that would fit within this place and to receive the approval of the Heritage Committee. #heritage

🔤
Colour #grey
Material #steel
Function #mixeduse #public #museum #hospitality #hotel
Feature #interior
Address: St. Pierre Mevkii, Haraparası, Hacılar Sk. No: 26/1, 31060 Antakya/Hatay, Türkiye
Google street
Outside google street

©️
pics by #ThomasMayer and #EmreDorter
text by Archdaily

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*️⃣UCCA Clay Museum

Architect #Kuma #KengoKuma #KKAA
City #Yixing close to #Huzhou
Country #China #AP

🔤"We designed an art museum to showcase the ceramic culture in Yixing, known as the "ceramic capital" and renowned for its production of pottery using purple clay. The site was once the center of Yixing's ceramic culture, with its numerous pottery factories and ateliers. This project aligns with the master plan to redevelop the area and envisions a cultural center for ceramics, incorporating ateliers and workshops while preserving the remnants of decommissioned factories."

The volume resembling a mountain of pottery is inspired by Shushan Mountain, located near the project site and cherished by the Northern Song dynasty writer Su Dongpo, as well as by the dragon kiln, a climbing kiln that has been in continuous use for 600 years. #context

The facade, which evokes the "temperature" of pottery in the manufactory, was developed in collaboration with local artisans. Warm and slightly coarse to the touch like Chinese tea ware, these ceramic panels embody the history and culture of the ceramic city, which has been passed down through the generations for more than 1,000 years.

🔤
Colour #coral
Material #ceramic
Function #public #museum
Address: 31.2651001, 119.8572574

©️
pics by #FangfangTian and #EiichiKano
text by Archdaily
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📊Countries ranked by amount of mentions in *simoderna archive.
#analytics@simoderna

(54) 🥇
China

(35)🥈
USA

(31)🥉
Japan

(20)
Spain
Germany

(19)
France

(12)
Netherlands

(11)
Singapore

(10)
South Korea
Italy

(9)
UAE
Russia

(8)
Brazil
Taiwan

(6)
Mexico
Norway
Canada
Denmark
India

(5)
Belgium
Saudi Arabia

🔤The ranking reflects how countries with the largest GDPs dominate architectural visibility, with China, the US, and Japan leading thanks to massive construction output and global cultural influence.

Wealthy European nations like Spain, Germany, and France appear prominently due to both economic strength and deep architectural traditions, while smaller but affluent states such as Singapore, the UAE, and Denmark rank high relative to size by leveraging resources into design-driven urban identities.

Meanwhile, countries like Brazil, Mexico, and Russia illustrate how regional economies translate into recognizable architectural contributions.

Overall, the distribution underscores the strong correlation between national economic power and the production of globally visible contemporary architecture.


🔤
Only countries mentioned at least five times are included. The list is regularly updated.
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*️⃣Bahrain World Trade Center

Architect #KillaDesign
City #Manama
Country #Bahrain #ME

🔤During the site analysis a constant northwesterly onshore breeze was noted, and further investigation revealed this to be consistent and surprisingly strong. To harness it, three aerodynamic bridges were introduced, spanning the space between the towers and each bearing a 29m diameter wind turbine – the first such installation in the world. #kinetic

The turbines will provide up to 15% of the total energy requirements for the project. #sustainability

The relatively standard design brief for the initial stages had metamorphosed into a groundbreaking development on the world stage.

Towers stand on a large podium that incorporates much of the original shopping mall, which has been extended and reworked into a high-end retail centre, offering the world’s foremost brands through compact, luxurious shops with the intimacy of a traditional Arabian souk.

🔤
Function #office
Feature #skyscraper
Address: Isa Al Kabeer Ave, Manama, Bahrain
Google street
Entrance google street

©️
pics by architects, wikipedia and Al Abbar Group
text by architects

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📊Architects by amount of mentions in *simoderna archive.
#analytics@simoderna

(17)🥇
Zaha Hadid

(12)🥈
MVRDV

(10)🥉
Thomas Heatherwick
Santiago Calatrava
Norman Foster
MAD

(9)
Bjarke Ingels
Frank Gehry
Herzog de Meuron
Snohetta

(7)
Toyo Ito
Rem Koolhaas / OMA

(6)
Jean Nouvel
Oscar Niemeyer
Kengo Kuma

(4)
Coop Himmelblau
gmp
Renzo Piano
Richard Rogers
Selgas Cano
SANAA

(3)
ALA
Jun Aoki
Le Corbusier
Moshe Safdie
Ricardo Bofill
Tadao Ando
WOHA
Max Dudler
X+Living
VTN

🔤The ranking shows a clear dominance of global “starchitects” like Zaha Hadid, MVRDV, and Bjarke Ingels, whose iconic and media-friendly projects appear frequently in international coverage.

Figures such as Gehry, Heatherwick, Calatrava, and Herzog & de Meuron reflect a mix of experimental forms and institutional commissions, while Foster, Nouvel, and Koolhaas represent established modern masters.

The presence of MAD, Snohetta, and Kengo Kuma signals the growing influence of Asian and Nordic practices, and the inclusion of historic names like Le Corbusier or Niemeyer underlines the occasional reference to foundational modernist legacies.

Overall, the distribution balances celebrated global icons with regional innovators and classics, mirroring the way contemporary discourse blends past and present architectural narratives.


🔤
Only architects mentioned at least three times are included. The list is regularly updated.
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📊GDPA per capita - Gross Domestic Product of contemporary Architecture.
#analytics@simoderna

🔤This measure captures how likely people in a country are to experience contemporary architecture where they live or work, scaled by amount of projects per 10 million residents.

🥇(18,87) Singapore

🥈(11,71) Denmark

🥉(10,77) Norway

(8,16) UAE

(6,68) Netherlands

(4,25) Belgium

(4,19) Spain

(3,02) Taiwan

(2,85) France

(2,50) Japan

(2,13) Germany

(1,94) South Korea

(1,52) Italy

(1,45) Canada

(1,43) Saudi Arabia

(1,01) USA

(0,62) Russia

(0,46) Mexico

(0,38) China

(0,38) Brazil

(0,04) India

🔤This ranking highlights how smaller but design-driven nations like Singapore and the UAE lead by population ratio, as their limited size and strong architectural agendas make contemporary projects more accessible to everyday residents.

Northern European countries such as Norway, Denmark, the Netherlands, and Belgium also perform well thanks to a tradition of public design investment, while larger states like Russia, China, Brazil, and India score lower because their vast populations dilute the visibility of individual projects.

Overall, the distribution underscores how density, scale, and cultural emphasis on architecture shape people’s day-to-day exposure to contemporary buildings.


🔤
Only countries mentioned at least five times are included. The list is regularly updated.
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*️⃣Beijing Daxing International Airport

Architect #Hadid #ZahaHadid #ZHA
City #Beijing
Country #China #AP

🔤Echoing principles within traditional Chinese architecture that organise interconnected spaces around a central courtyard, the terminal’s design guides all passengers seamlessly towards the grand courtyard at its centre – a multi-layered meeting space at the heart of the terminal.

Natural light also enters the terminal via a network of linear skylights that provide an intuitive system of navigation throughout the building, guiding passengers to and from their departure gates.

Structural spans of up to 100m provide the terminal’s generous public spaces and allow the highest degree of flexibility for any future reconfiguration.

The compact radial configuration of the terminal allows a maximum number of aircraft to be parked directly at the terminal with minimum distances from the centre of the building. This configuration ensures the farthest boarding gate can be accessed in a walking time of less than 8 minutes.

🔤
Colour #white #monochrome
Material #aluminium
Function #transportation #airport
Feature #interior #adminvisited
Address: GC56+W6C, Daxing District, Beijing, China
Courtyard google street
Google street

©️
pics by #HuftonCrow
text by architects
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