Architect #archium
City #Seoul
Country #SouthKorea #AP
"Urban Hive is an example of the skin and structure unification in a building and has been designed to maximise the flexibility of the space by excluding structural elements, other than the core, in the users' space," said the architect.
As for the energy saving purposes, it blocks hot direct sunlight and cold wind, and forms convection current to lower the temperature of the heated glass. #sustainability
Material #rawconcrete
Function #office
Feature #nightlight #adminvisited #skyscraper
Address: 476 Gangnam-daero, Gangnam District, Seoul, South Korea
Google street
pics by #ParkYoungchae
text by Dezeen and Archdaily
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Architect #Piano #RenzoPiano #RPBW
City #Moscow
Country #Russia #EU
For the last decades of its life, GES-2, although it generated electricity, was itself growing darker and darker. Renzo Piano suggested dismantling the rubble, freeing the blocked window openings and making the roof transparent. At the same time, the architect tried to preserve and even restore historical elements as much as possible. #refurbishment
Renzo Piano immediately said that he was going to change the entire landscape around the building, because architecture needs air. So on the slope behind the House of Culture there appeared its own Grove with 620 birch trees. Although it solves quite practical problems (it blocks the neighboring industrial buildings and serves as a cover for parking).
Thanks to the reconstruction, GES-2 has become a space open for experiments and impressions, where the energy of creation is generated instead of electrical energy. That is why the interiors of the House of Culture are dominated by a neutral background of different shades of light grey, ready to accept any form of art.
Colour #white #blue
Material #steel
Function #public #museum
Feature #interior #adminvisited
Address: Bolotnaya Naberezhnaya, 15 Moscow, Russia, 119072
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Interior google street
Night interior google street
Overhead crane google street
pics by #Denance, Gleb Leonov, Anya Marchenkova and #DanielAnnenkov
text by Archdaily and ges-2.org
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Architect #Arolat #EmreArolat #EAA
City #Antakya
Country #Turkey #ME
The Museum Hotel Antakya pays homage to the amazing mosaics, baths, piazzas discovered during the first drills of the site and draws on the tensioned relationship of Archaeology and Architecture by intertwining the ancient and the modern.
An understanding of the unique context was a vital part of this project; becoming familiar with archaeological preservation, re-interpreting the architectural program of the hotel typology made it possible to design a building that would fit within this place and to receive the approval of the Heritage Committee. #heritage
Colour #grey
Material #steel
Function #mixeduse #public #museum #hospitality #hotel
Feature #interior
Address: St. Pierre Mevkii, Haraparası, Hacılar Sk. No: 26/1, 31060 Antakya/Hatay, Türkiye
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Outside google street
pics by #ThomasMayer and #EmreDorter
text by Archdaily
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Architect #Kuma #KengoKuma #KKAA
City #Yixing close to #Huzhou
Country #China #AP
The volume resembling a mountain of pottery is inspired by Shushan Mountain, located near the project site and cherished by the Northern Song dynasty writer Su Dongpo, as well as by the dragon kiln, a climbing kiln that has been in continuous use for 600 years. #context
The facade, which evokes the "temperature" of pottery in the manufactory, was developed in collaboration with local artisans. Warm and slightly coarse to the touch like Chinese tea ware, these ceramic panels embody the history and culture of the ceramic city, which has been passed down through the generations for more than 1,000 years.
Colour #coral
Material #ceramic
Function #public #museum
Address: 31.2651001, 119.8572574
pics by #FangfangTian and #EiichiKano
text by Archdaily
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#analytics@simoderna
(54)
China
(35)
USA
(31)
Japan
(20)
Spain
Germany
(19)
France
(12)
Netherlands
(11)
Singapore
(10)
South Korea
Italy
(9)
UAE
Russia
(8)
Brazil
Taiwan
(6)
Mexico
Norway
Canada
Denmark
India
(5)
Belgium
Saudi Arabia
Wealthy European nations like Spain, Germany, and France appear prominently due to both economic strength and deep architectural traditions, while smaller but affluent states such as Singapore, the UAE, and Denmark rank high relative to size by leveraging resources into design-driven urban identities.
Meanwhile, countries like Brazil, Mexico, and Russia illustrate how regional economies translate into recognizable architectural contributions.
Overall, the distribution underscores the strong correlation between national economic power and the production of globally visible contemporary architecture.
Only countries mentioned at least five times are included. The list is regularly updated.
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