Offshore
Video
Julian Goldie SEO
Den: New FREE AI Super Agent DESTROYS Manus & Genspark? 🤯
Want the full guide? DM me. https://t.co/oO6QBU3G7f
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Den: New FREE AI Super Agent DESTROYS Manus & Genspark? 🤯
Want the full guide? DM me. https://t.co/oO6QBU3G7f
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Offshore
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Aadit Sheth
This guy literally dropped the best life advice you'll ever hear https://t.co/UNyB4wz28x
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This guy literally dropped the best life advice you'll ever hear https://t.co/UNyB4wz28x
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Offshore
Video
Umesh
Video creation has never been this fast.
or this smart.
@Video_Ocean_AI GPT-5 video agent turns your prompt into a finished film
It generates the script, visuals, audio, and animations automatically.
You stay in control: approve, tweak, or modify at any stage.
⬇️ I tested it out and here is the result.
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Video creation has never been this fast.
or this smart.
@Video_Ocean_AI GPT-5 video agent turns your prompt into a finished film
It generates the script, visuals, audio, and animations automatically.
You stay in control: approve, tweak, or modify at any stage.
⬇️ I tested it out and here is the result.
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Offshore
Video
Joss López
Presets are the new prompts. Higgsfield x Kling 2.1 = instant chaos, instant content.
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Presets are the new prompts. Higgsfield x Kling 2.1 = instant chaos, instant content.
We dare you to find a better offer.
For the first time in forever. Unlimited Free Kling 2.1 Master in 1080p with 25 brand new presets. 7 days to make the most out of this unprecedented offer.
A major reason to go Ultimate+.
Retweet = full Kling Preset guide in your DMs. https://t.co/sFqOH3ZpXz tweet
Dalius - Special Sits
$QIPT has intrigued me for a while now. The activist/takeover sage has resumed yet again.
Forager (10% holder) has returned with yet another offer. It’s essentially the same as their May proposal but without the one-week “take it or leave it” condition. The bid is non-binding at $3.10/share, implying a 17% spread from current levels.
Management quickly rejected it, saying the offer materially undervalues the company and pointing out that operations have improved since May. Interestingly, it also surfaced that Forager had made a $3.90/share bid back in January, which had not been previously disclosed.
The key question is: what’s the game here? Forager doesn’t seem large enough to take the company private on its own. With ~$355m AUM, this would be an unusually concentrated bet. Their privatization track record is limited as well—the only other case I’m aware of is an unsuccessful attempt to acquire the Salt Life brand from Delta Apparel during its Chapter 11.
Given that, it’s hard to view Forager as a credible buyer without a partner. The bid is non-binding, so they can make broad claims about financing and due diligence, but that doesn’t necessarily mean much. More likely, they’re trying to put their struggling investment in play after failing to see a public market re-rating.
From a valuation perspective, I don’t see much upside in QIPT. The stock trades broadly in line with larger peer $AHCO on an EBITDA basis, yet on a free cash flow basis (adjusting for equipment loan repayments) the business is effectively burning cash.
This name was fairly popular on fintwit a few months back, so I’d be interested in hearing what others see that I might be missing, particularly regarding business quality and valuation.
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$QIPT has intrigued me for a while now. The activist/takeover sage has resumed yet again.
Forager (10% holder) has returned with yet another offer. It’s essentially the same as their May proposal but without the one-week “take it or leave it” condition. The bid is non-binding at $3.10/share, implying a 17% spread from current levels.
Management quickly rejected it, saying the offer materially undervalues the company and pointing out that operations have improved since May. Interestingly, it also surfaced that Forager had made a $3.90/share bid back in January, which had not been previously disclosed.
The key question is: what’s the game here? Forager doesn’t seem large enough to take the company private on its own. With ~$355m AUM, this would be an unusually concentrated bet. Their privatization track record is limited as well—the only other case I’m aware of is an unsuccessful attempt to acquire the Salt Life brand from Delta Apparel during its Chapter 11.
Given that, it’s hard to view Forager as a credible buyer without a partner. The bid is non-binding, so they can make broad claims about financing and due diligence, but that doesn’t necessarily mean much. More likely, they’re trying to put their struggling investment in play after failing to see a public market re-rating.
From a valuation perspective, I don’t see much upside in QIPT. The stock trades broadly in line with larger peer $AHCO on an EBITDA basis, yet on a free cash flow basis (adjusting for equipment loan repayments) the business is effectively burning cash.
This name was fairly popular on fintwit a few months back, so I’d be interested in hearing what others see that I might be missing, particularly regarding business quality and valuation.
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Offshore
Video
Julian Goldie SEO
I just scraped 50 local dentists in 60 seconds.
No coding, no expensive tools—completely FREE 🎯
THE EXACT PROCESS:
Want the template? DM me.
https://t.co/BF9Jjb9fu1
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I just scraped 50 local dentists in 60 seconds.
No coding, no expensive tools—completely FREE 🎯
THE EXACT PROCESS:
Want the template? DM me.
https://t.co/BF9Jjb9fu1
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Offshore
Photo
Simplifying Stocks, CPA
RT @FinFluentialx: $NVDA just reported earnings
- Revenue of $46.7B which grew 56%
- EPS of $1.08 which grew 61%
☑️ Both beating analyst estimates
Q3 Revenue is expected to be $54.0B vs the estimates of $46.7B 🤯
Nvidia also approved an additional $60B in share buybacks
$NVDA -2.4% https://t.co/L4QRFEY5rr
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RT @FinFluentialx: $NVDA just reported earnings
- Revenue of $46.7B which grew 56%
- EPS of $1.08 which grew 61%
☑️ Both beating analyst estimates
Q3 Revenue is expected to be $54.0B vs the estimates of $46.7B 🤯
Nvidia also approved an additional $60B in share buybacks
$NVDA -2.4% https://t.co/L4QRFEY5rr
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Offshore
Photo
Investing visuals
$NVDA made it clear: we're still in the early days of AI. Best positioned business:
• Phase 1: $NVDA, $ASML, $AMD, $TSMC, $NBIS
• Phase 2: $MSFT, $META, $GOOGL, $AMZN
• Phase 3: $PLTR, $NOW, $TEM, $CRWD, $NET
• Phase 4: $SPOT, $SHOP, $NFLX, $TSLA, $DUOL https://t.co/NUYwA6ge2b
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$NVDA made it clear: we're still in the early days of AI. Best positioned business:
• Phase 1: $NVDA, $ASML, $AMD, $TSMC, $NBIS
• Phase 2: $MSFT, $META, $GOOGL, $AMZN
• Phase 3: $PLTR, $NOW, $TEM, $CRWD, $NET
• Phase 4: $SPOT, $SHOP, $NFLX, $TSLA, $DUOL https://t.co/NUYwA6ge2b
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Aadit Sheth
RT @aaditsh: This guy literally dropped a 3-hour masterclass on building an AI business from scratch
https://t.co/rhO9K58zOV
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RT @aaditsh: This guy literally dropped a 3-hour masterclass on building an AI business from scratch
https://t.co/rhO9K58zOV
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X (formerly Twitter)
Marc Lou (@marc_louvion) on X
This guy dropped a free course to build a SaaS from 0 using AI.
Offshore
Video
Iqra Saifi
Veo-3 fast on Gemini 🖼️
{
"prompt": "A hyper-realistic, cinematic scene capturing the moment a classical oil painting of a naval battle comes to life, with the ocean and a tall ship bursting through the frame into a quiet art gallery. The scene focuses on the impossible physics of the event and the textural contrast between the painted world and reality.",
"cinematography": "Shot with a virtual Arri Alexa Mini LF and a 50mm prime lens for a natural, observational feel. The camera is on a slow, suspenseful dolly track.",
"color_grade": "Starts with clean, sterile, diffused lighting of a modern art gallery. Transitions to a more dramatic, high-contrast look as the dynamic water and painted storm clouds become the primary light sources.",
"rendering": "Path-traced global illumination. Advanced fluid dynamics for the breaching water. PBR materials for the ornate gold frame, gallery wall, polished floor, and the cracked oil paint of the canvas.",
"frame_rate": "60fps (conformed to 24fps for cinematic slow-motion during the breach)",
"resolution": "8K"
},
"timeline": [
{
"time_start": 0.0,
"time_end": 4.0,
"camera": {
"type": "Slow, steady push-in towards the painting.",
"focal_length": "50mm",
"aperture": "f/4.0",
"focus": "Starts as a wide shot of the painting on the wall, then racks focus to the texture of the oil paint on the lead ship's sails."
},
"visuals": {
"description": "A beautiful, classical oil painting of a fleet of tall ships on a stormy sea hangs on a plain white gallery wall. The frame is ornate and golden. The camera pushes in, revealing the intricate detail of the painting: the cracked texture of the aged paint, the artist's brushstrokes. Inside the painting, the waves begin to swell with subtle, realistic motion, and the ship's sails start to flutter gently.",
"details": [
"The gallery's track lighting creates a soft, specular highlight on the varnish of the painting.",
"The movement within the painting is subtle at first, almost unnoticeable.",
"Dust motes are visible, floating in the still air of the gallery."
]
},
"lighting": {
"source": "Clean, diffused, top-down gallery lighting.",
"mood": "Calm, quiet, observational, building suspense."
},
"audio": {
"description": "The quiet, ambient hum of a gallery's HVAC system. The faint, distant echo of a footstep. A very faint, out-of-place sound of a creaking ship's mast and a distant sea breeze begins to fade in."
}
},
{
"time_start": 4.0,
"time_end": 8.0,
"camera": {
"type": "The push-in stops. The camera holds steady as the breach occurs.",
"focus": "The focus shifts dramatically to the bottom of the frame as the water begins to spill out."
},
"visuals": {
"description": "The water at the bottom edge of the painting begins to bulge, stretching the canvas itself. With a violent splash, the painted water becomes real, three-dimensional liquid, pouring out of the frame and crashing onto the polished gallery floor. The lead ship lurches forward, its bowsprit splintering the golden frame as it emerges into the room, its sails now fully billowing with a real wind. The water spreads rapidly across the floor.",
"details": [
"The transition from 2D painted water to 3D simulated fluid is seamless.",
"The water is realistically rendered, with foam, spray, and translucency.",
"The gallery floor becomes a perfect, reflective surface for the new, chaotic light."
tweet
Veo-3 fast on Gemini 🖼️
{
"prompt": "A hyper-realistic, cinematic scene capturing the moment a classical oil painting of a naval battle comes to life, with the ocean and a tall ship bursting through the frame into a quiet art gallery. The scene focuses on the impossible physics of the event and the textural contrast between the painted world and reality.",
"cinematography": "Shot with a virtual Arri Alexa Mini LF and a 50mm prime lens for a natural, observational feel. The camera is on a slow, suspenseful dolly track.",
"color_grade": "Starts with clean, sterile, diffused lighting of a modern art gallery. Transitions to a more dramatic, high-contrast look as the dynamic water and painted storm clouds become the primary light sources.",
"rendering": "Path-traced global illumination. Advanced fluid dynamics for the breaching water. PBR materials for the ornate gold frame, gallery wall, polished floor, and the cracked oil paint of the canvas.",
"frame_rate": "60fps (conformed to 24fps for cinematic slow-motion during the breach)",
"resolution": "8K"
},
"timeline": [
{
"time_start": 0.0,
"time_end": 4.0,
"camera": {
"type": "Slow, steady push-in towards the painting.",
"focal_length": "50mm",
"aperture": "f/4.0",
"focus": "Starts as a wide shot of the painting on the wall, then racks focus to the texture of the oil paint on the lead ship's sails."
},
"visuals": {
"description": "A beautiful, classical oil painting of a fleet of tall ships on a stormy sea hangs on a plain white gallery wall. The frame is ornate and golden. The camera pushes in, revealing the intricate detail of the painting: the cracked texture of the aged paint, the artist's brushstrokes. Inside the painting, the waves begin to swell with subtle, realistic motion, and the ship's sails start to flutter gently.",
"details": [
"The gallery's track lighting creates a soft, specular highlight on the varnish of the painting.",
"The movement within the painting is subtle at first, almost unnoticeable.",
"Dust motes are visible, floating in the still air of the gallery."
]
},
"lighting": {
"source": "Clean, diffused, top-down gallery lighting.",
"mood": "Calm, quiet, observational, building suspense."
},
"audio": {
"description": "The quiet, ambient hum of a gallery's HVAC system. The faint, distant echo of a footstep. A very faint, out-of-place sound of a creaking ship's mast and a distant sea breeze begins to fade in."
}
},
{
"time_start": 4.0,
"time_end": 8.0,
"camera": {
"type": "The push-in stops. The camera holds steady as the breach occurs.",
"focus": "The focus shifts dramatically to the bottom of the frame as the water begins to spill out."
},
"visuals": {
"description": "The water at the bottom edge of the painting begins to bulge, stretching the canvas itself. With a violent splash, the painted water becomes real, three-dimensional liquid, pouring out of the frame and crashing onto the polished gallery floor. The lead ship lurches forward, its bowsprit splintering the golden frame as it emerges into the room, its sails now fully billowing with a real wind. The water spreads rapidly across the floor.",
"details": [
"The transition from 2D painted water to 3D simulated fluid is seamless.",
"The water is realistically rendered, with foam, spray, and translucency.",
"The gallery floor becomes a perfect, reflective surface for the new, chaotic light."
tweet