Julian Goldie SEO
I just scraped 50 local dentists in 60 seconds.

No coding, no expensive tools—completely FREE 🎯

THE EXACT PROCESS:

Want the template? DM me.

https://t.co/BF9Jjb9fu1
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Simplifying Stocks, CPA
RT @FinFluentialx: $NVDA just reported earnings

- Revenue of $46.7B which grew 56%
- EPS of $1.08 which grew 61%

☑️ Both beating analyst estimates

Q3 Revenue is expected to be $54.0B vs the estimates of $46.7B 🤯

Nvidia also approved an additional $60B in share buybacks

$NVDA -2.4% https://t.co/L4QRFEY5rr
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Julian Goldie SEO
Manus AI FULL 4.5 Hour Course https://t.co/p63T0BBW0m
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Investing visuals
$NVDA made it clear: we're still in the early days of AI. Best positioned business:

• Phase 1: $NVDA, $ASML, $AMD, $TSMC, $NBIS

• Phase 2: $MSFT, $META, $GOOGL, $AMZN

• Phase 3: $PLTR, $NOW, $TEM, $CRWD, $NET

• Phase 4: $SPOT, $SHOP, $NFLX, $TSLA, $DUOL https://t.co/NUYwA6ge2b
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Aadit Sheth
RT @aaditsh: This guy literally dropped a 3-hour masterclass on building an AI business from scratch
https://t.co/rhO9K58zOV
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Iqra Saifi
Veo-3 fast on Gemini 🖼️

{
"prompt": "A hyper-realistic, cinematic scene capturing the moment a classical oil painting of a naval battle comes to life, with the ocean and a tall ship bursting through the frame into a quiet art gallery. The scene focuses on the impossible physics of the event and the textural contrast between the painted world and reality.",
"cinematography": "Shot with a virtual Arri Alexa Mini LF and a 50mm prime lens for a natural, observational feel. The camera is on a slow, suspenseful dolly track.",
"color_grade": "Starts with clean, sterile, diffused lighting of a modern art gallery. Transitions to a more dramatic, high-contrast look as the dynamic water and painted storm clouds become the primary light sources.",
"rendering": "Path-traced global illumination. Advanced fluid dynamics for the breaching water. PBR materials for the ornate gold frame, gallery wall, polished floor, and the cracked oil paint of the canvas.",
"frame_rate": "60fps (conformed to 24fps for cinematic slow-motion during the breach)",
"resolution": "8K"
},
"timeline": [
{
"time_start": 0.0,
"time_end": 4.0,
"camera": {
"type": "Slow, steady push-in towards the painting.",
"focal_length": "50mm",
"aperture": "f/4.0",
"focus": "Starts as a wide shot of the painting on the wall, then racks focus to the texture of the oil paint on the lead ship's sails."
},
"visuals": {
"description": "A beautiful, classical oil painting of a fleet of tall ships on a stormy sea hangs on a plain white gallery wall. The frame is ornate and golden. The camera pushes in, revealing the intricate detail of the painting: the cracked texture of the aged paint, the artist's brushstrokes. Inside the painting, the waves begin to swell with subtle, realistic motion, and the ship's sails start to flutter gently.",
"details": [
"The gallery's track lighting creates a soft, specular highlight on the varnish of the painting.",
"The movement within the painting is subtle at first, almost unnoticeable.",
"Dust motes are visible, floating in the still air of the gallery."
]

},
"lighting": {
"source": "Clean, diffused, top-down gallery lighting.",
"mood": "Calm, quiet, observational, building suspense."
},
"audio": {
"description": "The quiet, ambient hum of a gallery's HVAC system. The faint, distant echo of a footstep. A very faint, out-of-place sound of a creaking ship's mast and a distant sea breeze begins to fade in."
}
},
{
"time_start": 4.0,
"time_end": 8.0,
"camera": {
"type": "The push-in stops. The camera holds steady as the breach occurs.",
"focus": "The focus shifts dramatically to the bottom of the frame as the water begins to spill out."
},
"visuals": {
"description": "The water at the bottom edge of the painting begins to bulge, stretching the canvas itself. With a violent splash, the painted water becomes real, three-dimensional liquid, pouring out of the frame and crashing onto the polished gallery floor. The lead ship lurches forward, its bowsprit splintering the golden frame as it emerges into the room, its sails now fully billowing with a real wind. The water spreads rapidly across the floor.",
"details": [
"The transition from 2D painted water to 3D simulated fluid is seamless.",
"The water is realistically rendered, with foam, spray, and translucency.",
"The gallery floor becomes a perfect, reflective surface for the new, chaotic light."
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Joss López
These Kling presets are blowing my mind.
Who even needs prompts anymore when this kind of chaos just drops?

Higgsfield + Kling AI = pure madness.
Fire, rain, morphs… everything in seconds.

Hollywood can take a seat. https://t.co/jVezFDHFEa
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Joss López
RT @higgsfield_ai: 365 days of UNLIMITED FREE Nano Banana.
Only for Higgsfield Pro, Ultimate & Creator users.
Limited-time offer until the end of this week.

You read that right. Unlimited & Free for one WHOLE year.
You've got 4 days to secure the offer.

A HUGE Banana, indeed. Go wild.
Retweet to get the offer link in DMs 📨
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Joss López
One whole year of unlimited Nano Banana?
I guess potassium is the new superpower.

365 days of UNLIMITED FREE Nano Banana.
Only for Higgsfield Pro, Ultimate & Creator users.
Limited-time offer until the end of this week.

You read that right. Unlimited & Free for one WHOLE year.
You've got 4 days to secure the offer.

A HUGE Banana, indeed. Go wild.
Retweet to get the offer link in DMs 📨 - Higgsfield AI 🧩
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ToffCap
https://t.co/xPQNuEInX2

Hi all! Just flagging that we're back!!

We recently published on:

🇩🇪 Puma $PUM
🇩🇪 The Platform Group $TPG
🇵🇱 Dino $DINO
🇩🇪 Pfisterer $PFSE
🇩🇪 Dermapharm $DMP
🇧🇪 Unifiedpost $BANQ

On the forbidden platform (no paywall). https://t.co/u46IO9GOFB - Lux Opes
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Dalius - Special Sits
some interesting thoughts here👇

With $KRON roughly paying ~38 Cents, I´d like to share a theory about the "excess net cash sweep" in liquidation CVRs (How to easily bore every possible reader in a single sentence!). Currently relevant for $HLVX $ITOS $LVTX $ELEV $EPIX (lol not touching this one though).

I think all of these deals are structured "in the money". What do I mean? Let´s take $HLVX as an example. The cash portion of the offer is roughly 97.77 mln US$ with my sharecount, it´s probably effectively around 97.95 mln. Shareholders are getting the cash in excess of 102.95 mln. That means the acquirer is getting paid 5 mln$ to assume the liquidation risk and actually do the winding down.

Now, it makes ZERO sense to choose these numbers when both parties would not expect net cash to be in excess of these 102.95. If they were expecting exactly this number or even a bit less, that would immediately eat into the 5 million US$ for the acquirer. But they just settled on that number?

So to make sure the acquirer actually gets these 5 mln, you would expect them to structure the "strikes" in such a way, that the "excess net cash sweep" actually pays out - which is the thing that fixes the 5 mln US$! Now of course you don´t want to hold back too much cash, but it´s usually just 4-8 weeks so not a big deal. So we might be talking just 500k or 1 mln (no idea really) but I am quite sure that almost all of these will pay at least something.

$LVTX not 100% sure, since there is already the "additional net cash"-feature, so this is probably a bit tricky. BUT with the CVR trading somewhere between 7 and 10 mln, the impact of even small sums is decent. If you crunch the numbers, there is definitely room for payment imo.

$HLVX Articulated this already in my substack article https://t.co/5EjIF3qF7t
same as LVTX, numbers show room for decent payment.

$ITOS with the CVR trading at 4 mln$ and cash in total just being very high, we might be in for a surprise here. This is the most opaque one since there are lots of parts where I have no idea what´s happening (tax stuff mostly), but I think it´s a small gamble worth taking, closes very soon. - AnotherBioInvestor
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