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A slice of early ’90s Belgian house history, Chris & Moi’s ‘Atmosphere En Question (Remix)’ (1992) is a downtempo French house with that unmistakable cheesy midnight charm. Equal parts dreamy and playful! 🇧🇪

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Epic in scale, throbbing in energy. A proper ’93 UK cut, blasting with raw chemical sensations straight from the rave era. Epic (Throbbing Mix) by Desire is an essential for anyone chasing the deeper corners of 21 Records’ catalogue. 💣

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Hey everyone, we’d love to share a pain point and get your input.

What happened? After introducing a flat €7 pre-order price, we expected volume to grow. In reality, the number of reasonable/regular pre-orders stayed about the same, but abuse attempts spiked. Over the last 10 days, we’ve seen dozens of proposals that are clearly overpriced**—sometimes **2–3× market**—with the final bill (shipping + taxes) landing in the big **hundreds of euros. We’re spending a lot of time processing these, which isn’t great.

We also notice a pattern: many high-priced submissions come from weak/new Discogs accounts (few feedbacks, newly created) or repeatedly from the same account with pricing **\~2× above market**—which looks like trying to arbitrage our user base.

Our proposal: switch to a model where the buy-in is tied to the actual cost of the record:
record price + Discogs fee + shipping + taxes. We handle digitization, mastering, rights clearance, and provide shared monetization for backers.
Importantly, monetization will be **retroactive**—existing contributors/founders will start receiving a share from sales of already funded releases (we’ll share details separately).

Two options we’re considering:

1. Option 1. Cut-in cost = total project cost / number of backers.
2. Option 2. Projects up to €100 stay at a flat €7 per cut; anything above is calculated as in Option 1.
One concern: with Option 2, the much-loved “cheapo” category effectively disappears (it was popular before flat cut-in pricing).

Please vote or share your thoughts.

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Steamy and alive! Voyager’s ‘From Yungas To Mompracem (Dance Together Mix)’ (1994) moves like subtropical air: thick, hot, and impossible to escape. Progressive house at its most immersive, carrying you deep into the jungle of sound. 🔥

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Ralphie Dee’s ‘Aurora’ is a late-’90s warehouse pulse and wall-bouncer, carrying pure USA House & Techno energy. A true underground builder from one of NYC’s most relentless producers of the ’80s through the early ’00s. 🥵

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Raw, wild, and dubbed-out. UK DJ and producer, Tom Gillieron offers heavy grooves, deep atmospheres, and that unmistakable underground fire with his ‘Beats Around The Bush EP’ release. One of many standout records that made Reverberations a reference Tech House label back in the days. Mad release! 🔥

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last copy available snatched.
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https://revibed.com/pre-orders-most-wanted-records/2596-Rare-Unit-The-Hydrophonics-Ep

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Uncovering a true white-label mystery from the vaults of early ’90s UK house. 🇬🇧 Released on the obscure Time 2 Move label, this untitled 12" flips Lisa Stansfield’s “This Is the Right Time” into three raw, sample-heavy cuts — from rhythm-box percussion and piano stabs to melodic basslines, quirky guitar riffs, rap snippets, and soaring choruses built for hot dancefloors.

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Late-night moods meet deep house soul. 🌙 Hollis P. Monroe’s ‘I Go To Bed Early / Heart Wrapped In Plastic’ delivers two timeless cuts that balance intimacy and groove — the kind of records that feel just as right at 3 AM as they do on repeat at home. Pure ’90s underground class.

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🚨New Mix 🚨

Revibed Non-EDM Series, Vol. 1 — Dancing Without the Dancefloor

Who’s it for? Wide-angle listeners, collectors chasing rarities, and the bar-leaners who can’t help but keep time with a shoulder or a heel.

FULL MIX & TRACKLIST HERE

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From the shadows of Hamburg’s vaults comes a funk/soul artifact: Network – Love Don’t Mean A Thing / Rap Your Mind (1984). Reissued by Repertoire, a label with focus on rare beat, progressive and psychedelic rock releases, this German 12" is drenched in groove — deep, rolling bass, raw vocals, and a spirit of that era when soul, funk and early electro were all colliding. A rare gem resurfaced, ready to shake your crates again. ⚡️

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Ras Enoch’s ‘Money’ (1984, USA) hits like an obsessive roots chant from the one-and-only Rasta dandy. The rare 45 version skips the shredded guitar riff found on the 12″, making both pressings treasures in their own right. A crazy gem for anyone chasing raw reggae soul with serious depth. ✌️

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From the earliest pulses of Greek electronic music, Στέρεο Νόβα (Stereo Nova) emerged as a spark in the night — a band that dared to mix urban introspection with dancefloor urgency.

By 1993, with the release of Ντισκολάτα (Diskolata), they had honed their voice. The album is often cited among their breakthroughs, a canvas of electronic moods seasoned with urban romanticism. If Discolata is the nightscape, ‘Νέα Ζωή 705’ (New Life 705) is one of its brightest constellations.

From its opening seconds, the track suspends you between two states: the quiet of internal reflection and the urgency of emotional motion. Synth pads hover, electronic percussion glides in, feeling like fragments of a dream, couched in urban solitude.

The beat is never overemphatic: it holds back just enough tension to keep the track from collapsing into mere groove. More than thirty years later, the track still feels contemporary, not as nostalgia, but as timeless emotion.

Buy on Revibed:
‘Στέρεο Νόβα – Ντισκολάτα’

8/10 LAST CALL FOR THIS 🧬

https://revibed.com/pre-orders-most-wanted-records/2657-Delano-Smith-Sensuality