A true roots reggae gem out of Canada, “Bad Moon Rising” carries the unmistakable voice of Crasher, a Jamaican-born singer whose journey from church choirs to show bands led him across the Caribbean and into Canada’s reggae scene of the ’80s. Known for award-winning singles and a career built on resilience, Crasher’s soulful delivery turns this cut into a timeless piece of roots reggae history. 🌙

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🎶 Crasher – Bad Moon Rising

Release: Amazon / Bad Moon Rising
Label: GMM Productions
Genre: Reggae
Year: Unknown
Country: Canada

Straight from Canada’s Flatline Records, “How Ya Living (Clean)” is a dope slice of underrated hip hop that still hits word-for-word with raw energy and flow. A true digger’s find for those who know. 🎤

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🎶 Bandits – How Ya Living (Clean)

Release: How Ya Living / Trust
Label: Flatline Records
Genre: Hip Hop
Year: Unknown
Country: Canda

To play on repeat! 🔥

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🎶 Cyberia – Camel Sutra

Release: Mind / Camel Sutra
Label: Snatch Records
Genre: Electronic
Year: 1995
Country: UK

Reviving your most wanted records has never been easier… or cheaper 🤗🎉

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A slice of early ’90s Belgian house history, Chris & Moi’s ‘Atmosphere En Question (Remix)’ (1992) is a downtempo French house with that unmistakable cheesy midnight charm. Equal parts dreamy and playful! 🇧🇪

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Epic in scale, throbbing in energy. A proper ’93 UK cut, blasting with raw chemical sensations straight from the rave era. Epic (Throbbing Mix) by Desire is an essential for anyone chasing the deeper corners of 21 Records’ catalogue. 💣

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Hey everyone, we’d love to share a pain point and get your input.

What happened? After introducing a flat €7 pre-order price, we expected volume to grow. In reality, the number of reasonable/regular pre-orders stayed about the same, but abuse attempts spiked. Over the last 10 days, we’ve seen dozens of proposals that are clearly overpriced**—sometimes **2–3× market**—with the final bill (shipping + taxes) landing in the big **hundreds of euros. We’re spending a lot of time processing these, which isn’t great.

We also notice a pattern: many high-priced submissions come from weak/new Discogs accounts (few feedbacks, newly created) or repeatedly from the same account with pricing **\~2× above market**—which looks like trying to arbitrage our user base.

Our proposal: switch to a model where the buy-in is tied to the actual cost of the record:
record price + Discogs fee + shipping + taxes. We handle digitization, mastering, rights clearance, and provide shared monetization for backers.
Importantly, monetization will be **retroactive**—existing contributors/founders will start receiving a share from sales of already funded releases (we’ll share details separately).

Two options we’re considering:

1. Option 1. Cut-in cost = total project cost / number of backers.
2. Option 2. Projects up to €100 stay at a flat €7 per cut; anything above is calculated as in Option 1.
One concern: with Option 2, the much-loved “cheapo” category effectively disappears (it was popular before flat cut-in pricing).

Please vote or share your thoughts.

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Steamy and alive! Voyager’s ‘From Yungas To Mompracem (Dance Together Mix)’ (1994) moves like subtropical air: thick, hot, and impossible to escape. Progressive house at its most immersive, carrying you deep into the jungle of sound. 🔥

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Ralphie Dee’s ‘Aurora’ is a late-’90s warehouse pulse and wall-bouncer, carrying pure USA House & Techno energy. A true underground builder from one of NYC’s most relentless producers of the ’80s through the early ’00s. 🥵

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Raw, wild, and dubbed-out. UK DJ and producer, Tom Gillieron offers heavy grooves, deep atmospheres, and that unmistakable underground fire with his ‘Beats Around The Bush EP’ release. One of many standout records that made Reverberations a reference Tech House label back in the days. Mad release! 🔥

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last copy available snatched.
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https://revibed.com/pre-orders-most-wanted-records/2596-Rare-Unit-The-Hydrophonics-Ep