分享一篇给推特出主意的文章。文章介绍了说Substack的作者，95%的新用户都在使用推特，这估计也是推特考虑做付费通讯的一个原因，然后作者给推特出了4条建议，有兴趣的可以看看
If I Ruled the Tweets
https://notboring.substack.com/p/if-i-ruled-the-tweets
If I Ruled the Tweets
https://notboring.substack.com/p/if-i-ruled-the-tweets
Not Boring by Packy McCormick
If I Ruled the Tweets
Fixing Twitter by recognizing what it really is and capturing the value it creates
16 Minutes on the News #41: Tiktok and ‘Seeing Like an Algorithm’
https://a16z.com/2020/09/18/16mins-tiktok-seeing-like-an-algorithm-friendly-design-creativity-network-effects-video/
对tiktok感兴趣的朋友可以听听这个播客，网页上有文字版本。内容里提到：tiktok是让人习惯用手机制作视频的创造性工具，同时其利用热门，音乐让人能够重复别人的即兴表演，降低了创造内容的成本。
然后，他们提到了一个词：“seeing like an algorithm” 。大概意思是TikTok 应用集中体现了“像算法一样看东西”的思想ーー如果算法将成为你的应用的关键功能之一，你如何设计一个应用，让算法看到它需要看到的东西？
https://a16z.com/2020/09/18/16mins-tiktok-seeing-like-an-algorithm-friendly-design-creativity-network-effects-video/
对tiktok感兴趣的朋友可以听听这个播客，网页上有文字版本。内容里提到：tiktok是让人习惯用手机制作视频的创造性工具，同时其利用热门，音乐让人能够重复别人的即兴表演，降低了创造内容的成本。
然后，他们提到了一个词：“seeing like an algorithm” 。大概意思是TikTok 应用集中体现了“像算法一样看东西”的思想ーー如果算法将成为你的应用的关键功能之一，你如何设计一个应用，让算法看到它需要看到的东西？
Future
Tiktok and ‘Seeing Like an Algorithm’
We cover the algorithm that powers TikTok, the short video-sharing platform that grabbed massive marketshare in cultures and markets never experienced firsthand by the engineers and designers in China.
Forwarded from 一方天地 (Typlog)
一方天地
优质内容分享合辑|9月刊(2020)
阅读更少，收获更多
Forwarded from 一方天地 (zac)
虽然我是一个roam用户，但还是想跟大家推荐少楠老师的flomo，这个是一个帮助你记录日常与想法的笔记软件，特色功能有：微信输入（roam就做不到），每日回顾（好内容值得常看常新），随机漫步（帮你找到笔记之间的联系，这一点比roam更智能，roam都是靠用户自己打标签）
https://flomoapp.com/register2/?Mjk2Mg
https://flomoapp.com/register2/?Mjk2Mg
面訪萬能青年旅店（2012）
https://matters.news/@mafang/%E9%9D%A2%E8%A8%AA%E8%90%AC%E8%83%BD%E9%9D%92%E5%B9%B4%E6%97%85%E5%BA%97-2012-bafyreibk2gntbb2liggh477oumjxdq4vyctmndxgzfztsam64uubt35udi
马世芳2012年的采访
https://matters.news/@mafang/%E9%9D%A2%E8%A8%AA%E8%90%AC%E8%83%BD%E9%9D%92%E5%B9%B4%E6%97%85%E5%BA%97-2012-bafyreibk2gntbb2liggh477oumjxdq4vyctmndxgzfztsam64uubt35udi
马世芳2012年的采访
Matters
面訪萬能青年旅店（2012） - 馬世芳 (@mafang)
萬青與Gigs工作人員、陳德政、馬世芳攝於台北永和樂華夜市，2012年。（2012，原刊於Gigs雜誌） 一位因為工作走遍中國許多城鎮的上海朋友對我說：她不大能明白萬能青年旅店為什麼在台灣也能紅成這樣。她的意思是：若是沒有在石家莊那樣的二三線中國城市生活過，莫說隔著海峽的台灣，…
Forwarded from 一方天地 (zac)
creator economy在美国的发展，越来越看不懂了，出现了一些付费让kol留言，付费来支配kol的平台
https://www.nytimes.com/2021/03/10/style/creators-selling-selves.html
https://www.nytimes.com/2021/03/10/style/creators-selling-selves.html
NY Times
For Creators, Everything Is for Sale
Digital stars are coming up with new ways to make money. Yet fans still hold the power.
Forwarded from 一方天地 (zac)
最近很喜欢的一篇文章。这篇文章梳理了朋友这词的由来与发展变化，讲到了现在大家面临的事情
Many of us have learned to post content as though we were hosting one of the old personality shows of the 1950s, calculated to look like we’re providing one end of a friendly interaction. We look into the cameras, we talk to our audience directly, we make the gestures of friendship, so that the people observing us are cued into thinking we are responding to them and them alone. But we are responding to something else, a fantasy of how we should be or the image of ourselves reflected back to us on the screen. Parasocial media in itself is not the problem but the expression of deeper hunger for belonging amid structures that can’t sustain it, scrolling through tempting, evanescent, one-sided interactions that engage our attention while rarely delivering on the promise that we can be seen and known, as individuals, as friends.
https://reallifemag.com/why-cant-we-be-friends/
Many of us have learned to post content as though we were hosting one of the old personality shows of the 1950s, calculated to look like we’re providing one end of a friendly interaction. We look into the cameras, we talk to our audience directly, we make the gestures of friendship, so that the people observing us are cued into thinking we are responding to them and them alone. But we are responding to something else, a fantasy of how we should be or the image of ourselves reflected back to us on the screen. Parasocial media in itself is not the problem but the expression of deeper hunger for belonging amid structures that can’t sustain it, scrolling through tempting, evanescent, one-sided interactions that engage our attention while rarely delivering on the promise that we can be seen and known, as individuals, as friends.
https://reallifemag.com/why-cant-we-be-friends/
Real Life
Why Can’t We Be Friends — Real Life
Podcasts and other forms of “parasocial” media reframe friendship as monetized self-care
❤1