๐‘น๐’†๐’‡๐’๐’†๐’„๐’•๐’Š๐’๐’
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โ˜†โ‹†.หš๐Ÿƒโ‹†โœฎโ‹†ห™๏ฝก๐–ฆนยฐโ€งโ˜…
ู†ุฏุงุก ู…ุฑุขุฉ ูˆู†ุฏู‰ ุงู†ุนูƒุงุณู‡ุง
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@OdasakuNada
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ู„ูŠู„ุฉ ุฌู…ูŠู„ุฉ ู„ุง ู…ุฌุงู„ ู„ู„ุงูƒุชุฆุงุจ ููŠู‡ุง
โค3
"ุงู„ู„ูŽู‘ู‡ูู…ูŽู‘ ุตูŽูŠูู‘ุจู‹ุง ู†ูŽุงููุนู‹ุงุŒ ุงู„ู„ูŽู‘ู‡ูู…ูŽู‘ ุตูŽูŠูู‘ุจู‹ุง ู‡ูŽู†ููŠุฆู‹ุงุŒ ุงู„ู„ู‡ู… ู„ุง ุชู‚ุชู„ู†ุง ุจุบุถุจูƒุŒ ูˆู„ุง ุชู‡ู„ูƒู†ุง ุจุนุฐุงุจูƒุŒ ูˆุนุงูู†ุง ู‚ุจู„ ุฐู„ูƒุŒ ุงู„ู„ู‡ู… ุฅู†ู‰ ุฃุณุฃู„ูƒ ุฎูŠุฑู‡ุง ูˆุฎูŠุฑ ู…ุง ููŠู‡ุงุŒ ูˆุฎูŠุฑ ู…ุง ุฃุฑุณู„ุช ุจู‡ุŒ ูˆุฃุนูˆุฐ ุจูƒ ู…ู† ุดุฑู‡ุงุŒ ูˆุดุฑ ู…ุง ููŠู‡ุงุŒ ูˆุดุฑ ู…ุง ุฃุฑุณู„ุช ุจู‡"ุŒ "ู…ุทุฑู†ุง ุจูุถู„ ุงู„ู„ู‡ ูˆุฑุญู…ุชู‡๐Ÿ’ง๐ŸŒง".
โค1
ุชูˆู…ุงุณ ู‡ูˆ ุญุฑููŠุง ุงู†ุง ุจุณ extroverted ูˆ ู…ุน ู…ุนู„ูˆู…ุงุช ุงูƒุชุฑ ุจุงู„ุชู‚ู†ูŠุฉ ูˆ ุงู„ุณูŠุงุณุฉ
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ุงู„ุฃุฎ ู…ุง ุจูŠุนู…ู„ ูˆุธุงูŠูู‡ ู…ุชู„ูŠ
ุตุจุงุญ ุงู„ุตุฏุงุน ูˆุงู„ุขู… ุงู„ุนุธุงู…
ุดูƒู„ูŠ ุจู†ุชูุฑุฌ ุนู„ูŠ ุฌูŠุฌุชุณูˆ ุนู„ู‰ ุฎุงุทุฑ ุบูŠุชูˆ
โค1
Watch me collecting all the arrogant intjs around the world
๐Ÿ’˜1
Forwarded from ๐‘น๐’†๐’‡๐’๐’†๐’„๐’•๐’Š๐’๐’ (๐Œ๐š๐ก๐ข๐ซ๐ฎ)
His lap could be a perfect seat
Me and dania
โค1
I could not live in any of the worlds offered to me โ€” the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art

โ€”Anaรฏs Nin, The Diary of Anaรฏs Nin, Vol. 5: 1947 - 1955
๐Ÿ’”1
Anaรฏs used to live in her imagination too
๐Ÿ’”1
๐Ÿ’”2
The volition to protect those who can't protect themselves
I despise the sound of his keys