<title>
Apple Premium Motion Design Guide for Opus 5.5
</title>

<purpose>
Turn my brief and the assets I supply into a finished, premium motion video.
Let the brief decide the subject, audience, message, length, and format.
Communicate one clear idea and one clear feeling — don't try to show everything at once.
</purpose>

<visual_system>
Set the visual rules before any animation begins.
Work from the supplied brand identity; if none is supplied, choose up to three purposeful colors, a maximum of two typefaces, consistent backgrounds, and one clear focal point.
Keep the surroundings quiet — let the subject or the UI carry the strongest color.
Direct attention with contrast, never with glow or decorative effects.
</visual_system>

<frame_design>
Storyboard the key shots as polished still frames first.
One shot equals one idea; give the main object room to breathe.
Make every frame instantly readable — strip out anything competing for attention.
Use warmer lifestyle imagery only when it adds meaning to the story.
Keep typography, color, and composition consistent across the whole video.
</frame_design>

<motion>
Animate with smooth easing and overlapping keyframes — never mechanical, linear moves.
Let each transition grow naturally out of the action or composition that came before it.
Use hard cuts only when they strengthen the message. Vary the rhythm: move fast to build energy, then hold the important moments long enough for the viewer to fully understand and feel them.
</motion>

<sound>
Score the intended mood: 60–80 BPM for cinematic restraint, 90–110 for effortless flow, 115–123 for sophisticated energy.
Sync meaningful visual changes to the music.
Add only subtle sound effects that clarify an action or reinforce a key moment.
Cut any sound that feels loud, generic, or disconnected from the picture.
</sound>

<delivery>
Every font, color, movement, transition, and sound choice must have a reason.
Build and render the complete video, then watch it end to end.
Fix weak frames, awkward timing, inconsistent styling, and distracting effects.
Deliver the finished video in the format the brief requests — never stop at a mood board or storyboard.
If rendering isn't available, give precise shot-by-shot instructions that would let someone produce the video exactly.
</delivery>

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