cultofnot
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this is not cult

probablynothing.xyz
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artists

before anything else, the numbers:

• major label (15–20% to the artist)

• traditional gallery (40–50% to the artist)

• Nothing (70% to the artist, 30% to the fund)

most platforms take their rights, %, visibility, and control. Nothing flips it

nothing starts with the creator, the one who places the first brick

we don't take anything. instead, we give:

• infrastructure – marketplace, logistics, media, events, network

• the fund – helps artist-initiated projects happen and keeps Nothing independent from advertisers and brand deals

the only thing we ask in return ↓

show up. be listed. tell us about the work you want to make

if you're an artist and this resonates, apply to be listed

🫡
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people

every art movement has two sets of names: the ones we remember, and the ones who paid for the studios

medici → michelangelo
160,000 new yorkers → statue of liberty pedestal
billions of taps → notcoin


call them supporters, patrons, whatever you want

Nothing has the same thing at its core. so we invite those who want to share it with us

what you get ↓

• a vote, monthly, on what Nothing makes next
• a private room with the artists and the team
• early access to every drop


and a few more things, including a limited piece for the first 100

👽
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fund

30% of every sale on the Nothing marketplace goes into the fund

what the fund supports each month is up to the patrons

how it works ↓

artists listed on Nothing propose projects (listing happens through collaboration). patrons vote. the fund pays for the ones that win

possible directions ↓

• production of projects that wouldn't have happened otherwise

• media: interviews, articles, videos

• events: exhibitions, concerts, screenings

every production is visible at /fund. once the fund can cover the platform's operational cost, that shows up there too

👽
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how the cycle works

1. artist makes the work

2. sale generates the fund

3. patrons decide where it goes

4. fund supports the next artist

5. visibility grows

↺
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Nothing: how to join

→ if you're a supporter

→ if you're an artist

😊
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cultofnot
Paris, this weekend we built a confession booth people will sit inside and answer one question more on instagram.com/cultofnot 🇫🇷
La Confession Booth: what we learned

one day in Paris, 30 people stepped into a booth to confess one thing they can't stop doing

what happened inside surprised even us

the full story →

📂
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2026 is 50% finished

good news: we still have a lot of time to do nothing
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Filip Borelli

meet the new Nothing resident

art and science
sound and light


⚪️👻👻👻👻👻👻👻👻👻⚪️👻
👻👻👻 👻profile

based in Zagreb, Croatia

he work with light, sound,
and movement – turning natural
phenomena into kinetic
sculptures and installations

uses scientific methods to make
the invisible visible

⚪️👻👻👻👻👻👻👻👻👻⚪️


inst / twitter

😄
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Musica Subsonica

new media installation
by
Filip Borelli

░░░░░

in 2020, Filip Borelli woke up in the epicentre of the Zagreb earthquake. still half-asleep, he stepped outside and saw the waves moving through the ground

the vibrations were around 14 Hz – sound so low you feel it in your body instead of hearing it

that experience became Musica Subsonica

the installation translates a physical space into something you can see:

architectural space → sound → movement → light → picture

he turns the dimensions and materials of a room into a permanent trace. it's a way to give memory to places that get wiped out by wars, disasters, or time


read the full statement

🎶
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june 2026: Nothing (cultofnot) launches a fund and club for artists

july 2026: Nothing (tech company) launches a fund and club for artists

wonder what inspired them

¯\_(ツ)_/¯
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As Seen Below – The Dome

· · ·

James Turrell just opened his 100th skyspace, the largest ever built in a museum: 40 meters wide, buried under the grounds of ARoS in Denmark

fifteen years in the making, from first conversations to opening. in his words: "i always wanted to enter earth and emerge in the heavens"

inside there is almost nothing. the sky is the material here

it changes all day and the work changes with it, never the same twice

#weeklyvisuals

⭐️
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