cultofnot
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non-sign II

billboard that sells nothing

· · ·

on the US-Canada border, in Blaine, Washington, there's an empty billboard where ads usually hang. you can see the sky through it

made by Annie Han & Daniel Mihalyo. commisioned by US GSA in 2007, post-9/11, the border had become a political space. they were asked to make the first artwork a person sees entering the US

they didn't make politics, they made "nothing"

· · ·

it's been standing for 16 years

it survived three presidents, covid, almost two years of a closed border, families meeting through loopholes

it survived instagram launching in the same year, infinite scroll, algorithmic feeds. there's more ads, and less time to look around

and the empty frame still stands on the border, with the sky behind it changing every day

probably nothing

❄️
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Paris, this weekend

we built a confession booth

people will sit inside and answer one question

more on instagram.com/cultofnot

🇫🇷
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La Confession Booth

There's something you've always wanted to do but never allowed yourself

We made a place for it

→ 13 june, Paris
→ 10:00 - 21:00 GMT +2
→ Open to everyone

One booth, one question, and permission on the way out

If you have some time, we'll be waiting

Save your spot

✌️
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cultofnot
Paris, this weekend we built a confession booth people will sit inside and answer one question more on instagram.com/cultofnot 🇫🇷
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Who's behind this booth?

Nikita Lukyanov – visual artist & video director, based in Paris

The booth is simple, but behind it, months of thinking

What confession means without religion
Why people need permission
What single question makes someone say the thing they usually hide


In his words:

Everyone is strange inside. Everyone has something they want to share, but there's never a place or a moment for it. If people stopped hiding it, the world would be more interesting


Still a few spots available

13 june, Paris

If you're around, just come

😊
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Graphix Artiste 👀

meet the new Nothing resident

digital artist
creates art for the internet


⚪️👻👻👻👻👻👻👻👻👻⚪️👻
👻👻👻 👻profile

👻born in 1985, grew up in the
👻👻 suburbs of Dallas

👻 draws simple mascots
friendly but a little mischievous

👻 👻 90s cartoons
👻 👻 early internet
👻 👻 video games

⚪️👻👻👻👻👻👻👻👻👻⚪️

inst / twitter

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interview: Graphix Artiste

someone who saw the internet before it became one big ad

we talked about the MTV generation, the early internet, why simple characters hit so hard, and what feels wrong online now

full interview →

💭
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Nothing

an independent media space built around artists

what's underneath ↓

a space where artists create, the people inside back them,
and the value flows back to make more of it possible

Nothing isn't something we launched. it emerged from what the community started. we shaped it, named it, opened the door wider

the point ↓

built by the people inside

we did it once with clicker -> something out of nothing
now we do it with culture

if you've been here from the beginning, you already know how this works

probably nothing as usual

probablynothing.xyz

👽
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cultofnot pinned a photo
artists

before anything else, the numbers:

• major label (15–20% to the artist)

• traditional gallery (40–50% to the artist)

Nothing (70% to the artist, 30% to the fund)

most platforms take their rights, %, visibility, and control. Nothing flips it

nothing starts with the creator, the one who places the first brick

we don't take anything. instead, we give:

• infrastructure – marketplace, logistics, media, events, network

• the fund – helps artist-initiated projects happen and keeps Nothing independent from advertisers and brand deals

the only thing we ask in return ↓

show up. be listed. tell us about the work you want to make

if you're an artist and this resonates, apply to be listed

🫡
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people

every art movement has two sets of names: the ones we remember, and the ones who paid for the studios

medici → michelangelo
160,000 new yorkers → statue of liberty pedestal
billions of taps → notcoin


call them supporters, patrons, whatever you want

Nothing has the same thing at its core. so we invite those who want to share it with us

what you get ↓

• a vote, monthly, on what Nothing makes next
• a private room with the artists and the team
• early access to every drop


and a few more things, including a limited piece for the first 100

👽
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fund

30% of every sale on the Nothing marketplace goes into the fund

what the fund supports each month is up to the patrons

how it works ↓

artists listed on Nothing propose projects (listing happens through collaboration). patrons vote. the fund pays for the ones that win

possible directions ↓

• production of projects that wouldn't have happened otherwise

• media: interviews, articles, videos

• events: exhibitions, concerts, screenings

every production is visible at /fund. once the fund can cover the platform's operational cost, that shows up there too

👽
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how the cycle works

1. artist makes the work

2. sale generates the fund

3. patrons decide where it goes

4. fund supports the next artist

5. visibility grows

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Nothing: how to join

if you're a supporter

if you're an artist

😊
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cultofnot
Paris, this weekend we built a confession booth people will sit inside and answer one question more on instagram.com/cultofnot 🇫🇷
La Confession Booth: what we learned

one day in Paris, 30 people stepped into a booth to confess one thing they can't stop doing

what happened inside surprised even us

the full story →

📂
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2026 is 50% finished

good news: we still have a lot of time to do nothing
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Filip Borelli

meet the new Nothing resident

art and science
sound and light


⚪️👻👻👻👻👻👻👻👻👻⚪️👻
👻👻👻 👻profile

based in Zagreb, Croatia

he work with light, sound,
and movement – turning natural
phenomena into kinetic
sculptures and installations

uses scientific methods to make
the invisible visible

⚪️👻👻👻👻👻👻👻👻👻⚪️


inst / twitter

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Musica Subsonica

new media installation
by
Filip Borelli

░░░░░

in 2020, Filip Borelli woke up in the epicentre of the Zagreb earthquake. still half-asleep, he stepped outside and saw the waves moving through the ground

the vibrations were around 14 Hz – sound so low you feel it in your body instead of hearing it

that experience became Musica Subsonica

the installation translates a physical space into something you can see:

architectural space → sound → movement → light → picture

he turns the dimensions and materials of a room into a permanent trace. it's a way to give memory to places that get wiped out by wars, disasters, or time


read the full statement

🎶
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