This media is not supported in your browser
VIEW IN TELEGRAM
هر آغازی را پایانیست، و هر پایانی را آغازی.
بدانید که پایان آغاز، خداحافظیست و آغاز پایان ، سلام است.
پس، سلام...
🆔 @netarch 🌿
بدانید که پایان آغاز، خداحافظیست و آغاز پایان ، سلام است.
پس، سلام...
🆔 @netarch 🌿
Forwarded from Deleted Account
✨.... NASRMETHOD ...✨
✨آموزش های 3dmax و vray به سبکی جدید و در سطح جهانی در گروه استودیو نصر متود 😎✨
✨ به همراه هزاران تکسچر و آبجکت با کیفیت برای ارتقا سطح خروجی های شما دوستان عزیز 😱😎
✨🔴سوپر گروه تخصصی آموزشی سي جي و معماري داريوش نصر 👇
https://t.me/joinchat/CBipWEEu3YzbPR_l2N4TGQ
✨.... NASRMETHOD ...✨
✨آموزش های 3dmax و vray به سبکی جدید و در سطح جهانی در گروه استودیو نصر متود 😎✨
✨ به همراه هزاران تکسچر و آبجکت با کیفیت برای ارتقا سطح خروجی های شما دوستان عزیز 😱😎
✨🔴سوپر گروه تخصصی آموزشی سي جي و معماري داريوش نصر 👇
https://t.me/joinchat/CBipWEEu3YzbPR_l2N4TGQ
✨.... NASRMETHOD ...✨
Forwarded from کتابخانه هنر و معماری (Zeinab🍃)
#نصر_متود
سوپرگروه #آموزش_رایگان #معماری_و_نرم_افزارهای_معماری
در سطح بین المللی
به همراه #رفع_اشکال_رایگان در هر شب
ارتباط با ادمین:
@NASRMETHOD_Support_mahdi_bina
سوپرگروه #آموزش_رایگان #معماری_و_نرم_افزارهای_معماری
در سطح بین المللی
به همراه #رفع_اشکال_رایگان در هر شب
ارتباط با ادمین:
@NASRMETHOD_Support_mahdi_bina
#Copper_House_II
/ Studio #Mumbai
#خانه
#هند
#اقلیم_گرم_ومرطوب
Architects
Studio Mumbai
Location
Chondi, #India
Principal Architect
Bijoy Jain
Project Team
Jeevaram Suthar, Punamchand Suthar, Pandurang Malekar
Structural Engineer
Dwijen Bhatt
🆔 @netarch 🌿
👇👇👇
/ Studio #Mumbai
#خانه
#هند
#اقلیم_گرم_ومرطوب
Architects
Studio Mumbai
Location
Chondi, #India
Principal Architect
Bijoy Jain
Project Team
Jeevaram Suthar, Punamchand Suthar, Pandurang Malekar
Structural Engineer
Dwijen Bhatt
🆔 @netarch 🌿
👇👇👇
Text description provided by the architects. The hortus conclusus unites within itself a marvellous assemblage of disparate aspects. It seeks to understand the landscape it denies, explain the world it excludes, bring in the nature it fears and summarise all this in an architectural composition.
🆔 @netarch 🌿
🆔 @netarch 🌿
The Enclosed Garden, Rob Aben, Saskia de Wit
The severe flood of Mumbai and its hinterland in 2005 had marked its high-water mark on a pump-house that was extant to the site. Aftet using it to register the datum for the house, pile foundations were put in and a slab was cast two feet above the high-water line. The central fill came from the excavation for the well, and around a court, the house grew.
🆔 @netarch 🌿
The severe flood of Mumbai and its hinterland in 2005 had marked its high-water mark on a pump-house that was extant to the site. Aftet using it to register the datum for the house, pile foundations were put in and a slab was cast two feet above the high-water line. The central fill came from the excavation for the well, and around a court, the house grew.
🆔 @netarch 🌿
The language and logic of the building are located in three primary architectural moves. The first is the creation of two distinct blocks, varying in width by a foot, separated by the stone-paved courtyard on the ground, and united by the cupric roof plane at the upper level. The two blocks function as discrete personal spaces on the upper level, one is a singular space of bedroom and bath, the other has an additional study.
At the ground level, an indoor family room becomes an adjunct to the main living space which does not have the containment that the other more private spaces exhibit. This main space functions literally as the deck of the house, overlooking the landscape and the courtyard, creating a simultaneity of vistas, each of a different scale and access. The copper-covered private spaces at the upper level are positioned in mutual tension, with the guarantee of simultaneous intimacy and isolation, so essential to the domestic interior.
🆔 @netarch 🌿
At the ground level, an indoor family room becomes an adjunct to the main living space which does not have the containment that the other more private spaces exhibit. This main space functions literally as the deck of the house, overlooking the landscape and the courtyard, creating a simultaneity of vistas, each of a different scale and access. The copper-covered private spaces at the upper level are positioned in mutual tension, with the guarantee of simultaneous intimacy and isolation, so essential to the domestic interior.
🆔 @netarch 🌿
This spatial strategy also allows for varying levels of communication, visual and otherwise, between the upper and lower spaces of the house. In Kerala, further south from Mumbai along the west coast of the Indian peninsula (as in many other regions), the courtyard was the center of the traditional house.
The central room formed by the courtyard flanked by pillars was called the naalukettu. But the entire structure, comprising the central hall and the four wings around was also commonly referred to as the naalukettu. This reference to the courtyard as the house itself, holds a clue to the development of the design for this house, as it evolved from being an embracing structure, to one which opened out.
🆔 @netarch 🌿
The central room formed by the courtyard flanked by pillars was called the naalukettu. But the entire structure, comprising the central hall and the four wings around was also commonly referred to as the naalukettu. This reference to the courtyard as the house itself, holds a clue to the development of the design for this house, as it evolved from being an embracing structure, to one which opened out.
🆔 @netarch 🌿