■ یک توسعه‌دهنده با تکیه بر تحلیل‌های مدل GPT-Astra توانست پرده از راز یکی از مشهورترین کدهای حل نشده جنگ جهانی اول بردارد.
این پیام پنهانی که ۱۰۸ سال پیش توسط فرماندهی عالی آلمان با سیستمی بسیار پیچیده طراحی شده بود، به کمک یک کلید واژگانی فراموش‌شده پس از بیش از یک قرن بازخوانی شد.
بررسی‌ها نشان می‌دهد محتوای این هشدار پیام درباره تحرکات نظامی در شبه‌جزیره کریمه بوده است. اطلاعات استخراج‌شده به ورود ناوهای بریتانیایی به سواحل استوپول اشاره دارد که طبق اسناد و یادداشت‌های تاریخی، حضور این ناو در منطقه مذکور در نوامبر سال ۱۹۱۸ تأیید شده است.
این پیام پنهانی که ۱۰۸ سال پیش توسط فرماندهی عالی آلمان با سیستمی بسیار پیچیده طراحی شده بود، به کمک یک کلید واژگانی فراموش‌شده پس از بیش از یک قرن بازخوانی شد.
بررسی‌ها نشان می‌دهد محتوای این هشدار پیام درباره تحرکات نظامی در شبه‌جزیره کریمه بوده است. اطلاعات استخراج‌شده به ورود ناوهای بریتانیایی به سواحل استوپول اشاره دارد که طبق اسناد و یادداشت‌های تاریخی، حضور این ناو در منطقه مذکور در نوامبر سال ۱۹۱۸ تأیید شده است.
❤8👏5👍3
یک ویدیوساز رایگان و نامحدود 🎬
لینک دانلود چت بات qwen از گوگل پلی 📲
https://play.google.com/store/apps/details?id=ai.qwenlm.chat.android
لینک دسترسی به چت بات qwen تحت وب 🌐
https://chat.qwen.ai/
لینک دانلود چت بات qwen از گوگل پلی 📲
https://play.google.com/store/apps/details?id=ai.qwenlm.chat.android
لینک دسترسی به چت بات qwen تحت وب 🌐
https://chat.qwen.ai/
Google Play
Qwen Studio - Apps on Google Play
Qwen Studio is your ultimate personal AI assistant.
❤17👌5
Forwarded from Alireza
بنظرم نسبت به فلو اصلا قابل مقایسه نیستند. فارسی بهش متن دادم انگلیسی تحویل داد.در این حد
❤6👍3👌1
امروز یک قابلیت جدید چت جی‌پی‌تی رو دارم تست میکنم 🤖
اگه اوکی بود آموزشش رو ضبط میکنم 📹
دوباره یه قشر جدید بیکار شدن 😭
اگه اوکی بود آموزشش رو ضبط میکنم 📹
دوباره یه قشر جدید بیکار شدن 😭
👏28❤10🙏4🔥3😢2👌2
Masoudtechai
پرامپتش سه تیکه اس
Create a photorealistic 12-second vertical 9:16 cinematic video using my uploaded avatar/reference image as the ONLY identity reference for the person.
IDENTITY — ABSOLUTE PRIORITY:
The person is me, based on the uploaded avatar reference.
Preserve my exact facial identity, facial proportions, skin texture, hairstyle, body proportions and natural appearance.
Do not beautify, stylize, alter, age, de-age or reinterpret my face.
No face morphing.
No identity drift.
My face must remain recognizable and consistent throughout the entire video.
The video must look like real professional live-action footage, not AI-generated footage.
CAMERA CONCEPT:
The video begins with an extreme cinematic close-up of my face.
Then the camera performs a smooth, continuous dolly/zoom-out, progressively revealing my upper body, full body, chair, the surrounding terrain and finally the large depression behind me.
IMPORTANT:
This is NOT a digital crop-out.
It is a real cinematic camera physically pulling backward while maintaining natural perspective and depth.
The camera movement is smooth, controlled and continuous.
NO CUTS.
NO TRANSITIONS.
ONE CONTINUOUS SHOT.
ENVIRONMENT:
A dry semi-desert open field with dusty brown soil, sparse dry vegetation and a large deep natural depression directly behind me.
The depression must be deep enough to completely hide a large dark off-road SUV.
The SUV is physically inside this depression from the beginning.
CRITICAL:
The SUV must NOT be visible during the opening.
Not the roof.
Not the wheels.
Not the headlights.
Not the windshield.
Not any part of the vehicle.
The audience should have absolutely no idea that a vehicle is hidden behind me.
---
EXACT TIMELINE
0.00–1.50 — EXTREME CLOSE-UP
Start immediately with an extreme close-up of my face.
My face fills most of the frame.
Only my face and a small portion of my shoulders are visible.
I look calmly toward the camera.
Natural subtle facial expression.
Natural breathing.
Very slight realistic eye and head movement.
The background is heavily blurred.
NO VEHICLE IS VISIBLE.
NO DEPRESSION IS YET CLEARLY VISIBLE.
The shot should initially feel like a cinematic portrait.
---
1.50–2.50 — BEGIN CAMERA PULL-BACK
The camera begins a smooth continuous dolly backward.
My face gradually becomes smaller in frame.
My shoulders and upper torso become visible.
The camera continues pulling backward.
My expression remains calm and confident.
Do NOT move my body significantly yet.
---
2.50–3.30 — REVEAL THE ENVIRONMENT
The camera continues smoothly pulling backward.
My full upper body becomes visible.
Then the chair begins to enter the frame.
The surrounding dry field gradually becomes visible.
The camera continues moving backward until my full body and chair are visible.
The large depression behind me is now beginning to become apparent.
The SUV remains completely hidden inside the depression.
IMPORTANT:
The audience can now see the depression, but there must be absolutely no visible part of the SUV.
---
3.30–3.70 — HAND MOVEMENT BEGINS
As the camera continues its smooth pull-back, I slowly begin raising the arm on the LEFT SIDE OF THE IMAGE.
The elbow bends naturally.
The hand rises upward in a controlled confident movement.
My body remains seated and relaxed.
The camera continues pulling backward.
The depression behind me becomes fully visible.
The SUV is STILL completely hidden.
---
3.70–4.00 — FINAL REVEAL AND GESTURE
The camera reaches the final wide composition.
I am now fully visible sitting on the black folding chair.
My legs are naturally crossed.
The deep depression is clearly visible directly behind me.
I continue raising my hand.
The hand reaches its final upward gesture.
The scene is completely calm for a brief instant.
NO VEHICLE VISIBLE.
NO DUST YET.
This brief moment of calm is important.
---
4.00–4.15 — TRIGGER MOMENT
The instant my hand reaches the final upward position:
A MASSIVE BURST OF DUST suddenly erupts from inside the deep depression behind me.
IDENTITY — ABSOLUTE PRIORITY:
The person is me, based on the uploaded avatar reference.
Preserve my exact facial identity, facial proportions, skin texture, hairstyle, body proportions and natural appearance.
Do not beautify, stylize, alter, age, de-age or reinterpret my face.
No face morphing.
No identity drift.
My face must remain recognizable and consistent throughout the entire video.
The video must look like real professional live-action footage, not AI-generated footage.
CAMERA CONCEPT:
The video begins with an extreme cinematic close-up of my face.
Then the camera performs a smooth, continuous dolly/zoom-out, progressively revealing my upper body, full body, chair, the surrounding terrain and finally the large depression behind me.
IMPORTANT:
This is NOT a digital crop-out.
It is a real cinematic camera physically pulling backward while maintaining natural perspective and depth.
The camera movement is smooth, controlled and continuous.
NO CUTS.
NO TRANSITIONS.
ONE CONTINUOUS SHOT.
ENVIRONMENT:
A dry semi-desert open field with dusty brown soil, sparse dry vegetation and a large deep natural depression directly behind me.
The depression must be deep enough to completely hide a large dark off-road SUV.
The SUV is physically inside this depression from the beginning.
CRITICAL:
The SUV must NOT be visible during the opening.
Not the roof.
Not the wheels.
Not the headlights.
Not the windshield.
Not any part of the vehicle.
The audience should have absolutely no idea that a vehicle is hidden behind me.
---
EXACT TIMELINE
0.00–1.50 — EXTREME CLOSE-UP
Start immediately with an extreme close-up of my face.
My face fills most of the frame.
Only my face and a small portion of my shoulders are visible.
I look calmly toward the camera.
Natural subtle facial expression.
Natural breathing.
Very slight realistic eye and head movement.
The background is heavily blurred.
NO VEHICLE IS VISIBLE.
NO DEPRESSION IS YET CLEARLY VISIBLE.
The shot should initially feel like a cinematic portrait.
---
1.50–2.50 — BEGIN CAMERA PULL-BACK
The camera begins a smooth continuous dolly backward.
My face gradually becomes smaller in frame.
My shoulders and upper torso become visible.
The camera continues pulling backward.
My expression remains calm and confident.
Do NOT move my body significantly yet.
---
2.50–3.30 — REVEAL THE ENVIRONMENT
The camera continues smoothly pulling backward.
My full upper body becomes visible.
Then the chair begins to enter the frame.
The surrounding dry field gradually becomes visible.
The camera continues moving backward until my full body and chair are visible.
The large depression behind me is now beginning to become apparent.
The SUV remains completely hidden inside the depression.
IMPORTANT:
The audience can now see the depression, but there must be absolutely no visible part of the SUV.
---
3.30–3.70 — HAND MOVEMENT BEGINS
As the camera continues its smooth pull-back, I slowly begin raising the arm on the LEFT SIDE OF THE IMAGE.
The elbow bends naturally.
The hand rises upward in a controlled confident movement.
My body remains seated and relaxed.
The camera continues pulling backward.
The depression behind me becomes fully visible.
The SUV is STILL completely hidden.
---
3.70–4.00 — FINAL REVEAL AND GESTURE
The camera reaches the final wide composition.
I am now fully visible sitting on the black folding chair.
My legs are naturally crossed.
The deep depression is clearly visible directly behind me.
I continue raising my hand.
The hand reaches its final upward gesture.
The scene is completely calm for a brief instant.
NO VEHICLE VISIBLE.
NO DUST YET.
This brief moment of calm is important.
---
4.00–4.15 — TRIGGER MOMENT
The instant my hand reaches the final upward position:
A MASSIVE BURST OF DUST suddenly erupts from inside the deep depression behind me.
❤8👌1
Masoudtechai
پرامپتش سه تیکه اس
The dust must originate from deep inside the depression.
It must NOT appear randomly.
The eruption happens extremely quickly and dramatically.
I remain calm and seated.
---
4.15–4.80 — SUV EXPLODES OUT OF THE DEPRESSION
Immediately after the dust explosion, the large dark off-road SUV violently launches out of the depression.
The SUV was physically hidden inside the depression until this exact moment.
First the front of the vehicle bursts through the dust.
Then the entire SUV clears the edge of the depression.
The vehicle launches upward with enormous momentum.
All four wheels become airborne.
The jump must look physically realistic and extremely powerful.
The SUV is directly behind me.
I remain seated in the foreground.
My raised hand remains visible.
---
4.80–5.80 — FULL AIRBORNE JUMP
The SUV is now completely airborne behind me.
It travels upward and forward toward the camera.
The suspension, wheels and body move naturally according to real-world physics.
The wheels rotate.
A huge dust cloud expands from the depression underneath it.
Small pieces of dirt and dust are thrown into the air.
The vehicle must feel extremely heavy and powerful.
I remain calm.
---
5.80–6.80 — VEHICLE DESCENDS
The SUV reaches the peak of its jump and begins descending.
It continues moving toward the camera.
I slowly begin lowering my raised hand.
The camera is now stationary at the final wide composition.
The SUV remains spatially behind me.
---
6.80–8.20 — RAPID APPROACH
The SUV rapidly approaches.
Its front grille, headlights, windshield and tires become increasingly visible.
The dust cloud continues expanding behind it.
I remain seated in the foreground.
No collision.
No overlap with my body.
Maintain realistic depth separation.
---
8.20–9.50 — SUV BECOMES LARGE
The SUV becomes extremely large in the frame.
It passes behind/alongside me.
The vehicle should feel close and powerful.
I remain seated and calm.
My identity must remain perfectly stable.
---
9.50–10.80 — FOREGROUND PASS
The SUV moves very close to the camera.
The side of the vehicle becomes visible.
The vehicle crosses laterally through the foreground.
Strong realistic motion and parallax.
Dust trails behind the tires.
---
10.80–12.00 — END
The SUV continues across the foreground.
Its side body and wheels dominate part of the frame.
Dust remains suspended in the background.
I remain seated in the original chair.
End on the same continuous shot.
NO CUT.
---
CAMERA MOVEMENT LOGIC
0.00–1.50:
Extreme close-up of my face.
1.50–3.70:
Smooth continuous dolly backward.
3.70–4.00:
Continue dolly backward and settle into the final wide composition.
4.00 onward:
Camera becomes completely locked-off.
The camera MUST NOT suddenly zoom.
The camera MUST NOT jump between framing sizes.
The transition from close-up to wide shot must be one smooth physical camera pull-back.
---
ACTION SYNCHRONIZATION
The following three events MUST be synchronized:
CAMERA PULL-BACK
+
HAND RAISES
+
SUV EMERGENCE
But they happen in this exact order:
1. Close-up of face.
2. Camera slowly pulls backward.
3. Environment is gradually revealed.
4. Deep depression becomes visible.
5. My hand starts rising.
6. Camera reaches wide composition.
7. My hand reaches the final upward position.
8. EXACTLY THEN — massive dust explosion.
9. SUV bursts violently out of the depression.
10. SUV jumps high into the air.
11. SUV approaches camera.
12. SUV passes behind/alongside me.
13. SUV crosses foreground.
ABSOLUTELY NO VEHICLE BEFORE THE DUST EXPLOSION.
The SUV must NEVER be visible during the close-up.
The SUV must NEVER be visible while the camera is pulling back.
The SUV must remain completely hidden inside the depression until the exact trigger moment.
The dust explosion is the visual trigger that reveals the SUV.
---
PHYSICAL REALISM
The SUV must have realistic:
- weight
- acceleration
- suspension
- wheel rotation
- airborne trajectory
- gravity
- dust interaction
- tire movement
- shadows
- reflections
It must NOT appear randomly.
The eruption happens extremely quickly and dramatically.
I remain calm and seated.
---
4.15–4.80 — SUV EXPLODES OUT OF THE DEPRESSION
Immediately after the dust explosion, the large dark off-road SUV violently launches out of the depression.
The SUV was physically hidden inside the depression until this exact moment.
First the front of the vehicle bursts through the dust.
Then the entire SUV clears the edge of the depression.
The vehicle launches upward with enormous momentum.
All four wheels become airborne.
The jump must look physically realistic and extremely powerful.
The SUV is directly behind me.
I remain seated in the foreground.
My raised hand remains visible.
---
4.80–5.80 — FULL AIRBORNE JUMP
The SUV is now completely airborne behind me.
It travels upward and forward toward the camera.
The suspension, wheels and body move naturally according to real-world physics.
The wheels rotate.
A huge dust cloud expands from the depression underneath it.
Small pieces of dirt and dust are thrown into the air.
The vehicle must feel extremely heavy and powerful.
I remain calm.
---
5.80–6.80 — VEHICLE DESCENDS
The SUV reaches the peak of its jump and begins descending.
It continues moving toward the camera.
I slowly begin lowering my raised hand.
The camera is now stationary at the final wide composition.
The SUV remains spatially behind me.
---
6.80–8.20 — RAPID APPROACH
The SUV rapidly approaches.
Its front grille, headlights, windshield and tires become increasingly visible.
The dust cloud continues expanding behind it.
I remain seated in the foreground.
No collision.
No overlap with my body.
Maintain realistic depth separation.
---
8.20–9.50 — SUV BECOMES LARGE
The SUV becomes extremely large in the frame.
It passes behind/alongside me.
The vehicle should feel close and powerful.
I remain seated and calm.
My identity must remain perfectly stable.
---
9.50–10.80 — FOREGROUND PASS
The SUV moves very close to the camera.
The side of the vehicle becomes visible.
The vehicle crosses laterally through the foreground.
Strong realistic motion and parallax.
Dust trails behind the tires.
---
10.80–12.00 — END
The SUV continues across the foreground.
Its side body and wheels dominate part of the frame.
Dust remains suspended in the background.
I remain seated in the original chair.
End on the same continuous shot.
NO CUT.
---
CAMERA MOVEMENT LOGIC
0.00–1.50:
Extreme close-up of my face.
1.50–3.70:
Smooth continuous dolly backward.
3.70–4.00:
Continue dolly backward and settle into the final wide composition.
4.00 onward:
Camera becomes completely locked-off.
The camera MUST NOT suddenly zoom.
The camera MUST NOT jump between framing sizes.
The transition from close-up to wide shot must be one smooth physical camera pull-back.
---
ACTION SYNCHRONIZATION
The following three events MUST be synchronized:
CAMERA PULL-BACK
+
HAND RAISES
+
SUV EMERGENCE
But they happen in this exact order:
1. Close-up of face.
2. Camera slowly pulls backward.
3. Environment is gradually revealed.
4. Deep depression becomes visible.
5. My hand starts rising.
6. Camera reaches wide composition.
7. My hand reaches the final upward position.
8. EXACTLY THEN — massive dust explosion.
9. SUV bursts violently out of the depression.
10. SUV jumps high into the air.
11. SUV approaches camera.
12. SUV passes behind/alongside me.
13. SUV crosses foreground.
ABSOLUTELY NO VEHICLE BEFORE THE DUST EXPLOSION.
The SUV must NEVER be visible during the close-up.
The SUV must NEVER be visible while the camera is pulling back.
The SUV must remain completely hidden inside the depression until the exact trigger moment.
The dust explosion is the visual trigger that reveals the SUV.
---
PHYSICAL REALISM
The SUV must have realistic:
- weight
- acceleration
- suspension
- wheel rotation
- airborne trajectory
- gravity
- dust interaction
- tire movement
- shadows
- reflections
❤4👌2
Masoudtechai
پرامپتش سه تیکه اس
The dust must originate from the actual launch point inside the depression.
No teleportation.
No sudden appearance without dust.
No floating vehicle.
No impossible trajectory.
No duplicated vehicles.
No vehicle deformation.
---
NEGATIVE CONSTRAINTS
Do NOT:
- show the vehicle early
- show the vehicle parked in the depression
- reveal the vehicle before the hand reaches upward
- make the vehicle emerge from flat ground
- make the vehicle appear from the side
- make the vehicle teleport
- make the vehicle appear behind me without coming from the depression
- make me stand up
- make me run
- make me jump
- make me react with fear
- change my face
- change my clothes
- change my body proportions
- change the chair
- add cuts
- change camera angles
- introduce another vehicle
- make the SUV collide with me
FINAL VISUAL IMPRESSION:
The video should feel like a high-end cinematic automotive stunt commercial combined with a mysterious portrait reveal.
It starts intimately with an extreme close-up of my face.
The camera slowly pulls away and reveals that I am casually sitting in a chair in a huge dry landscape.
As the camera finishes revealing the scene, I calmly raise my hand.
At the exact moment my hand reaches upward:
A gigantic cloud of dust erupts from the deep depression behind me.
A powerful dark SUV suddenly launches out of the depression with enormous force and flies into the air behind me.
The contrast between my completely calm behavior and the spectacular vehicle jump is essential.
Photorealistic.
Cinematic.
Natural.
Physically believable.
One continuous shot.
No teleportation.
No sudden appearance without dust.
No floating vehicle.
No impossible trajectory.
No duplicated vehicles.
No vehicle deformation.
---
NEGATIVE CONSTRAINTS
Do NOT:
- show the vehicle early
- show the vehicle parked in the depression
- reveal the vehicle before the hand reaches upward
- make the vehicle emerge from flat ground
- make the vehicle appear from the side
- make the vehicle teleport
- make the vehicle appear behind me without coming from the depression
- make me stand up
- make me run
- make me jump
- make me react with fear
- change my face
- change my clothes
- change my body proportions
- change the chair
- add cuts
- change camera angles
- introduce another vehicle
- make the SUV collide with me
FINAL VISUAL IMPRESSION:
The video should feel like a high-end cinematic automotive stunt commercial combined with a mysterious portrait reveal.
It starts intimately with an extreme close-up of my face.
The camera slowly pulls away and reveals that I am casually sitting in a chair in a huge dry landscape.
As the camera finishes revealing the scene, I calmly raise my hand.
At the exact moment my hand reaches upward:
A gigantic cloud of dust erupts from the deep depression behind me.
A powerful dark SUV suddenly launches out of the depression with enormous force and flies into the air behind me.
The contrast between my completely calm behavior and the spectacular vehicle jump is essential.
Photorealistic.
Cinematic.
Natural.
Physically believable.
One continuous shot.
👌4
یادتونه دیشب گفتم با هوش مصنوعی یه سری افراد جدیدی بیکار شدن؟؟
بفرما اینم ویدیوش
https://www.instagram.com/reel/DdtVRkAoNmd/?stkn=MTN2YWxyZGJ1anJyag==
بفرما اینم ویدیوش
https://www.instagram.com/reel/DdtVRkAoNmd/?stkn=MTN2YWxyZGJ1anJyag==
❤18👌5
بالاخره یه راه حل قطعی برای دسترسی موبایل به فلو و ابزارهای گوگل پیدا کردم😊
امشب خیلی خستمه ایشالا فردا آموزشش،رو ضبط میکنم
امشب خیلی خستمه ایشالا فردا آموزشش،رو ضبط میکنم
👍44❤14👌5🔥2
Flow.zip
64.2 KB
اکستنشن فلو مخصوص دسترسی به سرویسهای گوگل مثل فلو ، جمنای نوت بوک و ..
قابل استفاده در موبایل و ویندوز
لینک دانلود بروزر لمور
https://play.google.com/store/apps/details?id=com.lemurbrowser.exts
قابل استفاده در موبایل و ویندوز
لینک دانلود بروزر لمور
https://play.google.com/store/apps/details?id=com.lemurbrowser.exts
❤15👌4
Masoudtechai
Flow.zip
آموزش فعالسازی فلو روی موبایل
https://www.instagram.com/reel/DdyVfFrojeF/?stkn=bDhpMHowcTBudWQ5
https://www.instagram.com/reel/DdyVfFrojeF/?stkn=bDhpMHowcTBudWQ5
❤14🙏4👌4