A hyper-realistic, cinematic 9:16 vertical interior scene set in a warm and nostalgic 1980s Soviet panelka apartment in Kazakhstan. The camera frames a quiet, intimate moment of New Year’s preparation: a small Kazakh girl, 8–10 years old, sitting at a low wooden table near the window, carefully crafting paper snowflakes. The atmosphere is cozy, magical, and filled with the soft festive excitement of the holiday approaching.
The room is illuminated by two light sources:
• gentle blue-white winter light filtering through a frosted window with lace curtains,
• warm amber light from a small table lamp casting a soft glow across the scene.
The girl is fully focused, her tongue slightly peeking out in concentration as she folds white paper into precise tiny triangles. She wears a warm knitted sweater in muted Soviet colors — burgundy and brown geometric patterns — paired with wool leggings and thick homemade socks. Her dark hair is tied in two loose braids, with a few strands falling across her forehead. Her small hands, wrapped in the soft light, hold a pair of dull Soviet metal scissors, slightly too big for her, adding authenticity.
On the table in front of her lie multiple paper snowflakes in various shapes, some perfectly symmetrical, others charmingly uneven. A light scatter of tiny cut-out paper fragments covers the tabletop like miniature confetti. Beside her sits a small ceramic cup with warm tea and a slice of lemon floating near the surface. A half-peeled mandarin rests on a plate nearby, releasing a fresh citrus scent that fills the room.
In the background, the New Year tree stands partially decorated, its bottom branches visible in the frame. Vintage glass ornaments rest in an open cardboard box on the floor — shiny spheres, pinecones, birds — waiting to be hung. A garland of large 80s-style colored bulbs lies coiled near the tree, casting faint reflections.
Behind her, the room displays classic Soviet coziness:
• a patterned carpet hanging on the wall,
• a wooden cabinet filled with crystal that sparkles softly,
• cotton snow and tinsel prepared for later,
• and on the sofa — a folded wool blanket and a pillow with embroidered patterns.
The vertical format emphasizes the intimacy of the workspace and the smallness of the girl within the warm, comforting world of holiday preparation. Tiny dust particles shimmer in the mixed warm and cold lighting, giving the scene a dreamlike quality.
The entire mood is peaceful, tender, and deeply nostalgic — a timeless childhood moment of crafting decorations by hand, just as it was done in the 80s.
No modern objects, no text.
The room is illuminated by two light sources:
• gentle blue-white winter light filtering through a frosted window with lace curtains,
• warm amber light from a small table lamp casting a soft glow across the scene.
The girl is fully focused, her tongue slightly peeking out in concentration as she folds white paper into precise tiny triangles. She wears a warm knitted sweater in muted Soviet colors — burgundy and brown geometric patterns — paired with wool leggings and thick homemade socks. Her dark hair is tied in two loose braids, with a few strands falling across her forehead. Her small hands, wrapped in the soft light, hold a pair of dull Soviet metal scissors, slightly too big for her, adding authenticity.
On the table in front of her lie multiple paper snowflakes in various shapes, some perfectly symmetrical, others charmingly uneven. A light scatter of tiny cut-out paper fragments covers the tabletop like miniature confetti. Beside her sits a small ceramic cup with warm tea and a slice of lemon floating near the surface. A half-peeled mandarin rests on a plate nearby, releasing a fresh citrus scent that fills the room.
In the background, the New Year tree stands partially decorated, its bottom branches visible in the frame. Vintage glass ornaments rest in an open cardboard box on the floor — shiny spheres, pinecones, birds — waiting to be hung. A garland of large 80s-style colored bulbs lies coiled near the tree, casting faint reflections.
Behind her, the room displays classic Soviet coziness:
• a patterned carpet hanging on the wall,
• a wooden cabinet filled with crystal that sparkles softly,
• cotton snow and tinsel prepared for later,
• and on the sofa — a folded wool blanket and a pillow with embroidered patterns.
The vertical format emphasizes the intimacy of the workspace and the smallness of the girl within the warm, comforting world of holiday preparation. Tiny dust particles shimmer in the mixed warm and cold lighting, giving the scene a dreamlike quality.
The entire mood is peaceful, tender, and deeply nostalgic — a timeless childhood moment of crafting decorations by hand, just as it was done in the 80s.
No modern objects, no text.
22 часа назад выкатилось обновление! Ничего себе ФОТОШОП в GPT. Обязательно нужно попробовать 😀
Вырезает фон, делает стилизацию и все это не выходя из GPT! Что за чудо? Показываем как подключить?
Вырезает фон, делает стилизацию и все это не выходя из GPT! Что за чудо? Показываем как подключить?
👍6❤2
Сегодня ... закончится выгодная цена на обучние! Те, кто со мной уже давно - точно знают, что я держу свое слово. Больше мои курсы с таким наполнением ни одного дня не будут стоить 23.000.
лучший старт в 2026 году!
https://www.instagram.com/p/DSIHDSICFNi/?img_index=1
лучший старт в 2026 году!
https://www.instagram.com/p/DSIHDSICFNi/?img_index=1
Instagram
@nataliesbooks
Всего 23.000 - за 10 наыков? Это лучшее, что вы можете успеть дать себе в 25 году.
ИИ стал требованием при найме, при поиске проектов. Не уметь задавать промты больше нельзя!
Мировые корпорации создают видео в ИИ, а СМИ с радостью говорят о возможностях нейросетей.…
ИИ стал требованием при найме, при поиске проектов. Не уметь задавать промты больше нельзя!
Мировые корпорации создают видео в ИИ, а СМИ с радостью говорят о возможностях нейросетей.…
👍3
https://www.instagram.com/reel/DSPFyKtiH6x/?igsh=YThnYXB0NzMyMzZ6
Как сделать такое видео? Делюсь промтами
Как сделать такое видео? Делюсь промтами
Instagram
@nataliesbooks
Много подписчиков из других стран, добро пожаловать! Я хочу показать вам 🇰🇿 Казахстан.
Зима у нас суровая. Люди издревле готовились к зиме как ко времени испытаний. Времени, когда нужно было сохранять тепло, беречь близких. Холодная и ветреная зима могла…
Зима у нас суровая. Люди издревле готовились к зиме как ко времени испытаний. Времени, когда нужно было сохранять тепло, беречь близких. Холодная и ветреная зима могла…
MASTER PROMPT — СЦЕНА 16 (ПОРТРЕТ ЖЕНЩИНЫ / ДНЕВНОЙ СВЕТ)
Ultra realistic cinematic documentary portrait set in Eastern Kazakhstan, rural Altai region, cold winter daytime. A Kazakh woman is shown in a calm, natural moment outdoors near a nomadic camp. She is dressed in authentic traditional winter clothing — layered wool garments, a fur-lined coat or shawl, muted natural colors shaped by function rather than decoration. Fabrics show wear, soft creases, and texture from daily use. No jewelry, no makeup, no stylization.
The portrait is framed as a medium close-up. The woman faces slightly away from the camera, her gaze directed to the side, not engaging the viewer directly. Her expression is neutral and thoughtful — calm, grounded, quietly strong. No smile, no posing. Skin texture is fully realistic: natural tone variations, subtle redness from cold, fine lines, visible pores. Hair is mostly covered, with only small natural strands visible, shaped by cold air.
Lighting is entirely natural. Soft winter daylight diffused by an overcast sky creates even illumination across the face. Subtle reflected light from snow gently lifts shadows under the eyes and chin. No harsh contrast, no dramatic highlights, no artificial lighting.
The background is softly blurred and understated: pale snow, hints of distant trees or low hills, no identifiable modern elements. Depth of field is shallow enough to isolate the subject while maintaining environmental context.
Camera language: cinematic portrait, 85mm lens look, shallow depth of field, documentary framing, film still quality. The camera feels observational, respectful, and unobtrusive.
Color grading is restrained and natural — cold greys and blues in the environment, warm earthy tones in skin and clothing. No oversaturation, no cinematic color tricks, no beauty retouching.
Texture realism is critical: fabric fibers, fur edges, skin detail, breath moisture in cold air must feel physically accurate.
Mood: dignity, resilience, quiet presence. This scene represents the role of women within the landscape and culture of Kazakhstan, emphasizing continuity, strength, and calm rather than performance.
Composition: vertical 9:16 format, subject placed slightly off-center, balanced negative space, slow contemplative visual rhythm suitable for cinematic documentary reels.
Negative prompt: fashion photography, makeup, styled hair, smiling poses, studio lighting, modern clothing, tourists, glossy skin, beauty retouching, cinematic glow, CGI look, illustration, painting, anime, artificial lighting
--ar 9:16
MASTER PROMPT — СЦЕНА 14 (УТРО / ПЕРВЫЙ СВЕТ / СЛЕДЫ)
Ultra realistic cinematic documentary scene set in Eastern Kazakhstan, winter morning in the Altai region just after sunrise. The night has passed, and the first pale daylight spreads slowly across the snow-covered land. The air is cold and still. The sun is low, not visible directly, its light diffused through thin cloud cover, creating soft gradients and long, delicate shadows on the snow.
The foreground shows fresh footprints crossing untouched snow — human tracks and faint animal traces partially filled by wind-blown powder. The snow surface is highly detailed: compacted areas, crystalline edges, subtle wind patterns. These traces suggest recent movement and quiet continuity of life, without showing the person directly.
In the midground, a simple nomadic camp or yurt is barely visible — distant, understated, partially obscured by atmospheric haze. No smoke, no activity emphasized. The structure feels small and temporary within the vast space.
The background opens into wide rolling steppe or low mountain silhouettes fading into pale blue-grey distance. The sky is restrained and realistic, with soft winter tones, no dramatic color, no spectacle.
Lighting is entirely natural. Cold ambient light dominates, with subtle warm highlights where the low sun touches snow ridges and footprints. No artificial lighting, no cinematic exaggeration.
Camera language: cinematic wide shot, 24–35mm lens look, deep depth of field.
Ultra realistic cinematic documentary portrait set in Eastern Kazakhstan, rural Altai region, cold winter daytime. A Kazakh woman is shown in a calm, natural moment outdoors near a nomadic camp. She is dressed in authentic traditional winter clothing — layered wool garments, a fur-lined coat or shawl, muted natural colors shaped by function rather than decoration. Fabrics show wear, soft creases, and texture from daily use. No jewelry, no makeup, no stylization.
The portrait is framed as a medium close-up. The woman faces slightly away from the camera, her gaze directed to the side, not engaging the viewer directly. Her expression is neutral and thoughtful — calm, grounded, quietly strong. No smile, no posing. Skin texture is fully realistic: natural tone variations, subtle redness from cold, fine lines, visible pores. Hair is mostly covered, with only small natural strands visible, shaped by cold air.
Lighting is entirely natural. Soft winter daylight diffused by an overcast sky creates even illumination across the face. Subtle reflected light from snow gently lifts shadows under the eyes and chin. No harsh contrast, no dramatic highlights, no artificial lighting.
The background is softly blurred and understated: pale snow, hints of distant trees or low hills, no identifiable modern elements. Depth of field is shallow enough to isolate the subject while maintaining environmental context.
Camera language: cinematic portrait, 85mm lens look, shallow depth of field, documentary framing, film still quality. The camera feels observational, respectful, and unobtrusive.
Color grading is restrained and natural — cold greys and blues in the environment, warm earthy tones in skin and clothing. No oversaturation, no cinematic color tricks, no beauty retouching.
Texture realism is critical: fabric fibers, fur edges, skin detail, breath moisture in cold air must feel physically accurate.
Mood: dignity, resilience, quiet presence. This scene represents the role of women within the landscape and culture of Kazakhstan, emphasizing continuity, strength, and calm rather than performance.
Composition: vertical 9:16 format, subject placed slightly off-center, balanced negative space, slow contemplative visual rhythm suitable for cinematic documentary reels.
Negative prompt: fashion photography, makeup, styled hair, smiling poses, studio lighting, modern clothing, tourists, glossy skin, beauty retouching, cinematic glow, CGI look, illustration, painting, anime, artificial lighting
--ar 9:16
MASTER PROMPT — СЦЕНА 14 (УТРО / ПЕРВЫЙ СВЕТ / СЛЕДЫ)
Ultra realistic cinematic documentary scene set in Eastern Kazakhstan, winter morning in the Altai region just after sunrise. The night has passed, and the first pale daylight spreads slowly across the snow-covered land. The air is cold and still. The sun is low, not visible directly, its light diffused through thin cloud cover, creating soft gradients and long, delicate shadows on the snow.
The foreground shows fresh footprints crossing untouched snow — human tracks and faint animal traces partially filled by wind-blown powder. The snow surface is highly detailed: compacted areas, crystalline edges, subtle wind patterns. These traces suggest recent movement and quiet continuity of life, without showing the person directly.
In the midground, a simple nomadic camp or yurt is barely visible — distant, understated, partially obscured by atmospheric haze. No smoke, no activity emphasized. The structure feels small and temporary within the vast space.
The background opens into wide rolling steppe or low mountain silhouettes fading into pale blue-grey distance. The sky is restrained and realistic, with soft winter tones, no dramatic color, no spectacle.
Lighting is entirely natural. Cold ambient light dominates, with subtle warm highlights where the low sun touches snow ridges and footprints. No artificial lighting, no cinematic exaggeration.
Camera language: cinematic wide shot, 24–35mm lens look, deep depth of field.
❤2
Documentary framing, film still quality. The camera observes quietly, allowing the viewer to read the land.
Color grading is muted and natural — cold whites, soft greys, pale blues, faint warm highlights. No oversaturation, no stylized color grading.
Texture realism is critical: snow compression in footprints, subtle shadow edges, atmospheric haze must feel physically accurate.
Mood: renewal, continuity, calm endurance. This scene bridges night and day, reinforcing the rhythm of life in Kazakhstan’s harsh but living landscape.
Composition: vertical 9:16 format, footprints leading into the frame, strong leading lines, balanced negative space, slow contemplative visual rhythm suitable for cinematic documentary reels.
Negative prompt: people in frame, dramatic sunrise colors, fantasy lighting, modern objects, vehicles, roads, CGI look, illustration, painting, anime, artificial lighting
--ar 9:16
MASTER PROMPT — СЦЕНА 13 (ИНТЕРЬЕР ЮРТЫ / НОЧЬ / ТЕПЛО)
Ultra realistic cinematic documentary scene set in Eastern Kazakhstan, interior of a traditional Kazakh yurt during deep winter night. The space is dim and intimate. A single small oil lamp or low warm light source softly illuminates the interior, casting gentle amber light across felt walls, wooden supports, and everyday objects. No electricity, no modern light — only a quiet, practical source of warmth and visibility.
The scene focuses on stillness rather than action. A person may be present only partially: a silhouette resting near the wall, or hands folded in lap, barely lit. The face is not clearly visible, not emphasized. The emphasis is on atmosphere, texture, and enclosed warmth.
The felt walls of the yurt show realistic texture — fibers, seams, subtle discoloration from age and smoke. Wooden elements are worn and scratched, showing years of use. A few simple objects are visible: folded blankets, a kettle, a bowl — all practical, muted, and authentic. No decorative excess, no tourist styling.
Lighting is soft and directional. The warm light gently falls off into deep shadows, creating natural contrast without drama. Shadows are uneven and organic, responding to the shape of the yurt. Outside cold is implied through the darkness beyond the entrance or roof opening, but not shown directly.
Camera language: cinematic medium shot, 35–50mm lens look, shallow to moderate depth of field. Documentary framing, film still quality. The camera feels like a quiet observer inside the space.
Color grading is restrained and natural — warm ambers and browns inside, deep shadows, no oversaturation, no stylized cinematic palettes.
Texture realism is critical: felt fibers, wood grain, metal surfaces, fabric folds must feel tactile and real.
Mood: warmth, protection, quiet reflection, continuity. This scene contrasts the harsh exterior environment with human shelter, reinforcing themes of survival and belonging.
Composition: vertical 9:16 format, light source placed off-center, strong use of shadow and negative space, calm visual rhythm suitable for cinematic documentary reels.
Negative prompt: electric lamps, modern furniture, bright interiors, staged lifestyle photography, tourists, dramatic poses, cinematic glow, CGI look, illustration, painting, anime, artificial studio lighting
--ar 9:16
MASTER PROMPT — СЦЕНА 10 (ДИКОЕ ЖИВОТНОЕ / ЛИСИЦА / ТИШИНА)
Ultra realistic cinematic documentary scene set in Eastern Kazakhstan, winter steppe at the edge of the Altai Mountains. Late afternoon, fading cold light, calm air. A lone red fox stands on snow-covered ground, captured in a moment of stillness and alert observation. The fox is shown in a natural posture, body slightly angled, head turned toward the camera, ears raised, eyes sharp and attentive. No movement, no chase — a quiet pause in the wild.
Fur detail is extremely realistic: thick winter coat with visible individual hairs, subtle variations in color from deep rust to pale frost-touched tips. Small ice crystals cling to the fur around the chest and legs.
Color grading is muted and natural — cold whites, soft greys, pale blues, faint warm highlights. No oversaturation, no stylized color grading.
Texture realism is critical: snow compression in footprints, subtle shadow edges, atmospheric haze must feel physically accurate.
Mood: renewal, continuity, calm endurance. This scene bridges night and day, reinforcing the rhythm of life in Kazakhstan’s harsh but living landscape.
Composition: vertical 9:16 format, footprints leading into the frame, strong leading lines, balanced negative space, slow contemplative visual rhythm suitable for cinematic documentary reels.
Negative prompt: people in frame, dramatic sunrise colors, fantasy lighting, modern objects, vehicles, roads, CGI look, illustration, painting, anime, artificial lighting
--ar 9:16
MASTER PROMPT — СЦЕНА 13 (ИНТЕРЬЕР ЮРТЫ / НОЧЬ / ТЕПЛО)
Ultra realistic cinematic documentary scene set in Eastern Kazakhstan, interior of a traditional Kazakh yurt during deep winter night. The space is dim and intimate. A single small oil lamp or low warm light source softly illuminates the interior, casting gentle amber light across felt walls, wooden supports, and everyday objects. No electricity, no modern light — only a quiet, practical source of warmth and visibility.
The scene focuses on stillness rather than action. A person may be present only partially: a silhouette resting near the wall, or hands folded in lap, barely lit. The face is not clearly visible, not emphasized. The emphasis is on atmosphere, texture, and enclosed warmth.
The felt walls of the yurt show realistic texture — fibers, seams, subtle discoloration from age and smoke. Wooden elements are worn and scratched, showing years of use. A few simple objects are visible: folded blankets, a kettle, a bowl — all practical, muted, and authentic. No decorative excess, no tourist styling.
Lighting is soft and directional. The warm light gently falls off into deep shadows, creating natural contrast without drama. Shadows are uneven and organic, responding to the shape of the yurt. Outside cold is implied through the darkness beyond the entrance or roof opening, but not shown directly.
Camera language: cinematic medium shot, 35–50mm lens look, shallow to moderate depth of field. Documentary framing, film still quality. The camera feels like a quiet observer inside the space.
Color grading is restrained and natural — warm ambers and browns inside, deep shadows, no oversaturation, no stylized cinematic palettes.
Texture realism is critical: felt fibers, wood grain, metal surfaces, fabric folds must feel tactile and real.
Mood: warmth, protection, quiet reflection, continuity. This scene contrasts the harsh exterior environment with human shelter, reinforcing themes of survival and belonging.
Composition: vertical 9:16 format, light source placed off-center, strong use of shadow and negative space, calm visual rhythm suitable for cinematic documentary reels.
Negative prompt: electric lamps, modern furniture, bright interiors, staged lifestyle photography, tourists, dramatic poses, cinematic glow, CGI look, illustration, painting, anime, artificial studio lighting
--ar 9:16
MASTER PROMPT — СЦЕНА 10 (ДИКОЕ ЖИВОТНОЕ / ЛИСИЦА / ТИШИНА)
Ultra realistic cinematic documentary scene set in Eastern Kazakhstan, winter steppe at the edge of the Altai Mountains. Late afternoon, fading cold light, calm air. A lone red fox stands on snow-covered ground, captured in a moment of stillness and alert observation. The fox is shown in a natural posture, body slightly angled, head turned toward the camera, ears raised, eyes sharp and attentive. No movement, no chase — a quiet pause in the wild.
Fur detail is extremely realistic: thick winter coat with visible individual hairs, subtle variations in color from deep rust to pale frost-touched tips. Small ice crystals cling to the fur around the chest and legs.
❤1
The fox’s breath is faintly visible in the cold air, delicate and natural, not exaggerated.
The environment is minimal and authentic: gently undulating snow-covered terrain with sparse dry grasses poking through the snow. Distant low hills fade into soft atmospheric haze. The sky is muted and overcast, casting even, soft light across the scene. No dramatic clouds, no stylized weather.
Lighting is entirely natural, subdued and diffuse. Soft highlights trace the fox’s outline, while shadows remain gentle and realistic. The snow reflects cold ambient light, subtly illuminating the underside of the animal.
Camera language: cinematic medium shot, 70–100mm lens look, shallow depth of field isolating the fox against a softly blurred background. Documentary framing, film still quality, precise focus on the animal’s face and eyes.
Color grading is restrained and realistic — cold whites and greys of snow, natural warm tones of fox fur, no oversaturation, no stylized color palette. Exposure and contrast are natural, preserving detail in both fur and snow.
Texture realism is critical: fur density, snow compression under paws, breath vapor, subtle moisture around nose must feel physically accurate.
Mood: tension, awareness, quiet survival. This scene highlights the fragile balance of life in Kazakhstan’s winter wilderness, emphasizing stillness and attentiveness rather than action.
Composition: vertical 9:16 format, fox positioned slightly off-center, negative space surrounding the subject to enhance isolation and focus, calm visual rhythm suitable for cinematic documentary reels.
Negative prompt: hunting action, running, attacking poses, dramatic snowstorms, fantasy animals, exaggerated expressions, cinematic glow, oversaturated colors, CGI look, illustration, painting, anime, artificial lighting
--ar 9:16
The environment is minimal and authentic: gently undulating snow-covered terrain with sparse dry grasses poking through the snow. Distant low hills fade into soft atmospheric haze. The sky is muted and overcast, casting even, soft light across the scene. No dramatic clouds, no stylized weather.
Lighting is entirely natural, subdued and diffuse. Soft highlights trace the fox’s outline, while shadows remain gentle and realistic. The snow reflects cold ambient light, subtly illuminating the underside of the animal.
Camera language: cinematic medium shot, 70–100mm lens look, shallow depth of field isolating the fox against a softly blurred background. Documentary framing, film still quality, precise focus on the animal’s face and eyes.
Color grading is restrained and realistic — cold whites and greys of snow, natural warm tones of fox fur, no oversaturation, no stylized color palette. Exposure and contrast are natural, preserving detail in both fur and snow.
Texture realism is critical: fur density, snow compression under paws, breath vapor, subtle moisture around nose must feel physically accurate.
Mood: tension, awareness, quiet survival. This scene highlights the fragile balance of life in Kazakhstan’s winter wilderness, emphasizing stillness and attentiveness rather than action.
Composition: vertical 9:16 format, fox positioned slightly off-center, negative space surrounding the subject to enhance isolation and focus, calm visual rhythm suitable for cinematic documentary reels.
Negative prompt: hunting action, running, attacking poses, dramatic snowstorms, fantasy animals, exaggerated expressions, cinematic glow, oversaturated colors, CGI look, illustration, painting, anime, artificial lighting
--ar 9:16
❤1
С Днём Независимости! На тренинге показывала промт. Попробуйте его в Nano Banana!
Крупный план по пояс, тёмная студия с мягким контровым светом и бирюзово-золотой подсветкой. Композиция разделена на две чёткие части: правая половина кадра полностью заполнена крупным, красиво ниспадающим казахстанским флагом — насыщенная бирюзовая шелковистая ткань с чётким золотым орнаментом, солнцем и орлом, текстура и блеск ткани хорошо видны.
Слева стоит модель, вплотную к флагу, она мягко касается его щекой или виском, слегка наклоняет голову в сторону ткани. Её поза спокойная, благородная, уверенная.
На модели элегантное платье глубокого тёмно-синего оттенка, заметно темнее, чем цвет флага; ткань плотная, дорогая, красиво отражает свет. Украшения минималистичные, золотые, с мотивами казахского орнамента. Волосы идеально уложены, текстура подчёркнута мягким верхним светом. Макияж чистый, с акцентом на глаза, эмоция спокойной силы.
Атмосфера — премиальная, праздничная, высокая мода, стиль Vogue. Не менять черты лица.
Крупный план по пояс, тёмная студия с мягким контровым светом и бирюзово-золотой подсветкой. Композиция разделена на две чёткие части: правая половина кадра полностью заполнена крупным, красиво ниспадающим казахстанским флагом — насыщенная бирюзовая шелковистая ткань с чётким золотым орнаментом, солнцем и орлом, текстура и блеск ткани хорошо видны.
Слева стоит модель, вплотную к флагу, она мягко касается его щекой или виском, слегка наклоняет голову в сторону ткани. Её поза спокойная, благородная, уверенная.
На модели элегантное платье глубокого тёмно-синего оттенка, заметно темнее, чем цвет флага; ткань плотная, дорогая, красиво отражает свет. Украшения минималистичные, золотые, с мотивами казахского орнамента. Волосы идеально уложены, текстура подчёркнута мягким верхним светом. Макияж чистый, с акцентом на глаза, эмоция спокойной силы.
Атмосфера — премиальная, праздничная, высокая мода, стиль Vogue. Не менять черты лица.
🔥9👏3
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Сегодня попробовала вот такую стилизацию! Это эффект гофрированной бумаги. Как вам?
Делюсь промтом, чтобы вы могли попробовать:
Cinematic high-fashion portrait of a Kazakh Asian woman, reimagined through sculptural paper couture and ancestral ornament. Her face has clear Central Asian features: almond-shaped eyes, high cheekbones, calm symmetrical structure, emotionally restrained, silent, powerful gaze. Paper folds surround and partially frame her face, constructed using Kazakh ornamental logic inspired by ram-horn curves and protective symbols, translated into layered origami-like geometry. No surface patterns the ornament exists through structure, rhythm, and symmetry. Color palette: jade green, warm dust-beige, soft bone-white paper, muted gold accents, deep ink-black shadows. Background is minimal, matte, studio-controlled. Lighting is sculptural and soft, highlighting the folds, edges, and facial planes without gloss. Everything feels ceremonial, meditative, timeless.--ar 51:91
Делюсь промтом, чтобы вы могли попробовать:
Cinematic high-fashion portrait of a Kazakh Asian woman, reimagined through sculptural paper couture and ancestral ornament. Her face has clear Central Asian features: almond-shaped eyes, high cheekbones, calm symmetrical structure, emotionally restrained, silent, powerful gaze. Paper folds surround and partially frame her face, constructed using Kazakh ornamental logic inspired by ram-horn curves and protective symbols, translated into layered origami-like geometry. No surface patterns the ornament exists through structure, rhythm, and symmetry. Color palette: jade green, warm dust-beige, soft bone-white paper, muted gold accents, deep ink-black shadows. Background is minimal, matte, studio-controlled. Lighting is sculptural and soft, highlighting the folds, edges, and facial planes without gloss. Everything feels ceremonial, meditative, timeless.--ar 51:91
🔥11❤1
Делаем вот такой морфинг! Делюсь подробными промтами https://www.instagram.com/reel/DSueypsCJN5/?igsh=eWtybjlxY2lkYms1
Instagram
@nataliesbooks
Вчера на встрече клуба делали вот такой механический морфинг!
Оцените результат. Промты уже в моем ТГ канале по ссылке в шапке профиля.
Оцените результат. Промты уже в моем ТГ канале по ссылке в шапке профиля.
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