His acquaintance with the cultures of Khakassia and Tyva further deepened his understanding of Tatar culture. He found similarities between the Tatars and the Khakass people, pointing out the latter's self-designation "Tadar," reminiscent of "Tatar." Understanding the Tyvans was more challenging due to their Mongolian traits. Overall, his experiences in Siberia helped him comprehend aspects of Tatar culture that he hadn't grasped before. He believed in interconnectedness of all Turkic peoples.

The Heavenly tigers of Kük Tengri (2009)

Umay (2011)

The Hounds of Erlik (2015)

Sabantuy (?)

For Azat, the canvas was a shamanic drum, and the brush was his drumstick. Rejecting frames, he believed they confine the energy of his creations. His graphic works span from sketches to illustrations for books like Qol Ğali’s "Qıyssa-i Yosıf" and the Tatar epic "İdegəy."

Azat Minnekaev's art goes beyond boundaries, inviting viewers to explore ancient cultures, mystical landscapes, and the spiritual essence of the Turkic and other indigenous peoples.

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