Coffer illusion
Among many illusions, this one is my favorite because in my childhood, pictures with a similar effect were popular on the back covers of diaries. But even after years of practice, I couldn't immediately see 16 circles here.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Among many illusions, this one is my favorite because in my childhood, pictures with a similar effect were popular on the back covers of diaries. But even after years of practice, I couldn't immediately see 16 circles here.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Now #illustrator supports external, internal, and central positioning of the light source on open curves.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Theory
Theory is the justification of phenomena that have already been confirmed and proven. It is not a hypothesis requiring proof (theorem, hypothesis). Therefore, the phrase "In theory, yes, but in practice, no" is devoid of meaning, as theory reflects everything that has happened in practice.
"Saying 'I could theoretically go there' is also an incorrect formulation. It is more accurate to say 'hypothetically.'
Darwin's theory is not the author's fantasies and wishes with a hope for truthfulness. He first deduced regularities, proved them, and then structured an explanation based on them.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Theory is the justification of phenomena that have already been confirmed and proven. It is not a hypothesis requiring proof (theorem, hypothesis). Therefore, the phrase "In theory, yes, but in practice, no" is devoid of meaning, as theory reflects everything that has happened in practice.
"Saying 'I could theoretically go there' is also an incorrect formulation. It is more accurate to say 'hypothetically.'
Darwin's theory is not the author's fantasies and wishes with a hope for truthfulness. He first deduced regularities, proved them, and then structured an explanation based on them.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Quite a sobering thought. What do you think about the Reddit redesign?
https://www.pentagram.com/work/reddit?rel=discipline&rel-id=1
I like the typography aspect of the project, but the rest seems to lean more towards ICQ than fitting with Reddit.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
https://www.pentagram.com/work/reddit?rel=discipline&rel-id=1
I like the typography aspect of the project, but the rest seems to lean more towards ICQ than fitting with Reddit.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
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Quickly fill a photo with a decorative rosette pattern. #psd #photoshop
Pattern with diagonal lines:
1. Create a document 200x200, draw a diagonal line in the center with a thickness of 50-80 pixels, and convert it into a smart object. Apply desired blur.
2. Duplicate the diagonal line twice and add Offset effect to the duplicates. Set an offset of 100 for one and -100 for the other. Don't forget to check Repeat Edge Pixels.
3. Select all with cmd+A, go to Edit—Define pattern, and save the pattern.
Next, go to your photo and create a Fill layer—Pattern above it. Choose your pattern, adjust the scale as desired. Set the pattern layer to HardMix blend mode.
For fine-tuning, you can add a Curves layer beneath the pattern layer to adjust line thickness and a gradient map layer on top for coloring.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Pattern with diagonal lines:
1. Create a document 200x200, draw a diagonal line in the center with a thickness of 50-80 pixels, and convert it into a smart object. Apply desired blur.
2. Duplicate the diagonal line twice and add Offset effect to the duplicates. Set an offset of 100 for one and -100 for the other. Don't forget to check Repeat Edge Pixels.
3. Select all with cmd+A, go to Edit—Define pattern, and save the pattern.
Next, go to your photo and create a Fill layer—Pattern above it. Choose your pattern, adjust the scale as desired. Set the pattern layer to HardMix blend mode.
For fine-tuning, you can add a Curves layer beneath the pattern layer to adjust line thickness and a gradient map layer on top for coloring.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
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Bitmap flick #ai #illustrator
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Bitmap shadow #ai
If you like bitmap shadows, creating them in Illustrator is easy, especially editable ones.
1. Place a gradient layer above the base color.
2. Add the Rasterize filter to the gradient in Bitmap mode with a very low ppi, transparent background, and the Clipping Mask option enabled. The higher the ppi value, the finer the grid.
3. If you have the Astute plugin, you can color the shadow using Phantasm—Shift to Color.
4. If you don't have the plugin, you can rasterize the shadow and then apply Trace, converting it into a vector.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
If you like bitmap shadows, creating them in Illustrator is easy, especially editable ones.
1. Place a gradient layer above the base color.
2. Add the Rasterize filter to the gradient in Bitmap mode with a very low ppi, transparent background, and the Clipping Mask option enabled. The higher the ppi value, the finer the grid.
3. If you have the Astute plugin, you can color the shadow using Phantasm—Shift to Color.
4. If you don't have the plugin, you can rasterize the shadow and then apply Trace, converting it into a vector.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
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Fidelity #ai #illustrator
If you notice that the shape of the object doesn't align well with the Envelope Distort Mesh, drag the Fidelity slider in the distortion options all the way to the right.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
If you notice that the shape of the object doesn't align well with the Envelope Distort Mesh, drag the Fidelity slider in the distortion options all the way to the right.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
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Corners #ai #illustrator
You can adjust the shape of corners while drawing by using the ↓ ↑ keys.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
You can adjust the shape of corners while drawing by using the ↓ ↑ keys.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
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Polar grid #ai #illustrator
A fantastic tool in Illustrator. To adjust the number of rings and dividers, press → ↑ ← ↓ while drawing.
If you need to adjust the density of the rings towards the center or edge of the shape, press X or C. To shift dividers back and forth, use F and V.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
A fantastic tool in Illustrator. To adjust the number of rings and dividers, press → ↑ ← ↓ while drawing.
If you need to adjust the density of the rings towards the center or edge of the shape, press X or C. To shift dividers back and forth, use F and V.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Why I don't use a dark theme
If you read white text on a dark background for 2 minutes and then open a white website, your brain may experience a slight disturbance. Reading on a dark background is simply impossible.
Approximately 95% of software just invert their icons for a dark background, making it extremely challenging to discern them. While modeling on a dark background is okay, dealing with a small interface is not.
I also find it difficult to quickly see the boundaries of the palette and document, small inputs, and toggles, so I exert additional effort when working with a dark theme. In this sense, Spline3D is endlessly irritating.
For me, the ideal setup is a white working surface and a slightly gray interface. If I need to see how my colors look on a dark background, I simply draw a black rectangle underneath the artwork.
Approximately several guys, influenced by my gentle persuasion, have switched to the light side and are already expressing distaste towards the dark and black magic.
If you read white text on a dark background for 2 minutes and then open a white website, your brain may experience a slight disturbance. Reading on a dark background is simply impossible.
Approximately 95% of software just invert their icons for a dark background, making it extremely challenging to discern them. While modeling on a dark background is okay, dealing with a small interface is not.
I also find it difficult to quickly see the boundaries of the palette and document, small inputs, and toggles, so I exert additional effort when working with a dark theme. In this sense, Spline3D is endlessly irritating.
For me, the ideal setup is a white working surface and a slightly gray interface. If I need to see how my colors look on a dark background, I simply draw a black rectangle underneath the artwork.
Approximately several guys, influenced by my gentle persuasion, have switched to the light side and are already expressing distaste towards the dark and black magic.
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Greeking and Live Screen Drawing #indd #indesign
And here are some useful InDesign settings for you in the evening.
1. Preferences→Display Performance→Greeking Type Below. When you have a lot of text (book, magazine), the system will consume a lot of resources to render everything. This feature turns text into strips when you zoom or pan the document. I usually set values for the body, so headers remain readable. Works in High-Quality Preview mode.
2. Preferences→Interface→Live Screen Drawing. When set to Delayed, InDesign shows the new position of a dragged object with a frame. When set to Immediate, the object is visible throughout the dragging process. It also saves resources.
That's why, when I layout complex documents, everything runs smoothly for me, even though it's loaded with gigabytes.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
And here are some useful InDesign settings for you in the evening.
1. Preferences→Display Performance→Greeking Type Below. When you have a lot of text (book, magazine), the system will consume a lot of resources to render everything. This feature turns text into strips when you zoom or pan the document. I usually set values for the body, so headers remain readable. Works in High-Quality Preview mode.
2. Preferences→Interface→Live Screen Drawing. When set to Delayed, InDesign shows the new position of a dragged object with a frame. When set to Immediate, the object is visible throughout the dragging process. It also saves resources.
That's why, when I layout complex documents, everything runs smoothly for me, even though it's loaded with gigabytes.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
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Style Pack #indd #indesign
Earlier, I wrote about the new Style Pack feature in the InDesign beta, but back then, it was not working so well. Now that it has been rolled out in the release, it works better. It can differentiate between lists, headings, empty paragraphs, and subheadings.
You just select your text and apply a style from the presets. The ready paragraph styles drop into the palette, and you can customize them.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Earlier, I wrote about the new Style Pack feature in the InDesign beta, but back then, it was not working so well. Now that it has been rolled out in the release, it works better. It can differentiate between lists, headings, empty paragraphs, and subheadings.
You just select your text and apply a style from the presets. The ready paragraph styles drop into the palette, and you can customize them.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Keith Cottingham
The guy who once designed the glass Apple logo and metallic screens for Autodesk. This happened around the early 2000s.
https://www.kcottingham.com/apple
https://www.kcottingham.com/autodesk
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
The guy who once designed the glass Apple logo and metallic screens for Autodesk. This happened around the early 2000s.
https://www.kcottingham.com/apple
https://www.kcottingham.com/autodesk
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Data Visualization
Guys who can flawlessly visualize data fall somewhere between Einstein and Le Corbusier in my value system.
The rest of the folks, for some reason, seem to settle for "gastrointestinal tracts" or "pies" when attempting to represent data. In the image below, there's a fantastic theme for visualization—data on storm warnings. It's executed in a rather unclear form, generating more questions than answers.
Why does it start from the right instead of the left (the usual reading direction)? The thickness represents the number of events, but what does the vertical position of the curve signify? What happens at the turns of the curve? Why do 1990 and 2010 merge the upper and lower date bands?
Why not mark leap years instead of just bolding every fifth year? Why not use the width between the years to show something interesting? And what about color-blind individuals? What is the number of warnings related to: the imperfections of measuring instruments in 1980 or the number of storms?
If you were to create a similar visualization but in the form of a population pyramid, you could extract much more interesting information. When creating data visualizations, try to find cool relationships and hidden answers to questions, then it will be organically beautiful and informative.
Clients often agree with my solutions, but sometimes, after seeing images from competitors, they are afraid to do something different. It becomes challenging to convince them otherwise. So, I have to feed them good examples.
Examples:
http://hint.fm/wind/
https://unhcr.github.io/dataviz-streamgraph-explorer/#types=1-2-3-4-5-6-7
By the way, I used to spend a lot of time on this site until the number of mediocre visualizations outweighed the quality ones. But occasionally, you can find good solutions:
http://www.visualcomplexity.com/.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Guys who can flawlessly visualize data fall somewhere between Einstein and Le Corbusier in my value system.
The rest of the folks, for some reason, seem to settle for "gastrointestinal tracts" or "pies" when attempting to represent data. In the image below, there's a fantastic theme for visualization—data on storm warnings. It's executed in a rather unclear form, generating more questions than answers.
Why does it start from the right instead of the left (the usual reading direction)? The thickness represents the number of events, but what does the vertical position of the curve signify? What happens at the turns of the curve? Why do 1990 and 2010 merge the upper and lower date bands?
Why not mark leap years instead of just bolding every fifth year? Why not use the width between the years to show something interesting? And what about color-blind individuals? What is the number of warnings related to: the imperfections of measuring instruments in 1980 or the number of storms?
If you were to create a similar visualization but in the form of a population pyramid, you could extract much more interesting information. When creating data visualizations, try to find cool relationships and hidden answers to questions, then it will be organically beautiful and informative.
Clients often agree with my solutions, but sometimes, after seeing images from competitors, they are afraid to do something different. It becomes challenging to convince them otherwise. So, I have to feed them good examples.
Examples:
http://hint.fm/wind/
https://unhcr.github.io/dataviz-streamgraph-explorer/#types=1-2-3-4-5-6-7
By the way, I used to spend a lot of time on this site until the number of mediocre visualizations outweighed the quality ones. But occasionally, you can find good solutions:
http://www.visualcomplexity.com/.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
❤1
The significance of fonts
https://steblina.notion.site/The-font-is-more-powerful-than-the-color-c6e30b6e0add4cf7a81e02984e03da23?pvs=4
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
https://steblina.notion.site/The-font-is-more-powerful-than-the-color-c6e30b6e0add4cf7a81e02984e03da23?pvs=4
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Mesh color
Simply a way to blend colors and save them as PNG.
https://meshgradient.com"
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Simply a way to blend colors and save them as PNG.
https://meshgradient.com"
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Piece of concrete
The most beautiful and graceful piece of concrete I have ever seen.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
The most beautiful and graceful piece of concrete I have ever seen.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
And now let's take a look at the cool project—the Jerry Garcia Wellness logo created by Pentagram. The musician was missing the middle finger of his right hand, which later became his personal symbol.
https://www.pentagram.com/work/jerry-garcia-wellness/story
In short, I really love this kind of identity play.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
https://www.pentagram.com/work/jerry-garcia-wellness/story
In short, I really love this kind of identity play.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
RGBCMYK
Most people worry that RGB colors may differ significantly from their CMYK versions, so they adjust the range of the first color space to match the second.
I'm not concerned about having color variations of my logos, ranging from the most vibrant to black-and-white or outlined versions. The limitations of one technology (printing, embroidery) shouldn't affect the appearance of another (screen).
My only concern is that the composition of blue is C70M20Y0K0 instead of C73M24Y13K4.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Most people worry that RGB colors may differ significantly from their CMYK versions, so they adjust the range of the first color space to match the second.
I'm not concerned about having color variations of my logos, ranging from the most vibrant to black-and-white or outlined versions. The limitations of one technology (printing, embroidery) shouldn't affect the appearance of another (screen).
My only concern is that the composition of blue is C70M20Y0K0 instead of C73M24Y13K4.
——
KnowHowToDesign
https://www.youtube.com/@steblina
https://linktr.ee/steblina
Two nuances in layout
When a word with a negation or a preposition follows the slash (waiting outside/in a cafe/at a bus stop?), a strong connection is formed between the preposition and the slash, rather than the subsequent word. In such situations, I adjust the kerning around the slash to balance the distances.
What about the distance to the bullet point?
It depends on the font. On average, I try to ensure that the distance to the bullet point is at least half the height of uppercase letters. The bolder the bullet point, the farther I move it. If the distance starts resembling an issue, it means you've gone too far.
When a word with a negation or a preposition follows the slash (waiting outside/in a cafe/at a bus stop?), a strong connection is formed between the preposition and the slash, rather than the subsequent word. In such situations, I adjust the kerning around the slash to balance the distances.
What about the distance to the bullet point?
It depends on the font. On average, I try to ensure that the distance to the bullet point is at least half the height of uppercase letters. The bolder the bullet point, the farther I move it. If the distance starts resembling an issue, it means you've gone too far.