juffo | ๐Ÿ™
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โ€ผ๏ธ | channel may contain content not suitable for certain ages | 16-18 preferred
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how cute he is ๐Ÿ“

#wip
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i liked this idea to represent generally the story i have in mind, to highlight the connection between symptom and the vessel and how all this, in turn, profoundly influences marinaโ€™s psyche

๐Ÿช†#maxgambino #oc
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๐Ÿ“ข commission piece
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i think he would have owned these things ๐Ÿฅน credits to carnivill
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juffo | ๐Ÿ™
i think he would have owned these things ๐Ÿฅน credits to carnivill
i sincerely need to understand how his parents look like because his genes are crazy work ๐Ÿคช
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Forwarded from doda 2 (DODO)
ัะผะพั‚ั€ะธั‚ะต ั‡ั‚ะพ ะผะฝะต ะฟะพะดะฐั€ะธะปะธ ะ”ะถัƒั„ั„ะพ !!!๐Ÿฅน๐Ÿฅน๐Ÿฅน๐Ÿฅน๐Ÿฅน
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miku gambino
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๐Ÿคฉ nudity
ciao mamma matilda ๐Ÿคช
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๐Ÿคฉ by ikatsuchan
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๐ŸŸ trade
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๐ŸŒ€ #maxgambino
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happy pride month to my fav fictional russian ๐ŸŽถโค๏ธ
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bullying ๐Ÿซถ
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feedback of โ€œbackroomsโ€ (directed by kane parsons), so spoilers ahead ๐Ÿ˜ฎ

i considered it a really interesting allegory of the human psyche, which for years has been understood as an infinite map where not everything is always clear- indeed, our memories are often distorted and unscanned, over which we ourselves do not even have control. it is objectively negative,, ๐Ÿ›๏ธbut in some fragments i saw myself in the protagonist, clark, who in the end did not have the strength to leave the place which led to his death, but found comfort in being remembered by it. in a parallel way, mary rejected this destructive comfort and (based on interpretation) left the backrooms (or at least, she managed not to get devoured by childhood trauma). i obviously loved the setting and those small details that gradually formed a great puzzle - only the pacing could have been better. overall, itโ€™s a film i would truly watch a thousand times more, it totally destabilized me! โค๏ธ
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