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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
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Hans Namuth
Agnes Martin with Ellsworth Kelly 
in his studio at 3-5 Coenties Slip, New York

1957

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Carlos Amorales & Klangforum Wien
Erased Symphony
2013

Erased Symphony is based on the idea that existing cultural narratives are subject to erasure, whereby the focus is not only on evident extinction but also processes of disappearance, revaluation, densification, corrosion, etc. in the telling of national, continental, in this case Western, and hegemonial (hi)stories. In Erased Symphony the Emperor Waltz by Strauss undergoes a gradual process of erasure, albeit not the original version is modified but Arnold Schönberg’s transcription of the waltz from 1925 for flute, clarinet, string quartet, and piano. This, in turn, leads to a densification in the complexity and an overlap of historical and contemporary (cultural, political, social) narratives.”

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Nathalie von Reuter
Portrait of Jeanne Mandello
c. 1930
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Today there is deep in you a not long dried-up spring, though how quickly it fills with tears.
Today there is deep in you a not long abandoned airfield, though how quickly it's overgrown.
You'll have to go on foot now, your spring of grief within.
But you stand frozen while in front of you cockroaches cross the street moving from butcher to baker.


Vladimír Holan, Today There Is…, from Selected poems by Vladimír Holan, Penguin modern European poetry, trans. Jarmila and Ian Milner
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Yohji Yamamoto
Rewind / Forward
1995-2000

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Mitch Cullin
Pasadena, California
2011
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Eileen Agar
Photograph of Lee Miller at Hotel Vaste Horizon
Mougins, France, 1937
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"An extraordinary lucidity, frosty and crisp in the blackness, but paralysed; lodged in some recess of the universe that clutches it like a snare. A wave of nausea is accompanied by a peculiarly insinuating headache, as if thought itself were copulating unreservedly with suffering. A damp coldness, close to fog, creeps through the open window. I laugh, delighted at the fate that has turned me into a reptile. The metallic hardness of intellect seems like a cutting instrument in my hand; the detached fragment from a machine tool, or an abattoir, seeking out the terminal sense it was always refused."

Nick Land, The Thirst for Annihilation: Georges Bataille and Virulent Nihilism
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Woody Vasulka
Didactic Video
1975
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Tristram Cary
Divertimento for Olivetti machines, Chorus and Percussion
1973
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La Monte Young
Composition 1960 #10
1960

Performed by Nam June Paik
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Nanni Mensch
From the “Single Images” series
2022

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