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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Ossip Zadkine
Portrait de Henk et Nel Wiegersma
1930
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Bridget Riley's drawings and sketches hanging in her studio
London, n.d.
Hang-Up Gallery, London
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“Strategy works through a persistent (de)constructive critique of the theoretical. “Strategy” is an embattled concept-metaphor and unlike “theory,” its antecedents are not disinterested and universal. The critical moment does not come only at a certain stage when one sees one’s effort succeeding. It is not only in that moment of euphoria that we begin to decide that we had been strategic all along. The strategic use of an essence as a mobilizing slogan or masterword like woman or worker or the name of a nation is, ideally, self-conscious for all mobilized. This is the impossible risk of a lasting strategy.”

Gayatri Chakravorty Spivak, ‘In A Word,’ interview with Ellen Roney
Abisag Tüllmann
Bridget Riley
White Chapel Gallery, London
1966
Roni Horn
Remembered Words
Steidl, Göttingen, 2022
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Luigi Veronesi
I numeri (1945, 1978)
Corraini Edizioni, Mantova, 1997
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Cy Twombly
Cycnus
Berlin, 1979
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Bernhard Leitner
Vol. no. 122.
Berlin: Köln: SMB
Staatliche Museen zu Berln
DuMont, 2008

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Gerhardt Isringhaus
Bag Man
1983
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“Skill in living, awareness of belonging to the world, delight in being part of the world, always tends to involve knowing our kinship as animals with animals... Relationship among all things appears to be complex and reciprocal - always at least two-way, back and forth. It seems that nothing is single in this universe, and nothing goes one way.

In this view, we humans appear as particularly lively, intense, aware nodes of relation in an intinite network of connections, simple or complicated, direct or hidden, strong or delicate, temporary or very long-lasting. A web of connections, infinite but locally fragile, with and among everything - all beings - including what we generally class as things, objects.”

Ursula K. Le Guin - Deep in Admiration (Arts of Living on a Damaged Planet)

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